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Attribution-NonCommercial-ShareAlike 4.0 International
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=======================================================================
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Creative Commons Corporation ("Creative Commons") is not a law firm and
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does not provide legal services or legal advice. Distribution of
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Creative Commons public licenses does not create a lawyer-client or
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other relationship. Creative Commons makes its licenses and related
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information available on an "as-is" basis. Creative Commons gives no
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warranties regarding its licenses, any material licensed under their
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terms and conditions, or any related information. Creative Commons
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disclaims all liability for damages resulting from their use to the
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fullest extent possible.
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Using Creative Commons Public Licenses
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Creative Commons public licenses provide a standard set of terms and
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conditions that creators and other rights holders may use to share
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original works of authorship and other material subject to copyright
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and certain other rights specified in the public license below. The
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following considerations are for informational purposes only, are not
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exhaustive, and do not form part of our licenses.
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Considerations for licensors: Our public licenses are
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intended for use by those authorized to give the public
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permission to use material in ways otherwise restricted by
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copyright and certain other rights. Our licenses are
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irrevocable. Licensors should read and understand the terms
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and conditions of the license they choose before applying it.
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Licensors should also secure all rights necessary before
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applying our licenses so that the public can reuse the
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material as expected. Licensors should clearly mark any
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material not subject to the license. This includes other CC-
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licensed material, or material used under an exception or
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limitation to copyright. More considerations for licensors:
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wiki.creativecommons.org/Considerations_for_licensors
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Considerations for the public: By using one of our public
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licenses, a licensor grants the public permission to use the
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licensed material under specified terms and conditions. If
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the licensor's permission is not necessary for any reason--for
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example, because of any applicable exception or limitation to
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copyright--then that use is not regulated by the license. Our
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licenses grant only permissions under copyright and certain
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other rights that a licensor has authority to grant. Use of
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the licensed material may still be restricted for other
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reasons, including because others have copyright or other
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rights in the material. A licensor may make special requests,
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such as asking that all changes be marked or described.
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Although not required by our licenses, you are encouraged to
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respect those requests where reasonable. More considerations
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for the public:
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wiki.creativecommons.org/Considerations_for_licensees
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=======================================================================
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||||||
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
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|
Public License
|
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|
||||||
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By exercising the Licensed Rights (defined below), You accept and agree
|
||||||
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to be bound by the terms and conditions of this Creative Commons
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Attribution-NonCommercial-ShareAlike 4.0 International Public License
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("Public License"). To the extent this Public License may be
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interpreted as a contract, You are granted the Licensed Rights in
|
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consideration of Your acceptance of these terms and conditions, and the
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Licensor grants You such rights in consideration of benefits the
|
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Licensor receives from making the Licensed Material available under
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these terms and conditions.
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|
||||||
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|
||||||
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Section 1 -- Definitions.
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||||||
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|
||||||
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a. Adapted Material means material subject to Copyright and Similar
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||||||
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Rights that is derived from or based upon the Licensed Material
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||||||
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and in which the Licensed Material is translated, altered,
|
||||||
|
arranged, transformed, or otherwise modified in a manner requiring
|
||||||
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permission under the Copyright and Similar Rights held by the
|
||||||
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Licensor. For purposes of this Public License, where the Licensed
|
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Material is a musical work, performance, or sound recording,
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||||||
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Adapted Material is always produced where the Licensed Material is
|
||||||
|
synched in timed relation with a moving image.
|
||||||
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|
||||||
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b. Adapter's License means the license You apply to Your Copyright
|
||||||
|
and Similar Rights in Your contributions to Adapted Material in
|
||||||
|
accordance with the terms and conditions of this Public License.
|
||||||
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|
||||||
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c. BY-NC-SA Compatible License means a license listed at
|
||||||
|
creativecommons.org/compatiblelicenses, approved by Creative
|
||||||
|
Commons as essentially the equivalent of this Public License.
|
||||||
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|
||||||
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d. Copyright and Similar Rights means copyright and/or similar rights
|
||||||
|
closely related to copyright including, without limitation,
|
||||||
|
performance, broadcast, sound recording, and Sui Generis Database
|
||||||
|
Rights, without regard to how the rights are labeled or
|
||||||
|
categorized. For purposes of this Public License, the rights
|
||||||
|
specified in Section 2(b)(1)-(2) are not Copyright and Similar
|
||||||
|
Rights.
|
||||||
|
|
||||||
|
e. Effective Technological Measures means those measures that, in the
|
||||||
|
absence of proper authority, may not be circumvented under laws
|
||||||
|
fulfilling obligations under Article 11 of the WIPO Copyright
|
||||||
|
Treaty adopted on December 20, 1996, and/or similar international
|
||||||
|
agreements.
|
||||||
|
|
||||||
|
f. Exceptions and Limitations means fair use, fair dealing, and/or
|
||||||
|
any other exception or limitation to Copyright and Similar Rights
|
||||||
|
that applies to Your use of the Licensed Material.
|
||||||
|
|
||||||
|
g. License Elements means the license attributes listed in the name
|
||||||
|
of a Creative Commons Public License. The License Elements of this
|
||||||
|
Public License are Attribution, NonCommercial, and ShareAlike.
|
||||||
|
|
||||||
|
h. Licensed Material means the artistic or literary work, database,
|
||||||
|
or other material to which the Licensor applied this Public
|
||||||
|
License.
|
||||||
|
|
||||||
|
i. Licensed Rights means the rights granted to You subject to the
|
||||||
|
terms and conditions of this Public License, which are limited to
|
||||||
|
all Copyright and Similar Rights that apply to Your use of the
|
||||||
|
Licensed Material and that the Licensor has authority to license.
|
||||||
|
|
||||||
|
j. Licensor means the individual(s) or entity(ies) granting rights
|
||||||
|
under this Public License.
|
||||||
|
|
||||||
|
k. NonCommercial means not primarily intended for or directed towards
|
||||||
|
commercial advantage or monetary compensation. For purposes of
|
||||||
|
this Public License, the exchange of the Licensed Material for
|
||||||
|
other material subject to Copyright and Similar Rights by digital
|
||||||
|
file-sharing or similar means is NonCommercial provided there is
|
||||||
|
no payment of monetary compensation in connection with the
|
||||||
|
exchange.
|
||||||
|
|
||||||
|
l. Share means to provide material to the public by any means or
|
||||||
|
process that requires permission under the Licensed Rights, such
|
||||||
|
as reproduction, public display, public performance, distribution,
|
||||||
|
dissemination, communication, or importation, and to make material
|
||||||
|
available to the public including in ways that members of the
|
||||||
|
public may access the material from a place and at a time
|
||||||
|
individually chosen by them.
|
||||||
|
|
||||||
|
m. Sui Generis Database Rights means rights other than copyright
|
||||||
|
resulting from Directive 96/9/EC of the European Parliament and of
|
||||||
|
the Council of 11 March 1996 on the legal protection of databases,
|
||||||
|
as amended and/or succeeded, as well as other essentially
|
||||||
|
equivalent rights anywhere in the world.
|
||||||
|
|
||||||
|
n. You means the individual or entity exercising the Licensed Rights
|
||||||
|
under this Public License. Your has a corresponding meaning.
|
||||||
|
|
||||||
|
|
||||||
|
Section 2 -- Scope.
|
||||||
|
|
||||||
|
a. License grant.
|
||||||
|
|
||||||
|
1. Subject to the terms and conditions of this Public License,
|
||||||
|
the Licensor hereby grants You a worldwide, royalty-free,
|
||||||
|
non-sublicensable, non-exclusive, irrevocable license to
|
||||||
|
exercise the Licensed Rights in the Licensed Material to:
|
||||||
|
|
||||||
|
a. reproduce and Share the Licensed Material, in whole or
|
||||||
|
in part, for NonCommercial purposes only; and
|
||||||
|
|
||||||
|
b. produce, reproduce, and Share Adapted Material for
|
||||||
|
NonCommercial purposes only.
|
||||||
|
|
||||||
|
2. Exceptions and Limitations. For the avoidance of doubt, where
|
||||||
|
Exceptions and Limitations apply to Your use, this Public
|
||||||
|
License does not apply, and You do not need to comply with
|
||||||
|
its terms and conditions.
|
||||||
|
|
||||||
|
3. Term. The term of this Public License is specified in Section
|
||||||
|
6(a).
|
||||||
|
|
||||||
|
4. Media and formats; technical modifications allowed. The
|
||||||
|
Licensor authorizes You to exercise the Licensed Rights in
|
||||||
|
all media and formats whether now known or hereafter created,
|
||||||
|
and to make technical modifications necessary to do so. The
|
||||||
|
Licensor waives and/or agrees not to assert any right or
|
||||||
|
authority to forbid You from making technical modifications
|
||||||
|
necessary to exercise the Licensed Rights, including
|
||||||
|
technical modifications necessary to circumvent Effective
|
||||||
|
Technological Measures. For purposes of this Public License,
|
||||||
|
simply making modifications authorized by this Section 2(a)
|
||||||
|
(4) never produces Adapted Material.
|
||||||
|
|
||||||
|
5. Downstream recipients.
|
||||||
|
|
||||||
|
a. Offer from the Licensor -- Licensed Material. Every
|
||||||
|
recipient of the Licensed Material automatically
|
||||||
|
receives an offer from the Licensor to exercise the
|
||||||
|
Licensed Rights under the terms and conditions of this
|
||||||
|
Public License.
|
||||||
|
|
||||||
|
b. Additional offer from the Licensor -- Adapted Material.
|
||||||
|
Every recipient of Adapted Material from You
|
||||||
|
automatically receives an offer from the Licensor to
|
||||||
|
exercise the Licensed Rights in the Adapted Material
|
||||||
|
under the conditions of the Adapter's License You apply.
|
||||||
|
|
||||||
|
c. No downstream restrictions. You may not offer or impose
|
||||||
|
any additional or different terms or conditions on, or
|
||||||
|
apply any Effective Technological Measures to, the
|
||||||
|
Licensed Material if doing so restricts exercise of the
|
||||||
|
Licensed Rights by any recipient of the Licensed
|
||||||
|
Material.
|
||||||
|
|
||||||
|
6. No endorsement. Nothing in this Public License constitutes or
|
||||||
|
may be construed as permission to assert or imply that You
|
||||||
|
are, or that Your use of the Licensed Material is, connected
|
||||||
|
with, or sponsored, endorsed, or granted official status by,
|
||||||
|
the Licensor or others designated to receive attribution as
|
||||||
|
provided in Section 3(a)(1)(A)(i).
|
||||||
|
|
||||||
|
b. Other rights.
|
||||||
|
|
||||||
|
1. Moral rights, such as the right of integrity, are not
|
||||||
|
licensed under this Public License, nor are publicity,
|
||||||
|
privacy, and/or other similar personality rights; however, to
|
||||||
|
the extent possible, the Licensor waives and/or agrees not to
|
||||||
|
assert any such rights held by the Licensor to the limited
|
||||||
|
extent necessary to allow You to exercise the Licensed
|
||||||
|
Rights, but not otherwise.
|
||||||
|
|
||||||
|
2. Patent and trademark rights are not licensed under this
|
||||||
|
Public License.
|
||||||
|
|
||||||
|
3. To the extent possible, the Licensor waives any right to
|
||||||
|
collect royalties from You for the exercise of the Licensed
|
||||||
|
Rights, whether directly or through a collecting society
|
||||||
|
under any voluntary or waivable statutory or compulsory
|
||||||
|
licensing scheme. In all other cases the Licensor expressly
|
||||||
|
reserves any right to collect such royalties, including when
|
||||||
|
the Licensed Material is used other than for NonCommercial
|
||||||
|
purposes.
|
||||||
|
|
||||||
|
|
||||||
|
Section 3 -- License Conditions.
|
||||||
|
|
||||||
|
Your exercise of the Licensed Rights is expressly made subject to the
|
||||||
|
following conditions.
|
||||||
|
|
||||||
|
a. Attribution.
|
||||||
|
|
||||||
|
1. If You Share the Licensed Material (including in modified
|
||||||
|
form), You must:
|
||||||
|
|
||||||
|
a. retain the following if it is supplied by the Licensor
|
||||||
|
with the Licensed Material:
|
||||||
|
|
||||||
|
i. identification of the creator(s) of the Licensed
|
||||||
|
Material and any others designated to receive
|
||||||
|
attribution, in any reasonable manner requested by
|
||||||
|
the Licensor (including by pseudonym if
|
||||||
|
designated);
|
||||||
|
|
||||||
|
ii. a copyright notice;
|
||||||
|
|
||||||
|
iii. a notice that refers to this Public License;
|
||||||
|
|
||||||
|
iv. a notice that refers to the disclaimer of
|
||||||
|
warranties;
|
||||||
|
|
||||||
|
v. a URI or hyperlink to the Licensed Material to the
|
||||||
|
extent reasonably practicable;
|
||||||
|
|
||||||
|
b. indicate if You modified the Licensed Material and
|
||||||
|
retain an indication of any previous modifications; and
|
||||||
|
|
||||||
|
c. indicate the Licensed Material is licensed under this
|
||||||
|
Public License, and include the text of, or the URI or
|
||||||
|
hyperlink to, this Public License.
|
||||||
|
|
||||||
|
2. You may satisfy the conditions in Section 3(a)(1) in any
|
||||||
|
reasonable manner based on the medium, means, and context in
|
||||||
|
which You Share the Licensed Material. For example, it may be
|
||||||
|
reasonable to satisfy the conditions by providing a URI or
|
||||||
|
hyperlink to a resource that includes the required
|
||||||
|
information.
|
||||||
|
3. If requested by the Licensor, You must remove any of the
|
||||||
|
information required by Section 3(a)(1)(A) to the extent
|
||||||
|
reasonably practicable.
|
||||||
|
|
||||||
|
b. ShareAlike.
|
||||||
|
|
||||||
|
In addition to the conditions in Section 3(a), if You Share
|
||||||
|
Adapted Material You produce, the following conditions also apply.
|
||||||
|
|
||||||
|
1. The Adapter's License You apply must be a Creative Commons
|
||||||
|
license with the same License Elements, this version or
|
||||||
|
later, or a BY-NC-SA Compatible License.
|
||||||
|
|
||||||
|
2. You must include the text of, or the URI or hyperlink to, the
|
||||||
|
Adapter's License You apply. You may satisfy this condition
|
||||||
|
in any reasonable manner based on the medium, means, and
|
||||||
|
context in which You Share Adapted Material.
|
||||||
|
|
||||||
|
3. You may not offer or impose any additional or different terms
|
||||||
|
or conditions on, or apply any Effective Technological
|
||||||
|
Measures to, Adapted Material that restrict exercise of the
|
||||||
|
rights granted under the Adapter's License You apply.
|
||||||
|
|
||||||
|
|
||||||
|
Section 4 -- Sui Generis Database Rights.
|
||||||
|
|
||||||
|
Where the Licensed Rights include Sui Generis Database Rights that
|
||||||
|
apply to Your use of the Licensed Material:
|
||||||
|
|
||||||
|
a. for the avoidance of doubt, Section 2(a)(1) grants You the right
|
||||||
|
to extract, reuse, reproduce, and Share all or a substantial
|
||||||
|
portion of the contents of the database for NonCommercial purposes
|
||||||
|
only;
|
||||||
|
|
||||||
|
b. if You include all or a substantial portion of the database
|
||||||
|
contents in a database in which You have Sui Generis Database
|
||||||
|
Rights, then the database in which You have Sui Generis Database
|
||||||
|
Rights (but not its individual contents) is Adapted Material,
|
||||||
|
including for purposes of Section 3(b); and
|
||||||
|
|
||||||
|
c. You must comply with the conditions in Section 3(a) if You Share
|
||||||
|
all or a substantial portion of the contents of the database.
|
||||||
|
|
||||||
|
For the avoidance of doubt, this Section 4 supplements and does not
|
||||||
|
replace Your obligations under this Public License where the Licensed
|
||||||
|
Rights include other Copyright and Similar Rights.
|
||||||
|
|
||||||
|
|
||||||
|
Section 5 -- Disclaimer of Warranties and Limitation of Liability.
|
||||||
|
|
||||||
|
a. UNLESS OTHERWISE SEPARATELY UNDERTAKEN BY THE LICENSOR, TO THE
|
||||||
|
EXTENT POSSIBLE, THE LICENSOR OFFERS THE LICENSED MATERIAL AS-IS
|
||||||
|
AND AS-AVAILABLE, AND MAKES NO REPRESENTATIONS OR WARRANTIES OF
|
||||||
|
ANY KIND CONCERNING THE LICENSED MATERIAL, WHETHER EXPRESS,
|
||||||
|
IMPLIED, STATUTORY, OR OTHER. THIS INCLUDES, WITHOUT LIMITATION,
|
||||||
|
WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR
|
||||||
|
PURPOSE, NON-INFRINGEMENT, ABSENCE OF LATENT OR OTHER DEFECTS,
|
||||||
|
ACCURACY, OR THE PRESENCE OR ABSENCE OF ERRORS, WHETHER OR NOT
|
||||||
|
KNOWN OR DISCOVERABLE. WHERE DISCLAIMERS OF WARRANTIES ARE NOT
|
||||||
|
ALLOWED IN FULL OR IN PART, THIS DISCLAIMER MAY NOT APPLY TO YOU.
|
||||||
|
|
||||||
|
b. TO THE EXTENT POSSIBLE, IN NO EVENT WILL THE LICENSOR BE LIABLE
|
||||||
|
TO YOU ON ANY LEGAL THEORY (INCLUDING, WITHOUT LIMITATION,
|
||||||
|
NEGLIGENCE) OR OTHERWISE FOR ANY DIRECT, SPECIAL, INDIRECT,
|
||||||
|
INCIDENTAL, CONSEQUENTIAL, PUNITIVE, EXEMPLARY, OR OTHER LOSSES,
|
||||||
|
COSTS, EXPENSES, OR DAMAGES ARISING OUT OF THIS PUBLIC LICENSE OR
|
||||||
|
USE OF THE LICENSED MATERIAL, EVEN IF THE LICENSOR HAS BEEN
|
||||||
|
ADVISED OF THE POSSIBILITY OF SUCH LOSSES, COSTS, EXPENSES, OR
|
||||||
|
DAMAGES. WHERE A LIMITATION OF LIABILITY IS NOT ALLOWED IN FULL OR
|
||||||
|
IN PART, THIS LIMITATION MAY NOT APPLY TO YOU.
|
||||||
|
|
||||||
|
c. The disclaimer of warranties and limitation of liability provided
|
||||||
|
above shall be interpreted in a manner that, to the extent
|
||||||
|
possible, most closely approximates an absolute disclaimer and
|
||||||
|
waiver of all liability.
|
||||||
|
|
||||||
|
|
||||||
|
Section 6 -- Term and Termination.
|
||||||
|
|
||||||
|
a. This Public License applies for the term of the Copyright and
|
||||||
|
Similar Rights licensed here. However, if You fail to comply with
|
||||||
|
this Public License, then Your rights under this Public License
|
||||||
|
terminate automatically.
|
||||||
|
|
||||||
|
b. Where Your right to use the Licensed Material has terminated under
|
||||||
|
Section 6(a), it reinstates:
|
||||||
|
|
||||||
|
1. automatically as of the date the violation is cured, provided
|
||||||
|
it is cured within 30 days of Your discovery of the
|
||||||
|
violation; or
|
||||||
|
|
||||||
|
2. upon express reinstatement by the Licensor.
|
||||||
|
|
||||||
|
For the avoidance of doubt, this Section 6(b) does not affect any
|
||||||
|
right the Licensor may have to seek remedies for Your violations
|
||||||
|
of this Public License.
|
||||||
|
|
||||||
|
c. For the avoidance of doubt, the Licensor may also offer the
|
||||||
|
Licensed Material under separate terms or conditions or stop
|
||||||
|
distributing the Licensed Material at any time; however, doing so
|
||||||
|
will not terminate this Public License.
|
||||||
|
|
||||||
|
d. Sections 1, 5, 6, 7, and 8 survive termination of this Public
|
||||||
|
License.
|
||||||
|
|
||||||
|
|
||||||
|
Section 7 -- Other Terms and Conditions.
|
||||||
|
|
||||||
|
a. The Licensor shall not be bound by any additional or different
|
||||||
|
terms or conditions communicated by You unless expressly agreed.
|
||||||
|
|
||||||
|
b. Any arrangements, understandings, or agreements regarding the
|
||||||
|
Licensed Material not stated herein are separate from and
|
||||||
|
independent of the terms and conditions of this Public License.
|
||||||
|
|
||||||
|
|
||||||
|
Section 8 -- Interpretation.
|
||||||
|
|
||||||
|
a. For the avoidance of doubt, this Public License does not, and
|
||||||
|
shall not be interpreted to, reduce, limit, restrict, or impose
|
||||||
|
conditions on any use of the Licensed Material that could lawfully
|
||||||
|
be made without permission under this Public License.
|
||||||
|
|
||||||
|
b. To the extent possible, if any provision of this Public License is
|
||||||
|
deemed unenforceable, it shall be automatically reformed to the
|
||||||
|
minimum extent necessary to make it enforceable. If the provision
|
||||||
|
cannot be reformed, it shall be severed from this Public License
|
||||||
|
without affecting the enforceability of the remaining terms and
|
||||||
|
conditions.
|
||||||
|
|
||||||
|
c. No term or condition of this Public License will be waived and no
|
||||||
|
failure to comply consented to unless expressly agreed to by the
|
||||||
|
Licensor.
|
||||||
|
|
||||||
|
d. Nothing in this Public License constitutes or may be interpreted
|
||||||
|
as a limitation upon, or waiver of, any privileges and immunities
|
||||||
|
that apply to the Licensor or You, including from the legal
|
||||||
|
processes of any jurisdiction or authority.
|
||||||
|
|
||||||
|
=======================================================================
|
||||||
|
|
||||||
|
Creative Commons is not a party to its public
|
||||||
|
licenses. Notwithstanding, Creative Commons may elect to apply one of
|
||||||
|
its public licenses to material it publishes and in those instances
|
||||||
|
will be considered the “Licensor.” The text of the Creative Commons
|
||||||
|
public licenses is dedicated to the public domain under the CC0 Public
|
||||||
|
Domain Dedication. Except for the limited purpose of indicating that
|
||||||
|
material is shared under a Creative Commons public license or as
|
||||||
|
otherwise permitted by the Creative Commons policies published at
|
||||||
|
creativecommons.org/policies, Creative Commons does not authorize the
|
||||||
|
use of the trademark "Creative Commons" or any other trademark or logo
|
||||||
|
of Creative Commons without its prior written consent including,
|
||||||
|
without limitation, in connection with any unauthorized modifications
|
||||||
|
to any of its public licenses or any other arrangements,
|
||||||
|
understandings, or agreements concerning use of licensed material. For
|
||||||
|
the avoidance of doubt, this paragraph does not form part of the
|
||||||
|
public licenses.
|
||||||
|
|
||||||
|
Creative Commons may be contacted at creativecommons.org.
|
||||||
|
|
95
Makefile
Normal file
95
Makefile
Normal file
|
@ -0,0 +1,95 @@
|
||||||
|
# Build variables
|
||||||
|
BASEBDIR=./build
|
||||||
|
BDIR=$(BASEBDIR)/`git show --oneline | head -1 | cut -d" " -f1`
|
||||||
|
SDIR=./src
|
||||||
|
BNAME=promise-`git show --oneline | head -1 | cut -d" " -f1`
|
||||||
|
CONF=default.cfg
|
||||||
|
SOURCE=main.tex
|
||||||
|
TEMP=templ.tex
|
||||||
|
|
||||||
|
# Author and metadata
|
||||||
|
# THESE FIELDS MAY NOT CONTAIN ANY SEMICOLONS!
|
||||||
|
TITLE=A Promise
|
||||||
|
PENNAME=Liette Faerchild
|
||||||
|
LEGALNAME=Ren Kararou
|
||||||
|
PRONOUNS=fae/faer
|
||||||
|
STREETADDR=1010 Fake Blvd
|
||||||
|
LASTADDR=Denver, CO
|
||||||
|
EMAIL=ren@kararou.space
|
||||||
|
PHONE=(303)555-4202
|
||||||
|
|
||||||
|
all: pdf epub word cleanbuild timestamp
|
||||||
|
|
||||||
|
timestamp: mkbuild
|
||||||
|
if [ -f $(BDIR)/$(BNAME).epub ]; then mv $(BDIR)/$(BNAME).epub $(BDIR)/$(BNAME)-`date -u +%d%m%y-%H%M`.epub; fi
|
||||||
|
if [ -f $(BDIR)/$(BNAME).pdf ]; then mv $(BDIR)/$(BNAME).pdf $(BDIR)/$(BNAME)-`date -u +%d%m%y-%H%M`.pdf; fi
|
||||||
|
if [ -f $(BDIR)/$(BNAME).docx ]; then mv $(BDIR)/$(BNAME).docx $(BDIR)/$(BNAME)-`date -u +%d%m%y-%H%M`.docx; fi
|
||||||
|
|
||||||
|
|
||||||
|
mkbuild:
|
||||||
|
if [ ! -d $(BDIR) ]; then mkdir -p $(BDIR); fi
|
||||||
|
|
||||||
|
mktemp: mkbuild
|
||||||
|
if [ ! -f $(BDIR)/$(TEMP) ]; then cp $(SDIR)/$(SOURCE) $(BDIR)/$(TEMP); fi
|
||||||
|
|
||||||
|
wordcount: mktemp
|
||||||
|
# This only works when you've got
|
||||||
|
sed -i "s;WORDCOUNT;`cat $(SDIR)/chapters/*.tex | wc -w`;g" \
|
||||||
|
$(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
repo: mktemp
|
||||||
|
sed -i "s;REPO;`git remote get-url origin`;g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
title: mktemp
|
||||||
|
sed -i "s;PROJECT;$(TITLE);g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
phone: mktemp
|
||||||
|
sed -i "s;PHONE;$(PHONE);g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
pen: mktemp
|
||||||
|
sed -i "s;PENNAME;$(PENNAME);g" $(BDIR)/$(TEMP)
|
||||||
|
# Change the following line's -f# to decide which name to use
|
||||||
|
# LNAME needs to be the family name.
|
||||||
|
sed -i "s;SNAME;`echo $(PENNAME) | cut -d" " -f2`;g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
email: mktemp
|
||||||
|
sed -i "s;EMAIL;$(EMAIL);g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
3ppn: mktemp
|
||||||
|
sed -i "s;PRONOUNS;$(PRONOUNS);g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
addr: mktemp
|
||||||
|
sed -i "s;STREETADDR;$(STREETADDR);g" $(BDIR)/$(TEMP)
|
||||||
|
sed -i "s;LASTADDR;$(LASTADDR);g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
lname: mktemp
|
||||||
|
sed -i "s;LEGALNAME;$(LEGALNAME);g" $(BDIR)/$(TEMP)
|
||||||
|
|
||||||
|
template: mktemp wordcount repo title phone pen email 3ppn addr lname
|
||||||
|
if [ -f $(BDIR)/$(TEMP) ]; \
|
||||||
|
then mv $(BDIR)/$(TEMP) $(BDIR)/$(SOURCE); \
|
||||||
|
else cp $(SDIR)/$(SOURCE) $(BDIR)/$(SOURCE); \
|
||||||
|
fi
|
||||||
|
|
||||||
|
pdf: template
|
||||||
|
pdflatex -jobname=$(BNAME) -output-directory=$(BDIR) $(BDIR)/$(SOURCE)
|
||||||
|
|
||||||
|
epub: template
|
||||||
|
tex4ebook -f epub -c $(SDIR)/$(CONF) -j $(BNAME) $(BDIR)/$(SOURCE)
|
||||||
|
mv $(BNAME).epub $(BDIR)
|
||||||
|
|
||||||
|
word: template
|
||||||
|
pandoc $(BDIR)/$(SOURCE) -o $(BDIR)/$(BNAME).docx
|
||||||
|
|
||||||
|
spellcheck:
|
||||||
|
for c in $(SDIR)/chapters/*.tex; do aspell -t -c $${c}; done
|
||||||
|
|
||||||
|
cleanbuild:
|
||||||
|
rm -rf $(BDIR)/*.log $(BDIR)/*.aux $(BDIR)/*.toc $(BDIR)/$(TEMP) \
|
||||||
|
$(BDIR)/$(SOURCE) ./*.opf ./*.html ./*.aux ./*.css ./*.dvi \
|
||||||
|
./*-epub/ ./*-mobi/ ./*.idv ./*.lg ./*.log ./*.toc ./*.xref \
|
||||||
|
./*.4ct ./*.4tc ./*.ncx ./*.tmp $(SDIR)/chapters/*.bak
|
||||||
|
|
||||||
|
clean: cleanbuild
|
||||||
|
rm -rf $(BASEBDIR)
|
||||||
|
|
66
README.md
Normal file
66
README.md
Normal file
|
@ -0,0 +1,66 @@
|
||||||
|
# A Promise
|
||||||
|
## Description
|
||||||
|
|
||||||
|
In the distant future where corporations rule most of Earth and space, Talon is
|
||||||
|
a software developer at Eastern Hills Space Company, one of the leading space
|
||||||
|
travel and defense corporations in the world. Eilidh is a runner, someone who
|
||||||
|
actively causes mayhem for corporate interests. After being blessed by a
|
||||||
|
goddess, Talon finds himself in a new role, learning magic and protecting
|
||||||
|
corporate secrets. Eilidh finds herself being forced into a role alongside
|
||||||
|
Talon. Romance blossoms. Secrets are revealed. Promises are made.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
This is the LaTeX formatted source-code for _A Promise_, a trans-lesbian story
|
||||||
|
set in the space-faring future of 2157. With Magic. Because fuck you why not?
|
||||||
|
|
||||||
|
_A Promise_ pulls very loose inspiration from _Ryn of Avonside_ and _Digital
|
||||||
|
Galaxies_ both by the fantastic transbian fiction author QuietValerie.
|
||||||
|
|
||||||
|
## Author
|
||||||
|
|
||||||
|
- Kararou Ren
|
||||||
|
- [github](https://github.com/karaiwulf)
|
||||||
|
- [git](https://git.kararou.space/karaiwulf)
|
||||||
|
- [blog](https://lesbianunix.dev/)
|
||||||
|
- [scribblehub](https://www.scribblehub.com/profile/61134/karaiwulf/)
|
||||||
|
|
||||||
|
## Editors
|
||||||
|
|
||||||
|
- Kararou Makoto
|
||||||
|
- [git](https://git.kararou.space/makoto)
|
||||||
|
- [scribblehub](https://www.scribblehub.com/profile/71436/karakoto/)
|
||||||
|
|
||||||
|
## License
|
||||||
|
|
||||||
|
This work is licensed under the CreativeCommons Attribution NonCommercial
|
||||||
|
ShareAlike International License version 4. You can read the full licensing
|
||||||
|
terms by reading the contents of LICENSE located at the root of this
|
||||||
|
repository.
|
||||||
|
|
||||||
|
## Contributing
|
||||||
|
|
||||||
|
If you wish to modify and contribute, you must follow the style guide, found
|
||||||
|
below. From there, issue a pull request with your changes. All PRs will be
|
||||||
|
reviewed by the current editor(s) and the author(s).
|
||||||
|
|
||||||
|
Modifications to the build system are expected to have been tested, but will be
|
||||||
|
tested again.
|
||||||
|
|
||||||
|
### Style guide
|
||||||
|
|
||||||
|
The only real requirements are that you follow the 80 character per line rule.
|
||||||
|
In vim, this is easy to set. Simply issue a `:set tw=79` and be on your way.
|
||||||
|
Additionally, issuing vim command `gqG` applies textwidth from current mark to
|
||||||
|
end of document, while issuing `gq}` will set for current paragraph.
|
||||||
|
|
||||||
|
### Git Arch
|
||||||
|
|
||||||
|
We are now leveraging the fact that we have a git server. Development and
|
||||||
|
editing will be done on the same branch, one for each new chapter.
|
||||||
|
|
||||||
|
canon should only contain ready to ship chapters.
|
||||||
|
|
||||||
|
Edits in clones of the repo can be done however, and pull requests must be to
|
||||||
|
canon.
|
||||||
|
|
20
doc/factions/EHSC/README.md
Normal file
20
doc/factions/EHSC/README.md
Normal file
|
@ -0,0 +1,20 @@
|
||||||
|
# Eastern Hills Space Company
|
||||||
|
|
||||||
|
Manufacturer of spacecraft and spacecraft parts. A megacorporation with
|
||||||
|
an arcology located where the city of Melbourne, Florida used to stand.
|
||||||
|
Headquartered in beautiful Denver, Colorado, where it keeps all of its top
|
||||||
|
secret projects such as flight software and its magically-enhanced Special
|
||||||
|
Operations Strike Force.
|
||||||
|
|
||||||
|
## Datapoints
|
||||||
|
|
||||||
|
* HQ: 110 Colfax Ave. Denver, Colorado Free State
|
||||||
|
* CEO: Baylee MacKinley
|
||||||
|
* Glb Prft: 13 Trillion Credits (Annaul)
|
||||||
|
* Industries: Transport, Aviation, Aeronautics, Military Contracting
|
||||||
|
* Bst Product: EH 794 General Purpose Space Craft
|
||||||
|
* Stck Tckr: EHSC
|
||||||
|
* Stck $$: 13000cr/share
|
||||||
|
* Stck Prj: +14.3%
|
||||||
|
* Est.: 2025
|
||||||
|
|
31
doc/factions/EHSC/SpecOps/README.md
Normal file
31
doc/factions/EHSC/SpecOps/README.md
Normal file
|
@ -0,0 +1,31 @@
|
||||||
|
# Eastern Hills Special Operations Strike Force
|
||||||
|
|
||||||
|
A strike team developed after the EHSC discovered Magic in 2091 with the
|
||||||
|
express purpose of cutting down existential threats to the company. The team
|
||||||
|
was quickly placed under the research and development unit in order for the
|
||||||
|
EHSC to discover more about magic and aid the strike team with combat equipment
|
||||||
|
developed in house.
|
||||||
|
|
||||||
|
It quickly became known that mages were a much more well balanced soldier,
|
||||||
|
better at more general magic than other magic users, and were awarded officer
|
||||||
|
positions within the command structure of the strike force.
|
||||||
|
|
||||||
|
## Datapoints
|
||||||
|
|
||||||
|
* HQ: 1910 Colfax Ave. Building 35 Denver, Colorado Free State
|
||||||
|
* Parnt Dept: Research and Development
|
||||||
|
* CO: Ai Tamaki of the Pale Goddess
|
||||||
|
* Status: Active
|
||||||
|
* Members: 48
|
||||||
|
* Missions: 375: 339 success + 36 fail (historical data lost)
|
||||||
|
|
||||||
|
## Known Officers
|
||||||
|
|
||||||
|
* Commanding Officer Ai Tamaki
|
||||||
|
* Medical Officer Lucere "Lucy" Manafed
|
||||||
|
* Surveillance Officer Avalon Davis
|
||||||
|
* Technology Officer Xela Melrose
|
||||||
|
* Tactical Officer Vivian Young
|
||||||
|
* Communications Officer Valentine Sheer
|
||||||
|
* Engineering Officer Margaret Hamilton
|
||||||
|
|
24
doc/factions/EHSC/SpecOps/ai.tamaki.md
Normal file
24
doc/factions/EHSC/SpecOps/ai.tamaki.md
Normal file
|
@ -0,0 +1,24 @@
|
||||||
|
# Ai Tamaki
|
||||||
|
|
||||||
|
A mage in her early twenties. Long slightly wavy white hair. Deep red eyes
|
||||||
|
filled with a shimmering light.
|
||||||
|
|
||||||
|
## Datapoints
|
||||||
|
|
||||||
|
```
|
||||||
|
DOB: 19 March 2135
|
||||||
|
Age: 23
|
||||||
|
Prn: she/her
|
||||||
|
Eye: red
|
||||||
|
Hair: white
|
||||||
|
Hgt: 5'
|
||||||
|
Wgt: 112 lbs
|
||||||
|
Ntnl: JP
|
||||||
|
```
|
||||||
|
|
||||||
|
## Weapon Choice
|
||||||
|
|
||||||
|
She likes the set of true tamahagane swords she inherited from her father. The
|
||||||
|
hamon on each blade is the clover pattern that's signature of a line of well
|
||||||
|
respected bladesmiths from the late 20th century.
|
||||||
|
|
24
doc/factions/EHSC/SpecOps/avalon.davis.md
Normal file
24
doc/factions/EHSC/SpecOps/avalon.davis.md
Normal file
|
@ -0,0 +1,24 @@
|
||||||
|
# Avalon Davis
|
||||||
|
|
||||||
|
A mage in her mid twenties. Long straight black hair. Glowing blue eyes like
|
||||||
|
sapphires.
|
||||||
|
|
||||||
|
## Datapoints
|
||||||
|
|
||||||
|
```
|
||||||
|
DOB: 2 July 2131
|
||||||
|
Age: 26
|
||||||
|
Prn: she/her
|
||||||
|
Eye: blue
|
||||||
|
Hair: black
|
||||||
|
Hgt: 6ft 5in
|
||||||
|
Wgt: 142 lbs
|
||||||
|
Ntnl: UK
|
||||||
|
```
|
||||||
|
|
||||||
|
## Weapon Choice
|
||||||
|
|
||||||
|
She's a feisty bitch on the battlefield. Her main weapon is a short barrel
|
||||||
|
revolver. She leaves half of the chambers unloaded and simply uses magic for
|
||||||
|
every other shot.
|
||||||
|
|
16
doc/factions/Excalibur/README.md
Normal file
16
doc/factions/Excalibur/README.md
Normal file
|
@ -0,0 +1,16 @@
|
||||||
|
# Excalibur Strike Industries
|
||||||
|
|
||||||
|
The premier privately contracted military corporation.
|
||||||
|
|
||||||
|
## Datapoints
|
||||||
|
|
||||||
|
* HQ: 1 XCAL St. New York City, Excalibur Corporate State
|
||||||
|
* CEO: Inun Petroski
|
||||||
|
* Glb Prft: 45 Trillion Credits (Annaul)
|
||||||
|
* Industries: Military Contracting
|
||||||
|
* Bst Product: Military and Security Services
|
||||||
|
* Stck Tckr: XCAL
|
||||||
|
* Stck $$: 45000cr/share
|
||||||
|
* Stck Prj: +30.4%
|
||||||
|
* Est.: 2064
|
||||||
|
|
61
doc/magic/README.md
Normal file
61
doc/magic/README.md
Normal file
|
@ -0,0 +1,61 @@
|
||||||
|
# Magic
|
||||||
|
|
||||||
|
Yes that's right! Its *real*. What a concept, I know. Magic is all based
|
||||||
|
around a few things, but no matter where you are in the universe, a few laws
|
||||||
|
hold true:
|
||||||
|
|
||||||
|
1. Magic is Everywhere
|
||||||
|
|
||||||
|
Which means, you always have a supply external to your own magic.
|
||||||
|
|
||||||
|
2. Magic is Localized
|
||||||
|
|
||||||
|
Which means that the given magic within the universe gets pushed and pulled or
|
||||||
|
otherwise pools in areas. Just because magic is everywhere doesn't mean that
|
||||||
|
its distributed evenly.
|
||||||
|
|
||||||
|
3. Magic is Wild
|
||||||
|
|
||||||
|
Magic, while it can be controlled, cannot be tamed. Fitting too much magic
|
||||||
|
into a single area can cause spontaneous ignition of the latent energy to
|
||||||
|
violent effect.
|
||||||
|
|
||||||
|
## Magic Users
|
||||||
|
|
||||||
|
There are several kinds of magic users within the universe (and many more in
|
||||||
|
other universes). Each is different, but most share a lot of overlap.
|
||||||
|
|
||||||
|
* Mage
|
||||||
|
|
||||||
|
Mages are the generalists of the magic users. Each mage has been gifted their
|
||||||
|
ability to use magic by a deity. These deities have given their blessing with
|
||||||
|
no contract, bargain, or other pact.
|
||||||
|
|
||||||
|
* DemiMage
|
||||||
|
|
||||||
|
A demimage is similar to a mage, with two major exceptions: the magic granted
|
||||||
|
by their deity is much less powerful; and they are only capable of casting
|
||||||
|
magic from within a subset of types. Each type can very from demimage to
|
||||||
|
demimage.
|
||||||
|
|
||||||
|
* Magicker
|
||||||
|
|
||||||
|
Magickers are specialized magic users, only capable of casting a limited range
|
||||||
|
of spells, most only being able to cast one type of spell. These people have
|
||||||
|
made deals, signed contracts, or otherwise given something up to acquire the
|
||||||
|
blessing of their deity.
|
||||||
|
|
||||||
|
* Bracer
|
||||||
|
|
||||||
|
Bracers are the odd folk out of this bunch. They don't have magic in terms of
|
||||||
|
being able to use it. When magic is concentrated into an area, but stabilized
|
||||||
|
to avoid violent explosions, crystaline structures begin to form. These
|
||||||
|
crystaline structures can then be used and directed by those who posses magical
|
||||||
|
artefacts.
|
||||||
|
|
||||||
|
* Artificer
|
||||||
|
|
||||||
|
Artificers are a very special group of magic users. They have been blessed by
|
||||||
|
no deity. Instead, they've studied how to craft artefacts, objects that can
|
||||||
|
stabilize, direct, and attune magic.
|
||||||
|
|
0
src/ack.tex
Normal file
0
src/ack.tex
Normal file
BIN
src/chapters/.04-a-newfeeling.tex.swp
Normal file
BIN
src/chapters/.04-a-newfeeling.tex.swp
Normal file
Binary file not shown.
431
src/chapters/00-a-lastnormalday.tex
Normal file
431
src/chapters/00-a-lastnormalday.tex
Normal file
|
@ -0,0 +1,431 @@
|
||||||
|
The day was as normal as any other. I sat by in the corner of my long dusty
|
||||||
|
room, tapping away at the keys of the laptop provided by my employer. Writing
|
||||||
|
one steady line of code after another. Today was the day that the team would
|
||||||
|
be assigned tasks. I'd been late with my tasks this week, another matter all
|
||||||
|
on its own.
|
||||||
|
|
||||||
|
"Have to check the mutex here," I mumbled to myself, a fresh line of code
|
||||||
|
spilling onto the screen in step with the little taps on the keyboard. I was
|
||||||
|
already in the hot pot for a slew of other events. A lack of focus for the
|
||||||
|
last month had caused my productivity to slip. Just a few more lines and I
|
||||||
|
could start running tests.
|
||||||
|
|
||||||
|
With the tests underway, I got up and walked to the mini-fridge. It wasn't a
|
||||||
|
far walk, just a few meters away. The whole apartment was rather small,
|
||||||
|
hosting enough room for my twin bed, a small kitchenette, a rather small
|
||||||
|
closet, the restroom, and the mini-fridge I was now in front of. I opened the
|
||||||
|
door of the small box and pulled one of my last sodas, some cherry-vanilla
|
||||||
|
flavored drink.
|
||||||
|
|
||||||
|
"I guess it's time to get dressed for the meeting," I sighed. I hated seeing
|
||||||
|
myself on camera, but since I stopped coming to the office (a rather short
|
||||||
|
affair given it was just downstairs), management wanted the cameras on during
|
||||||
|
meetings. Constant social anxiety caused me to resent all of my peers. My
|
||||||
|
brain was just messed up like that. At least, it was recently.
|
||||||
|
|
||||||
|
Anxiety welled up inside me as I picked out a business casual outfit to put on.
|
||||||
|
Just a few more meetings until the project was complete, right? I didn't know
|
||||||
|
anymore. Time was a hard concept to grasp when your circadian rhythm was an
|
||||||
|
ever-changing beast nobody could tame.
|
||||||
|
|
||||||
|
I looked into the remaining shards of mirror hanging above the sink and a sigh
|
||||||
|
escaped by throat, a much longer, deeper sigh. I should have made sure there
|
||||||
|
were no shards left the last time I punched the mirror out. A tear rolled down
|
||||||
|
my cheek. Another crying fit, as if I hadn't had enough in the last two
|
||||||
|
months.
|
||||||
|
|
||||||
|
I looked down at my hands, trying to avoid the specter in the mirror. In a
|
||||||
|
shout of frustration, I had found more glass in my hands. Damn it. I'd have
|
||||||
|
to fix my fists before the meeting. Again. I was crying harder now. Not
|
||||||
|
because I was in pain, but because I couldn't control myself. I had no clue
|
||||||
|
what was causing this, and I wished it would stop tormenting me.
|
||||||
|
|
||||||
|
A quick shower and a decent amount of scrubbing later, my hands were no longer
|
||||||
|
bleeding. I just couldn't be too rough on them or they'd split open again. In
|
||||||
|
that moment I wished I could have more control over myself, manage my emotions
|
||||||
|
better. Instead of letting them overflow into pain, resentment, and...
|
||||||
|
whatever that feeling I didn't have a name for was.
|
||||||
|
|
||||||
|
The rest of my day was nominally uneventful until the meeting. I had pulled an
|
||||||
|
all-nighter to get the projects assigned to me done, so I was reasonably tired
|
||||||
|
by the time the meeting came around. I could feel myself dozing off.
|
||||||
|
|
||||||
|
"Talon!" a deep voice erupted from my laptop, "wake up you moron!"
|
||||||
|
|
||||||
|
My eyes rushed open as fast as they could. I was greeted by many faces, all
|
||||||
|
with looks of concern save one. The red faced man was the manager of the
|
||||||
|
project, Kaden. He was also new to the project. The other faces in the call
|
||||||
|
were concerned, mostly.
|
||||||
|
|
||||||
|
"Hey Talon," another man said, cutting off Kaden, "are you doing okay bro?
|
||||||
|
We've all been worried sick about you, but things have really taken a turn in
|
||||||
|
the last few weeks..." he trailed off. I felt pangs of worry and hurt as I
|
||||||
|
properly processed my name being said this time. Who was that? Vance. He
|
||||||
|
must have been referring to my recent tiredness during the meetings.
|
||||||
|
|
||||||
|
Vance was overall a good guy. Just trying to get things together and make sure
|
||||||
|
the team was good. His heart laid with the project though. At least he was a
|
||||||
|
bit of a humanist when it came down to making sure the project went smoothly.
|
||||||
|
Can't let colleagues having a bad month setback our timeline. Now that I
|
||||||
|
thought about it, I needed to do code review for a few of his revisions.
|
||||||
|
|
||||||
|
"I'm fine," I muttered, lying, "Just had to pull an all nighter with this set
|
||||||
|
of problems. After the meeting I'll take care of whatever revisions I need to
|
||||||
|
review, then take care of whatever projects I can, then go to bed."
|
||||||
|
|
||||||
|
"Don't worry," another developer spoke up, "we'll give you the light load this
|
||||||
|
week." Brent. Another good guy. Just sometimes really weird. Not like I
|
||||||
|
could talk.
|
||||||
|
|
||||||
|
"Thank you," I said, genuinely, "I appreciate that, though if all aren't in
|
||||||
|
agreement, I can take one of the other workloads." There were unanimous nods
|
||||||
|
from all but one. Kaden. He's new. \emph{I should give him the benefit of%
|
||||||
|
the doubt, shouldn't I?}
|
||||||
|
|
||||||
|
"Kaden!" another senior developer exclaimed, "Talon's just been having an off
|
||||||
|
month. His code is top notch and beyond stellar. We should let him recover."
|
||||||
|
A pang of pain shot through me. I wasn't sure why. I didn't know this
|
||||||
|
developer's name, though he's certainly seen my code. He wasn't lying either.
|
||||||
|
My code was top notch.
|
||||||
|
|
||||||
|
"I don't care!" Kaden yelled, still red in the face, "If I don't see your face
|
||||||
|
in my office this afternoon, Talon, I'll put word in to your manager."
|
||||||
|
|
||||||
|
I chuckled slightly at his threat. My manager was already mostly aware of what
|
||||||
|
was going on, and my job wasn't in jeopardy.
|
||||||
|
|
||||||
|
"What's so funny? Do I look funny to you?"
|
||||||
|
|
||||||
|
"Just dole out the assignments for the week," I said, plainly. "I'm not coming
|
||||||
|
down to your office. You've already yelled at me enough in an unprofessional
|
||||||
|
way. Just because you manage the project \emph{doesn't} mean that you're
|
||||||
|
somehow in control of my job. That is my manager's decision."
|
||||||
|
|
||||||
|
Kaden's face went red as a tomato and I got a few cheers from the other
|
||||||
|
developers, but others simply responded with worry.
|
||||||
|
|
||||||
|
"Talon," one spoke up, a thin figure of a woman, "don't speak of being
|
||||||
|
unprofessional while you respond in kind. We know there's friction, but at
|
||||||
|
least respect the appearance of authority." Becky, I think her name was. It
|
||||||
|
didn't matter.
|
||||||
|
|
||||||
|
"Just," I started, then gave up, letting out a big sigh, "let me know what my
|
||||||
|
assignments are. I'll start working on code review now." I hit the big red
|
||||||
|
'hang up' button.
|
||||||
|
|
||||||
|
Anxiety pushed me over the edge and before I knew it I was crying again. Why
|
||||||
|
had I done that? What stupid thing possessed me to take a hostile course of
|
||||||
|
action?
|
||||||
|
|
||||||
|
I shoved myself into bed and pulled the covers up over my head. Easy way to
|
||||||
|
hide from the anxiety. Fuck. Why had I done that? Why had I done that?
|
||||||
|
|
||||||
|
I could hear the dings of direct messages coming in. I pulled my head out from
|
||||||
|
under my covers and checked them. A few asked if I was okay. A few cheered my
|
||||||
|
actions on. A few told me I should have been a little more tactful. And my
|
||||||
|
manager, Esmerelda. I opened the DM window.
|
||||||
|
|
||||||
|
\textbf{Esmerelda}: Hey. I just heard about what happened. Kaden's really
|
||||||
|
pissed off and Becky feels awful. Do you need some time off?
|
||||||
|
|
||||||
|
\textbf{Talon}: No, I don't need any time off. I just need Kaden to get off
|
||||||
|
his high horse. He's only been here a week and he's already threatening my
|
||||||
|
job.
|
||||||
|
|
||||||
|
\textbf{Esmerelda}: LOL. -er sorry. Don't worry. He's being corrected. The
|
||||||
|
whole team have had issues with his... behaviors. Especially the women.
|
||||||
|
|
||||||
|
\textbf{Talon}: Ugh. Of course. When it comes time to fire him, let me walk
|
||||||
|
him out the door. It'll be a big momentous occasion for him to see me afk.
|
||||||
|
|
||||||
|
\textbf{Esmerelda}: I understand. I'll see what I can arrange. Don't get your
|
||||||
|
hopes up. \underline{Here} is this weeks work. The team decided to give you
|
||||||
|
only one task to work on, on account of your all-nighter. Be careful Talon. I
|
||||||
|
don't need you working yourself into the ground.
|
||||||
|
|
||||||
|
I chuckled to myself slightly and clicked the link. The web browser opened to
|
||||||
|
our issue tracker with a list of open issues. Only one was assigned to me.
|
||||||
|
|
||||||
|
\textbf{[OPEN] [Flight] [Debug] [Regression] Current Version not decoding data%
|
||||||
|
correctly}
|
||||||
|
|
||||||
|
I switched tabs to the version control software and counted the reviews I had
|
||||||
|
to do. Three. Not bad. I can knock them out in an hour. Probably. If I
|
||||||
|
don't break down crying or fall asleep.
|
||||||
|
|
||||||
|
I began with the first review in the queue. I found it to be passable, and
|
||||||
|
gave it an approval. The second was less passable, so I rejected it and wrote
|
||||||
|
a quick note about the test that it failed, and the overall syntax and format
|
||||||
|
of the code.
|
||||||
|
|
||||||
|
The third review was Vance's. It was actually far better than all of his
|
||||||
|
previous submissions. I gave it an approval and wrote a very good note on it,
|
||||||
|
complimenting all of the techniques he'd learned since his last code review,
|
||||||
|
then gave some further advice for more improvement.
|
||||||
|
|
||||||
|
I copied the link to the note and sent it to the general chat. Good work
|
||||||
|
deserved public recognition, after all.
|
||||||
|
|
||||||
|
Then I began work on the open issue. It was relatively easy. A parser wasn't
|
||||||
|
working properly. A quick test to confirm that was actually the case. And it
|
||||||
|
was, but I was working on a development branch, so my errors were actually a
|
||||||
|
lot more strange than the examples provided in the ticket.
|
||||||
|
|
||||||
|
I quickly did some digging through the version control system, finding every
|
||||||
|
edit to this particular subroutine since the last version, then went through
|
||||||
|
them line by line. Nothing that would cause this garbled mess of data stood
|
||||||
|
out at me. I took note of which functions were being used in the subroutine
|
||||||
|
and examined each of them for changes.
|
||||||
|
|
||||||
|
Two functions had massive changes, and one had several sets of changes since
|
||||||
|
the last version. I took a look through it first. It was a deserialize
|
||||||
|
function, so it made the most sense to look at anyway.
|
||||||
|
|
||||||
|
Another few hours and I had found the problem. A stray line someone had let
|
||||||
|
through code review. It wouldn't have caused any other problems because the
|
||||||
|
other use cases for the deserialize function wouldn't be passing as much data
|
||||||
|
as this particular user.
|
||||||
|
|
||||||
|
The line was easy to fix. All I did was change the way that the data was
|
||||||
|
processed to ensure there were no overflows during data consumption. Counting
|
||||||
|
data was easy, but not if you're using a counter that rolls over at 32,767. If
|
||||||
|
any structures came in longer than that, it would roll over to -32,768, causing
|
||||||
|
the subroutine to exit early.
|
||||||
|
|
||||||
|
I then got to work writing a test that would make sure the function was tested
|
||||||
|
to its actual expected data size. I crafted an example serialized structure
|
||||||
|
that was nearly 100,000 bytes longer than any real data would have been, just
|
||||||
|
in case.
|
||||||
|
|
||||||
|
It was now nearly midday, but all my work for the week was done. I let out a
|
||||||
|
big sigh, and set the code to do a full rebuild. Setting the laptop on my
|
||||||
|
nightstand and ensuring that it was plugged in, I settled myself into bed.
|
||||||
|
|
||||||
|
My mind drifted around, not finding a particular topic to settle on before bed.
|
||||||
|
This was a fairly frequent occurrence, but today was especially bad. So I
|
||||||
|
settled on looking around my apartment.
|
||||||
|
|
||||||
|
It was a single room, of course, with an attached bathroom. My bed was nestled
|
||||||
|
into a corner, so I could see the whole room. The brick walls near my head
|
||||||
|
made sure that there was always a slight chill, so I could sleep easier. Not
|
||||||
|
that it ever helped.
|
||||||
|
|
||||||
|
On the other side of the room from my bed was the kitchen. A simple affair,
|
||||||
|
really. A small counter for preparing food, a little fridge, a sink, and a
|
||||||
|
simple range. You could almost be forgiven for not knowing this campus was the
|
||||||
|
cutting edge of space travel by looking at it. Next to the kitchen was the
|
||||||
|
door. Then a small closet containing my sparse sets of clothing. Then the
|
||||||
|
bathroom with the broken mirror.
|
||||||
|
|
||||||
|
In the other corner was my workstation, for all the good it did. There was
|
||||||
|
nothing I did on it anymore. Most days I didn't even get out of bed anymore.
|
||||||
|
Just booted up my laptop and worked. I let loose another sigh and looked
|
||||||
|
toward the bedside table.
|
||||||
|
|
||||||
|
The laptop's screen was only barely bright, compared to the sunlight that
|
||||||
|
leaked through the window just beyond it. My last thought before sleep came
|
||||||
|
was about how I should find a better way to block the light that filtered in
|
||||||
|
from that single window.
|
||||||
|
|
||||||
|
Next thing I knew, I stood before a big brown stone building. If I turned
|
||||||
|
around I could see the familiar fountain at the center of the campus. The
|
||||||
|
building in front of me was unmarked. Nobody knew what was inside it, either.
|
||||||
|
And women were the only people you could see going in or out, if you saw them
|
||||||
|
at all.
|
||||||
|
|
||||||
|
I was dreaming again, that much was obvious, to me at least. I'd seen this
|
||||||
|
building every time I'd slept since I'd seen it. The last several months it
|
||||||
|
had gotten far worse. I'd once asked my manager about it.
|
||||||
|
|
||||||
|
"What's in that brown stone building at the back of the campus?" I cringed as I
|
||||||
|
heard the reflection of my own voice in my thoughts.
|
||||||
|
|
||||||
|
Of course, she'd not known either. And she was told to ignore it in its
|
||||||
|
entirety. She'd instructed me to do the same. I figured I should heed that
|
||||||
|
warning. But my brain always had different plans. I visited the outside of
|
||||||
|
this building so many times in my dreams, it was getting tiring.
|
||||||
|
|
||||||
|
"Hello, Talon," a voice chimed, "We meet again."
|
||||||
|
|
||||||
|
"I've never been here," I said, then asked, "so how can we have met the first
|
||||||
|
time?" I turned to look at her. She was beautiful. Her blonde hair perfectly
|
||||||
|
accenting her slender face. Her green eyes nearly the same color as
|
||||||
|
aventurine.
|
||||||
|
|
||||||
|
She leaned over in a quick bow, the long sleeves of her dress almost concealing
|
||||||
|
the errant movement her hand had made. "It won't be long before you meet me,
|
||||||
|
don't worry."
|
||||||
|
|
||||||
|
I blinked. Was this a dream? And why was she so pretty, but so weird?
|
||||||
|
|
||||||
|
"Yes and no," she answered, "its more like an alternate space inside your mind.
|
||||||
|
And I'm not really that weird." I could feel her staring at me as my face
|
||||||
|
became slightly contorted with confusion and fear.
|
||||||
|
|
||||||
|
"But how can you be here, in my dream?" I asked aloud, terrified that she had
|
||||||
|
read my mind only a moment before. I needed answers, my curiosity wouldn't let
|
||||||
|
the unanswered questions stand.
|
||||||
|
|
||||||
|
"No need to be scared," she said, "but we will meet outside of here soon."
|
||||||
|
|
||||||
|
"What's that mean?" I asked. Even more questions were rattling around in the
|
||||||
|
back of my head now, but she didn't appear ready to answer them. Even now I
|
||||||
|
could feel the anxiety building up in me.
|
||||||
|
|
||||||
|
"Nothing you need to worry about with that anxiety laden heart of yours," she
|
||||||
|
said gently, reaching out and cupping my face in her hands, "I'll see you
|
||||||
|
soon." She planted a gentle kiss on my forehead. "Now wake up."
|
||||||
|
|
||||||
|
I jolted out of my nap. The full build hadn't even completed yet. Why would
|
||||||
|
it have? I'd only been asleep an hour. My head clouded, I still tried to
|
||||||
|
shake the sleep from my eyes. My body was very awake, despite the fog in my
|
||||||
|
brain.
|
||||||
|
|
||||||
|
I felt like I was running a fever, so I went into the bathroom and took another
|
||||||
|
shower, the water set as hot as it would go. Of course it burned a little, but
|
||||||
|
that was the point.
|
||||||
|
|
||||||
|
Having a hot shower tells your body that your environment is hot, so it's
|
||||||
|
supposed to self regulate and lower your temperature. At least, in theory.
|
||||||
|
|
||||||
|
I went back to bed and fell asleep almost instantly. No dreams this time.
|
||||||
|
Just deep, deep sleep.
|
||||||
|
|
||||||
|
I woke up to my laptop ringing. I rolled out of bed just barely in time to
|
||||||
|
watch the call end. I missed it. I clicked on the phone application and it
|
||||||
|
opened up.
|
||||||
|
|
||||||
|
I tried checking the call log as another call window popped up on the screen.
|
||||||
|
It was Esmerelda. I sat up and tried to gather myself for a second, then
|
||||||
|
answered it.
|
||||||
|
|
||||||
|
"Hey Esmie," I said toward the laptop.
|
||||||
|
|
||||||
|
"Hey Tal," she replied, "look, I'm sorry, but you have two visitors headed up
|
||||||
|
to your apartment. I tried to get a hold of you, but it looks like they were
|
||||||
|
in a hurry."
|
||||||
|
|
||||||
|
I sighed. "Alright, thanks for the heads up." She hung up.
|
||||||
|
|
||||||
|
The next three minutes were me frantically getting on a set of casual clothes
|
||||||
|
and packing my kit. A simple set of black cargo pants and a nicely fitting tee
|
||||||
|
shirt. Unironically these were the best looking clothes I had; I'd nearly \
|
||||||
|
ruined all the others.
|
||||||
|
|
||||||
|
My kit was simple, to be sure. Laptop, phone, compact set of lock picks, and a
|
||||||
|
small device used for wireless sniffing. Call me crazy if you'd like, but I
|
||||||
|
had this thing on all the time when I left my apartment.
|
||||||
|
|
||||||
|
A knock at the door. I took a breath and moved to open it. My fever was
|
||||||
|
making things a little harder than I had anticipated.
|
||||||
|
|
||||||
|
As the door opened, I saw two beautiful women standing in my entryway. One was
|
||||||
|
wearing a beautiful flowing blue dress that matched her eyes. I was captivated
|
||||||
|
by her eyes. They were like glowing sapphires. "Davis," she said, holding out
|
||||||
|
her hand.
|
||||||
|
|
||||||
|
"Young," I replied, "I'd shake your hand but I'm kinda feverish right now."
|
||||||
|
|
||||||
|
"We're actually here about that," the other woman said. She was a beautiful
|
||||||
|
young woman wearing a finely tailored suit. Her eyes were a dark color, but
|
||||||
|
they shined with a bright light. "I'm Tamaki. We're with Research and
|
||||||
|
Development. Special intelligence division."
|
||||||
|
|
||||||
|
"Okay," I said, "and this has what to do with my fever?"
|
||||||
|
|
||||||
|
"We'll explain under more secure circumstances," Tamaki said, "but you really
|
||||||
|
need to come with us before it gets worse."
|
||||||
|
|
||||||
|
"Define secure circumstances," I said.
|
||||||
|
|
||||||
|
"We have a secure facility here on campus," Davis said, her eyes captivating me
|
||||||
|
again. It was like I didn't have a way to really combat her gaze. It was hard
|
||||||
|
to focus on anything else.
|
||||||
|
|
||||||
|
"Okay," I said, "let's go, then."
|
||||||
|
|
||||||
|
They walked down the hall a bit, before Tamaki stopped and turned around, then
|
||||||
|
said, "and whatever's making that horrible noise in your bag needs to be turned
|
||||||
|
off."
|
||||||
|
|
||||||
|
I turned each of my devices off as we walked down the hall. Each of them on
|
||||||
|
either side of me. During this time I noticed that they were armed. Davis had
|
||||||
|
a pistol, I couldn't tell what kind. Tamaki had a short sword, it looked
|
||||||
|
Japanese, but I wasn't sure.
|
||||||
|
|
||||||
|
We'd turned the corner toward the stairs, a quick two minute walk, when Kaden
|
||||||
|
had spotted us. He was at the top of the stairs talking to someone at the
|
||||||
|
bottom. He gave the women around me a look over and a quick courteous smile.
|
||||||
|
|
||||||
|
He gave me a smug look.
|
||||||
|
|
||||||
|
"So, Talon," Kaden said, sarcasm dripping from his voice, "what'd you do to get
|
||||||
|
walked out by sexy security officers?"
|
||||||
|
|
||||||
|
"Got a fever," I said, a wry smile on my face. It was there to cover up the
|
||||||
|
anxiety.
|
||||||
|
|
||||||
|
"I called security and told them you're fired," he said, that smug look still
|
||||||
|
there.
|
||||||
|
|
||||||
|
"We're Research and Development," Tamaki said, "and you are?"
|
||||||
|
|
||||||
|
"Kaden," he said, extending his hand, "Project Manager for Flight Software."
|
||||||
|
|
||||||
|
"Oh," Davis replied, "you manage Young's project. I suppose that makes sense,
|
||||||
|
this is the flight software building." She merely shrugged.
|
||||||
|
|
||||||
|
"We're taking Mr. Young for opportunities you couldn't possibly understand,
|
||||||
|
Elon," Tamaki said, "it is okay if I call you Elon, right?"
|
||||||
|
|
||||||
|
Kaden was caught off guard. He opened and closed his mouth a few times. "I
|
||||||
|
suppose," he stammered. "How did you know my name?"
|
||||||
|
|
||||||
|
"Magic," she replied, pausing for a moment, "or something akin, now, we don't
|
||||||
|
have much time to loiter, please give us a six foot berth."
|
||||||
|
|
||||||
|
"Definitely security," he mumbled as he stepped away from the stairway to the
|
||||||
|
wall.
|
||||||
|
|
||||||
|
We moved as a group again. As we descended the stairs, Tamaki moved in front
|
||||||
|
of me while Davis smoothly stepped behind me. They easily took position on
|
||||||
|
either side of me once we'd cleared the stairs. My office was in full view
|
||||||
|
now.
|
||||||
|
|
||||||
|
The looks I'd been given walking out of the building with two extremely
|
||||||
|
beautiful women gave me an odd sense of terror. Either they'd get the wrong
|
||||||
|
idea, or they'd get the right idea.
|
||||||
|
|
||||||
|
"Don't worry," Tamaki said as we passed through the buildings large glass
|
||||||
|
doors, "the likelihood of you interacting with these people again is extremely
|
||||||
|
low."
|
||||||
|
|
||||||
|
"Why's that?" I asked, slightly alarmed.
|
||||||
|
|
||||||
|
"Those in our department are considered classified," she replied, a smile on
|
||||||
|
her face, "besides, we aren't very personable people, so it works out fine."
|
||||||
|
|
||||||
|
We'd already walked to the water fixture. It was a large pond with a statue of
|
||||||
|
an airplane in the middle. The Eastern Hills Space Company's first product,
|
||||||
|
back when the company was named Eastern Hills Aerodynamics. A design
|
||||||
|
commissioned by the United States Space Force nearly 120 years ago.
|
||||||
|
|
||||||
|
It was a space jet. I mean, it was a really cool fighter jet capable of
|
||||||
|
operation in both low Earth orbit and in atmosphere. But it was also just a
|
||||||
|
space jet.
|
||||||
|
|
||||||
|
Honestly, thinking about it made my head hurt. The company had to build a
|
||||||
|
whole new engine to get the damn thing to work and I couldn't really imagine
|
||||||
|
how hard that engineering team worked. They must have put in more overtime
|
||||||
|
than the company could have afforded.
|
||||||
|
|
||||||
|
"Young," Tamaki said, breaking me from my thought, "you okay? We need to keep
|
||||||
|
moving, we don't have enough time to be admiring the art."
|
||||||
|
|
||||||
|
"Sorry," I mumbled, "I guess my brain is just taking vacation on me."
|
||||||
|
|
||||||
|
"We need to hurry," Davis said, "you wanna?"
|
||||||
|
|
||||||
|
"Yeah, that's probably for the best," Tamaki replied. Then she whispered
|
||||||
|
something quickly. It sounded almost Gaelic. Before I could contemplate more
|
||||||
|
on it, my brain went fuzzy.
|
460
src/chapters/00-b-lastnormalday.tex
Normal file
460
src/chapters/00-b-lastnormalday.tex
Normal file
|
@ -0,0 +1,460 @@
|
||||||
|
I'd been planning this run for a week. I wasn't going to let a small
|
||||||
|
abnormality stop my attempt on the biggest corp I'd ever taken on alone. It
|
||||||
|
simply wasn't an option.
|
||||||
|
|
||||||
|
"You can't make this run, Eilidh," the middle-aged woman yelled at me from the
|
||||||
|
other side of the living room, "It is far too dangerous and you've clearly not
|
||||||
|
prepared enough." She was my hookup, someone who fielded and verified clients,
|
||||||
|
and also the closest person I've ever had to a mother.
|
||||||
|
|
||||||
|
She was irate because I'd decided to infiltrate the Eastern Hills Space Company
|
||||||
|
at their Denver Headquarters in order to steal as much data as I could walk out
|
||||||
|
with. I was going to start preparing for the run in just a few hours, and
|
||||||
|
Berdie just didn't want me to go.
|
||||||
|
|
||||||
|
"I know you think it's dangerous," I admitted to her with a sigh. There was no
|
||||||
|
decent way for me to say this without Berdie feeling bad. "We haven't had a
|
||||||
|
proper payday in almost a month and you need your medicine."
|
||||||
|
|
||||||
|
"We have so many credits saved up still," Berdie protested. She held her frail
|
||||||
|
lips in such a tight frown. Under the dim lighting in our safehouse, you could
|
||||||
|
barely tell she was frowning; it was so thin. Her eyes were what really gave
|
||||||
|
it away.
|
||||||
|
|
||||||
|
"I don't care if we have a million credits saved up," I countered, "Your
|
||||||
|
medicine would wipe it all out in just a few months."
|
||||||
|
|
||||||
|
Berdie narrowed her eyes in anger. You could almost feel the daggers she'd
|
||||||
|
started staring at me. "At least I care enough about you not to lose myself to
|
||||||
|
something completely insane!" Berdie yelled, throwing a glass across the room
|
||||||
|
at me. She missed; it burst against the wall behind me.
|
||||||
|
|
||||||
|
I sighed. "Would it help ease your worry if I hired an analyst to help me
|
||||||
|
through this?" I asked, pushing my blue hair out of my eyes.
|
||||||
|
|
||||||
|
"Yes, but you're planning for \emph{tonight}," she continued protesting, "You
|
||||||
|
better not be basing this heist off of a small enough amount of data that an
|
||||||
|
analyst can analyze it all in twelve hours!"
|
||||||
|
|
||||||
|
"Even if I've got an analyst who I've been working with for the whole thing?" I
|
||||||
|
asked, batting my eyes innocently. After all, I had one friend I trusted
|
||||||
|
unconditionally with all my data, and he'd been looking at it all along.
|
||||||
|
|
||||||
|
Marvin was his name. He was the hacker I sold all of my data to. He'd resell
|
||||||
|
it on various bulletin board systems, BBSes, or hand it directly to other teams
|
||||||
|
making runs similar to mine.
|
||||||
|
|
||||||
|
Berdie was silent for a while as she mulled through this. "Marvin doesn't
|
||||||
|
count; Eilidh you know that."
|
||||||
|
|
||||||
|
"Yes, Mother," I whined. Why did she always have to ruin my fun? I was trying
|
||||||
|
to take care of her. The corps that made her medicine were all making back
|
||||||
|
room deals so they could charge an arm and a leg for it. Even though the
|
||||||
|
formula for her medicine had been leaked by runners, we still couldn't
|
||||||
|
manufacture it ourselves. The equipment needed to do so was, similarly to the
|
||||||
|
medicine itself, far beyond the price range of any makers I knew of. It was
|
||||||
|
also incredibly hard to steal.
|
||||||
|
|
||||||
|
Eastern Hills Space Company was just a single step towards that much larger
|
||||||
|
goal: I eventually wanted to liberate the machines that PharmaCo used to build
|
||||||
|
its meds. If we became a burrow in the Colorado Free State with one, we could
|
||||||
|
produce their drugs at their real cost, and not their capitalist bullshit
|
||||||
|
price.
|
||||||
|
|
||||||
|
That's what this was all about: My burrow needs things, and I need to pay for
|
||||||
|
Berdie's meds. Two birds with one stone.
|
||||||
|
|
||||||
|
I'd started running with easy jobs, fielded by local merchants who just needed
|
||||||
|
gear or information. Eventually I'd made a run I was utterly unprepared for
|
||||||
|
trying to grab an industrial kiln for one of the artisans in the burrow.
|
||||||
|
|
||||||
|
"Grab", because I had two guys who were supposed to be my muscle. Of course,
|
||||||
|
they ran at the first sign of trouble. I'd almost been snatched by the
|
||||||
|
security forces while trying to escape. My panic upon returning home had let
|
||||||
|
Berdie pry more information out of me than I'd realized.
|
||||||
|
|
||||||
|
She'd then declared herself my hookup and started giving me jobs.
|
||||||
|
|
||||||
|
I should have realized that I couldn't keep jobs from her, even in her
|
||||||
|
declining health. "I'm going on this run," I stated, "I've already invested
|
||||||
|
hundreds of credits into information gathering. Its not going to waste, and
|
||||||
|
the data I need is going off planet tomorrow at 0800."
|
||||||
|
|
||||||
|
"Fine," Berdie said, defeated, "but you better be back before breakfast young
|
||||||
|
lady." I nodded. What else could I do? If I wasn't back it meant I'd failed.
|
||||||
|
And I'd be dead, or worse.
|
||||||
|
|
||||||
|
I walked to my room. The door slid open as I approached it, the automated
|
||||||
|
system having recognized my face. An automated greeting sounded on the
|
||||||
|
speakers I'd rigged the room with. "Play my electro playlist."
|
||||||
|
|
||||||
|
The speakers started playing, filling the room with lively music. I assessed
|
||||||
|
my things. A bed was in the far corner, simple, but the mattress was garbage.
|
||||||
|
Every time I laid down for rest it was on the bean bag on the opposite wall
|
||||||
|
anyway.
|
||||||
|
|
||||||
|
The room's lighting was provided by many strings of pink, blue, and green
|
||||||
|
electroluminescent wires, all placed in seemingly random places. Some hung
|
||||||
|
from the ceiling; others laid across the floor or hung from the walls. My
|
||||||
|
computer's many monitors lit up, washing out the scene with blue and white
|
||||||
|
light.
|
||||||
|
|
||||||
|
I sat in my computer chair and began carefully formulating my plan. Even a
|
||||||
|
single unknown variable could cause this run to go up in flames. I'd lose my
|
||||||
|
life if I wasn't careful.
|
||||||
|
|
||||||
|
About an hour into reviewing data and making notes, a video call request popped
|
||||||
|
up on my main monitor. I jumped at the sudden noise before regaining my
|
||||||
|
composure and accepting the call.
|
||||||
|
|
||||||
|
"Marvin," I said, trying to keep the adrenaline away from my voice.
|
||||||
|
|
||||||
|
"Eilidh," Marvin replied. He was grinning a wide grin, making his blue eyes
|
||||||
|
crinkle. "I just uncovered something in your recon data."
|
||||||
|
|
||||||
|
"Tell me about it," I said, going back to drawing my plans. I'd just been
|
||||||
|
reviewing guard rotations and paths in the research and development building.
|
||||||
|
|
||||||
|
"They are guarding something big in the secondary building," he laughed,
|
||||||
|
pleased with himself, "No guards on the outside of the building, but I
|
||||||
|
cross-referenced some of your data with that of another band of runners who
|
||||||
|
tried to get in. Their recording devices were blank when they came back out,
|
||||||
|
and they couldn't even remember what they saw in there."
|
||||||
|
|
||||||
|
"How's that possible?" I asked, looking up at the camera above Marvin's face.
|
||||||
|
"Are they working on memory alteration?"
|
||||||
|
|
||||||
|
"Maybe, but it gets better," he says, his excitement is very visible on him.
|
||||||
|
He's nearly bouncing out of frame. "Their security team kills people, Eilidh.
|
||||||
|
These guys walked out of their failed run not remembering it at all. They
|
||||||
|
don't want people to think there's anything there worth running against."
|
||||||
|
|
||||||
|
"I gathered," I sighed, "that doesn't make it any more appetizing of a target,
|
||||||
|
Marvin. Get to it, what else did you find?"
|
||||||
|
|
||||||
|
"Rumors," he replied. His red hair was a mess from the excitement he could
|
||||||
|
barely contain in his thin frame. "They say there's ghosts there. And magic!
|
||||||
|
Real magic!"
|
||||||
|
|
||||||
|
"Marvin," I snapped, "I know you've been trying to prove magic exists for the
|
||||||
|
last fifteen years, but you're twenty-seven now. Can we drop all the childish
|
||||||
|
games?"
|
||||||
|
|
||||||
|
"It couldn't hurt to look, Li," he said, using my nickname from when we were
|
||||||
|
young, "Please, whatever is in that building is really high priority."
|
||||||
|
|
||||||
|
Another change to the plan. I didn't like it. I'd spent most of my time
|
||||||
|
looking into the main R\&D building. It would likely be too risky to run
|
||||||
|
against the secondary. "Alright," I said giving up, "but you're going to
|
||||||
|
sweeten the pot for me if I walk out of there with nothing. And you're going
|
||||||
|
to be on vid with me the whole time."
|
||||||
|
|
||||||
|
"What do you want?" Marvin asked. He'd started typing frantically, his already
|
||||||
|
big smile widening.
|
||||||
|
|
||||||
|
"You'll pay for Berdie's meds for the next four months." A run like this could
|
||||||
|
pay for that much, probably. I wasn't actually getting paid, just hoping I'd
|
||||||
|
get enough data for a good payday, so this was a baseline of pay at the very
|
||||||
|
least.
|
||||||
|
|
||||||
|
"Fine," he sighed, "but that's a lot of money, so I'll be recording your whole
|
||||||
|
run. And I'm sending a drone with you: one I'll be piloting."
|
||||||
|
|
||||||
|
"More help is more better," I said, "but now that you're in, help me with the
|
||||||
|
damn plan."
|
||||||
|
|
||||||
|
A few hours of planning later, I found myself sighing deeply. "Marv, wanna go
|
||||||
|
to the club before I get myself killed?"
|
||||||
|
|
||||||
|
"Sure," he replied. His face was no longer lit up with excitement. The
|
||||||
|
planning had taken a lot of effort and I could see that he was frustrated.
|
||||||
|
"This plan is now solid enough to stand on, but I can't help but feeling like
|
||||||
|
you're walking into a deliberate trap."
|
||||||
|
|
||||||
|
"You wanted me to hit the secondary building," I said, shrugging. "See you at
|
||||||
|
the club."
|
||||||
|
|
||||||
|
"Wait!" he cried before I could hang up. "Which club are we going to?"
|
||||||
|
|
||||||
|
I shrugged. "Which one is open at 1500?"
|
||||||
|
|
||||||
|
He started typing again, fingers moving fast enough that they were just blurs
|
||||||
|
in the camera. "Looks like Railgun and TripSmash are open."
|
||||||
|
|
||||||
|
"TripSmash," I said. "Railgun was boring as, last time."
|
||||||
|
|
||||||
|
"See you there," he said, cutting the connection. With the video call now
|
||||||
|
disconnected, my music started playing again. The music had resumed in the
|
||||||
|
middle of a drop, so the sudden noise caused me to jump, knocking my chair
|
||||||
|
back.
|
||||||
|
|
||||||
|
I'd ended up on the floor. I couldn't help laughing. It was kinda funny.
|
||||||
|
Before I could pull myself off the floor, the door was sliding open. Berdie's
|
||||||
|
face held a firm expression, but her eyes were red and puffy.
|
||||||
|
|
||||||
|
"Marv and I built a plan," I said, finally getting back up on my feet, "We're
|
||||||
|
gonna go meet up at the club, I wanna dance with some girls before I end up in
|
||||||
|
a Corp prison."
|
||||||
|
|
||||||
|
She exploded in laughter, the somber kind of laughter. When she finally
|
||||||
|
regained her composure, she was biting her lip in that worried anxious way she
|
||||||
|
always does. "You kids take care of each other out there."
|
||||||
|
|
||||||
|
"We will, Mom," I said. Her worry over me did make me feel good. I knew this
|
||||||
|
was a risky run, but I had to do it, to prove to myself I could be independent
|
||||||
|
again.
|
||||||
|
|
||||||
|
As she left my doorway, the door slid shut. I breathed slightly. "Time to
|
||||||
|
pick clothes and hit the shower, I guess. Should I do makeup? Probably. Will
|
||||||
|
I? Maybe. I \emph{do} want to dance with some pretty women. Maybe I will
|
||||||
|
doll up just a bit."
|
||||||
|
|
||||||
|
I settled on a black crop top and a simple pair of black jeans. I'd be wearing
|
||||||
|
a brown jacket with a black hood to keep the cold off. And my black combat
|
||||||
|
boots would tie the outfit all together. I sighed; there was no way I'd pick
|
||||||
|
anyone up wearing this. At least Berdie never had to worry about me bringing
|
||||||
|
anybody over.
|
||||||
|
|
||||||
|
I laughed my worry away only slightly. I just wanted to dance with someone
|
||||||
|
cute; was that so much to ask for? Yeah. Probably. I sighed and took my
|
||||||
|
clothes to the bathroom with me.
|
||||||
|
|
||||||
|
My shower was quick and cold, but it got me clean. I had been pretty dirty
|
||||||
|
after the recon I'd done last night. I'm amazed Berdie was able to argue with
|
||||||
|
me for so long when I stank that badly.
|
||||||
|
|
||||||
|
After getting dressed I decided I would do my makeup. I neglected foundation
|
||||||
|
and coverup, but focused on my eyes. A little blue eye shadow to pull out the
|
||||||
|
blues in my eyes and hair. Big wings drawn in eye liner. Mascara to thicken
|
||||||
|
up my lashes. Sky blue sparkles on my eyes and cheeks to enhance the pale look
|
||||||
|
of my skin.
|
||||||
|
|
||||||
|
Finally I picked some black lipstick and put it on. It was so black in
|
||||||
|
comparison to my pale skin, chosen intentionally for the contrast.
|
||||||
|
|
||||||
|
So I liked the color of my face being washed out. It looked good, okay?
|
||||||
|
|
||||||
|
Looking at myself in the mirror, an odd idea crossed my mind. "Any deities
|
||||||
|
that might smile upon me, I ask for a blessing in my endeavors tonight." I
|
||||||
|
knew deities weren't real, but on the off-chance that I'd gained the favor of
|
||||||
|
one, I might as well ask, right?
|
||||||
|
|
||||||
|
The club was a short ride from the safehouse on my motorcycle. Ten minutes
|
||||||
|
after getting on the bike, I was walking into TripSmash. The club wasn't much
|
||||||
|
to look at from the outside: it was a simple old warehouse covered in graffiti
|
||||||
|
with a sign out front.
|
||||||
|
|
||||||
|
On the inside, TripSmash was a den of cyberdelia love. High-tech lights pulsed
|
||||||
|
to the music as lasers shone into the smokey dance floor. The bar was on the
|
||||||
|
wall right as you walked in, and a seating area was across the floor from it.
|
||||||
|
On the wall directly opposite the door stood the DJ at their perch, looking at
|
||||||
|
pink-tinted holographic displays. They looked badass.
|
||||||
|
|
||||||
|
"When did you get that?" Marvin asked, sliding up next to me and pointing at my
|
||||||
|
belly button ring.
|
||||||
|
|
||||||
|
"Last year, I think," I said, heading to the bar. "After my run on Xycell."
|
||||||
|
|
||||||
|
"What can I get you?" the bartender asked, flashing me a smile.
|
||||||
|
|
||||||
|
"What ever fruity drink you recommend," I replied, giving the bartender a
|
||||||
|
courteous smile. He wasn't my type, but he was cute.
|
||||||
|
|
||||||
|
"And another Fringe," Marvin said from next to me, then turned to me, "So you
|
||||||
|
got a belly button ring after Xycell. Why?"
|
||||||
|
|
||||||
|
"Saw one on the cute receptionist as I entered the building," I laughed,
|
||||||
|
"thought, 'I really can't not look that cute,' and now here we are." Marvin
|
||||||
|
joined in my laughter. The bartender came back to our side of the bar and
|
||||||
|
handed us our drinks.
|
||||||
|
|
||||||
|
"The Fruity Tootie," the bartender said, "but your limit is two, especially
|
||||||
|
after your friend here nearly brought our network down."
|
||||||
|
|
||||||
|
"Marvin!" I exclaimed, turning back toward him, "you nearly brought their
|
||||||
|
network down and you let me drag you here?"
|
||||||
|
|
||||||
|
"Uh, yeah," Marvin replied, sipping on his new drink. It was a pretty blue,
|
||||||
|
almost two shades lighter than my hair. "I uh, forgot I did it. I was pretty
|
||||||
|
turned up by this designer amphetamine I'd taken earlier in the night. Wild
|
||||||
|
party though."
|
||||||
|
|
||||||
|
I shrugged. "I'mma go hit the floor, watch my drink?"
|
||||||
|
|
||||||
|
"Sure," Marvin replied, "have fun." I walked out there, trying my best to
|
||||||
|
saunter toward a beautiful woman in a short black dress. She met my eyes and
|
||||||
|
smiled. Her eyes were a pretty gray.
|
||||||
|
|
||||||
|
As I got closer I started dancing, giving her looks that I hoped would invite
|
||||||
|
her over to come dance with me. She smiled, a pretty smile, almost a
|
||||||
|
challenge.
|
||||||
|
|
||||||
|
Should I move closer to her?
|
||||||
|
|
||||||
|
No, I didn't think so. Not yet.
|
||||||
|
|
||||||
|
She'll come around, right?
|
||||||
|
|
||||||
|
Yes!
|
||||||
|
|
||||||
|
She inched closer and closer to me until she was right in front of and dancing
|
||||||
|
with me. I gave her a sly smile; she gave me a grin. Her eyes were much
|
||||||
|
prettier up close. They were only gray under the pink the lights had turned,
|
||||||
|
the pink matching the holoscreens. Now that I was closer, I saw they were
|
||||||
|
actually a beautiful lavender.
|
||||||
|
|
||||||
|
"Nice eyes," I whispered into her ear, the music slipping into a more chill
|
||||||
|
track. "They're beautiful."
|
||||||
|
|
||||||
|
"Thanks," she replied, hesitantly threading her fingers in mine. "Yours are
|
||||||
|
pretty, too. You did good with your makeup."
|
||||||
|
|
||||||
|
I smiled. "Thanks, wanna go grab a drink?"
|
||||||
|
|
||||||
|
"Yeah," she replied, "I haven't had anything to drink in a bit. Lose myself to
|
||||||
|
the beat." She shrugged.
|
||||||
|
|
||||||
|
"Makes sense," I laughed, "Come on." I pulled her to the bar next to where
|
||||||
|
Marvin was sitting on a stool.
|
||||||
|
|
||||||
|
"Wow," Marvin said, looking my dance partner over. "She's really cute,
|
||||||
|
Eilidh."
|
||||||
|
|
||||||
|
"Yep," I said, a blush working its way into my voice, "she's really gorgeous."
|
||||||
|
|
||||||
|
"Lucere," she said, squeezing on my hand. I took a gulp of my drink and turned
|
||||||
|
to her.
|
||||||
|
|
||||||
|
"Nice to meet you Lucere, I'm Eilidh," I said, squeezing her hand.
|
||||||
|
|
||||||
|
"I'm Marvin," Marvin said, obviously trying to trip me up, but I didn't feel
|
||||||
|
any of the normal anxiety with Lucere. She was easy to look at, her pretty
|
||||||
|
black dress clinging to her frame, highlighting every curve. Her beautiful
|
||||||
|
eyes were captivating.
|
||||||
|
|
||||||
|
"Did you want a drink, Lucere?" I asked as the bartender came to check up on
|
||||||
|
us. She looked at me for a moment under diffuse white lighting.
|
||||||
|
|
||||||
|
"Yes," she replied, then broke her gaze to tell the bartender, "Gin martini,
|
||||||
|
stirred, two olives." He nodded and hurried off to prepare it.
|
||||||
|
|
||||||
|
"Martini, huh?" I asked, shivering under the weight of her returning gaze. It
|
||||||
|
felt like she was drinking the look of me up.
|
||||||
|
|
||||||
|
"Yeah," she replied, "Martini. A brother-in-arms used to drink them. I try to
|
||||||
|
have one every once in a while before kissing someone. One of his old
|
||||||
|
traditions."
|
||||||
|
|
||||||
|
"You were in the war?" I asked. A war broke out in the Colorado Free State
|
||||||
|
last year. It lasted roughly a week, but the battle had scarred the Denver
|
||||||
|
cityscape permanently. Several corporate towers had been leveled within a
|
||||||
|
handful of hours.
|
||||||
|
|
||||||
|
"Something like that," Lucere laughed. She began pointing up. "Been off world
|
||||||
|
a few years on assignment. Got back today."
|
||||||
|
|
||||||
|
"Woah," Marvin exclaimed. "What's it like up there?"
|
||||||
|
|
||||||
|
"I missed the ground," Lucere admitted. The bartender slid her drink up next
|
||||||
|
to her. Her face lit up before she snatched it off the bar and gulped it down.
|
||||||
|
I chuckled. She set the empty glass down on the bar before reaching down and
|
||||||
|
kissing me.
|
||||||
|
|
||||||
|
Lucere's kiss felt electric against my lips and her hands like fire against the
|
||||||
|
skin of my waist. I moaned.
|
||||||
|
|
||||||
|
"Oh shit," I laughed, breaking away from the kiss. "That was pretty sudden and
|
||||||
|
really nice, don't get me wrong, but I wasn't expecting, um, \emph{that}, quite
|
||||||
|
so soon."
|
||||||
|
|
||||||
|
"Sorry," she said, blushing, "I just, its been a while since I've been in the
|
||||||
|
Free State, a while since I've been anywhere but the medical ward of a
|
||||||
|
starship."
|
||||||
|
|
||||||
|
"Don't be sorry," I said, reaching up to kiss her again. "It was really
|
||||||
|
endearing. And a lot of fun."
|
||||||
|
|
||||||
|
She smiled, broke away from my embrace, then looked at Marvin with a
|
||||||
|
contemplative face. "You look sufficiently nerdy. Know any runners?"
|
||||||
|
|
||||||
|
I coughed, nearly spilling the fresh sip of my drink on my crop top. Marvin
|
||||||
|
pointed at me. Lucere's eyes lit up as she looked at me. Oh, that was a
|
||||||
|
feeling I could get used to.
|
||||||
|
|
||||||
|
"Why do you need a runner?" I asked, trying to avoid looking outright curious.
|
||||||
|
I tried for a look of calm and collected.
|
||||||
|
|
||||||
|
"I work for Eastern Hills Space Company," she replied. Her eyes looking for
|
||||||
|
any cracks in my mask. "Looking for someone to break in as a security test. I
|
||||||
|
want it to be as real as we can manage."
|
||||||
|
|
||||||
|
Shit. I was spooked and even Lucere could tell. Did she know I had planned a
|
||||||
|
run for just a few hours from now? How did she know? What was I doing still
|
||||||
|
standing here holding her hand?
|
||||||
|
|
||||||
|
"So you were going to hit us tonight," Lucere mumbled. "No worries. I can pay
|
||||||
|
you right now: double whatever you were going to get from it and protection for
|
||||||
|
you and your crew. But for that I suppose you'll have to become a runner for
|
||||||
|
us. I understand how that could make you feel."
|
||||||
|
|
||||||
|
"How about we drop you right here," Marvin suggested. His eyes fell down to
|
||||||
|
where I was still holding Lucere's hand. I looked down and saw that she was
|
||||||
|
still holding my hand, calmly and happily.
|
||||||
|
|
||||||
|
"You could \emph{not} hurt her," I offered. Finally, I gave up and relaxed.
|
||||||
|
"I kinda wanna just keep kissing her, if that's alright with everyone."
|
||||||
|
|
||||||
|
She giggled.
|
||||||
|
|
||||||
|
Marvin threw his hands in the air, then brought them down hard on the bar.
|
||||||
|
|
||||||
|
"Bartender," he yelled, "can I get, well, anything? I need some chemical help
|
||||||
|
to understand the world I find myself in."
|
||||||
|
|
||||||
|
"Yeah," Lucere finally said, cutting off her giggling. "I'll kiss you some
|
||||||
|
more, but you realize that if you don't take this job, we're gonna walk away
|
||||||
|
from here enemies."
|
||||||
|
|
||||||
|
"Guess I better make the best of the time we're friends then," I replied after
|
||||||
|
finishing my drink. I ran my free hand along her jaw. I couldn't help myself.
|
||||||
|
Something about her was electrifying.
|
||||||
|
|
||||||
|
"One last question before we kiss, Eilidh," Lucere said.
|
||||||
|
|
||||||
|
Oh \emph{wow}. The way my name came off her tongue sounded like honey. I
|
||||||
|
nodded quickly before I could lose myself in that feeling.
|
||||||
|
|
||||||
|
"Do you feel the pull?"
|
||||||
|
|
||||||
|
I furrowed my brow in confusion. "What do you mean?"
|
||||||
|
|
||||||
|
She merely pulled out a mirror in response and used it to show me the small of
|
||||||
|
my back. There was an interesting mark, but I couldn't make out what it was.
|
||||||
|
Regardless of that, it was new. Hadn't been there when I showered an hour or
|
||||||
|
so before.
|
||||||
|
|
||||||
|
"Shit," I exclaimed, "When the fuck did someone have the time to tattoo me in
|
||||||
|
the last hour?"
|
||||||
|
|
||||||
|
"Not a tattoo," Lucere replied. "I have one just like it." She turned. Her
|
||||||
|
dress' back disappeared. Or was it always like that? In the small of her back
|
||||||
|
was an almost wireframe representation of a simplistic lotus.
|
||||||
|
|
||||||
|
Without thinking I put my finger to the mark and felt its ridges. As I ran my
|
||||||
|
finger over the mark, it began to glow along the outlines. A faint purple glow
|
||||||
|
that was reflected in my hands.
|
||||||
|
|
||||||
|
"Woah!" Marvin exclaimed. "What the fuck?"
|
||||||
|
|
||||||
|
"We leave here as friends," Lucere stated, a smile on her face again. "And
|
||||||
|
that felt really good. You have to promise to put your hands all over me
|
||||||
|
sometime soon, okay?"
|
||||||
|
|
||||||
|
"Will someone please talk to me?" Marvin asked.
|
||||||
|
|
||||||
|
"Magic," I whispered, realizing instantly that I'd been wrong. "Its real.
|
||||||
|
Look at it. Its beautiful."
|
||||||
|
|
||||||
|
"I need you both to come with me," Lucere said urgently, "Eilidh has about a
|
||||||
|
week of transformation to do, and I suppose Marvin could be a good artificer.
|
||||||
|
You look nerdy enough for it."
|
324
src/chapters/01-a-ceremony.tex
Normal file
324
src/chapters/01-a-ceremony.tex
Normal file
|
@ -0,0 +1,324 @@
|
||||||
|
The world faded into existence very slowly through my blurry eyes. When the
|
||||||
|
hell had I passed out?
|
||||||
|
|
||||||
|
I remembered the R\&D women who came to my room. I remembered Kaden and how
|
||||||
|
he'd been trying to do something to get, well I'm not really sure what his game
|
||||||
|
was. The big glass front door.
|
||||||
|
|
||||||
|
The space jet, in all of its marvelous absurdity.
|
||||||
|
|
||||||
|
But I couldn't remember anything after that. I could feel a disappointed frown
|
||||||
|
forming on my face. Maybe I'd remember later.
|
||||||
|
|
||||||
|
I began looking around. The room I'd found myself in looked like an improvised
|
||||||
|
medical ward. I gathered this from the cots and a large stash of medical
|
||||||
|
supplies on the far wall. I could see there were a few cots with people in
|
||||||
|
them.
|
||||||
|
|
||||||
|
"Finally awake," a voice said from my left, "that's good. We've had you in and
|
||||||
|
out of the ice bath already."
|
||||||
|
|
||||||
|
"For my fever," I said, "that makes sense." She moved in front of me. She was
|
||||||
|
beautiful. Just as beautiful as Tamaki or Davis. Her eyes had an intense
|
||||||
|
purple glow to them. Her hair was a pretty chocolate color. Her lips were a
|
||||||
|
pretty cherry color. Her cheeks perfectly carved.
|
||||||
|
|
||||||
|
"Medical Officer Manafed," she said, pointing to herself, "and you're new
|
||||||
|
designation is Tactical Officer Young."
|
||||||
|
|
||||||
|
"Please," I said, "call me Talon."
|
||||||
|
|
||||||
|
"Then you can call me Lucere or Lucy," she replied, "whichever you prefer."
|
||||||
|
|
||||||
|
"You're beautiful, Lucere," I said, still meeting her eyes.
|
||||||
|
|
||||||
|
"And you're running a hot enough fever that you're out of your mind," she
|
||||||
|
replied, giggling. Her smile was infectious.
|
||||||
|
|
||||||
|
"That doesn't change facts," I said. Where did that come from? The anxiety
|
||||||
|
was there, but it was subdued. "Did you drug me?"
|
||||||
|
|
||||||
|
"Well, you were tossing and turning in your sleep, so I gave you an
|
||||||
|
anti-anxiety pill, and a mild sedative so you'd end up in deep sleep." She
|
||||||
|
explained it like it was so simple and easy. "You should still feel the
|
||||||
|
effects of the anti-anxiety, but the sedative left your system hours ago."
|
||||||
|
|
||||||
|
"So I'd be really forward if it weren't for anxiety?" I asked.
|
||||||
|
|
||||||
|
"Well, you are also experiencing a very high fever," she replied, "you probably
|
||||||
|
didn't notice because we're running a bio-compatible cryofluid through your
|
||||||
|
veins."
|
||||||
|
|
||||||
|
"So you're chilling me using subzero fake blood?" I asked, "What's my
|
||||||
|
temperature without it?"
|
||||||
|
|
||||||
|
"Your temperature without the cryofluid? Oh that's a bit of a hard question,"
|
||||||
|
she replied, "my best guess would be somewhere around 300, maybe 350."
|
||||||
|
|
||||||
|
"Numbers that big, I suppose it doesn't really matter what measurement system
|
||||||
|
it is," I said.
|
||||||
|
|
||||||
|
"Celsius," she said, answering the implicit question.
|
||||||
|
|
||||||
|
"Anyway, what's going on?" I asked.
|
||||||
|
|
||||||
|
"You met our Pale Goddess," she replied, "meeting her causes certain changes to
|
||||||
|
happen. Your fever is caused by your body changing."
|
||||||
|
|
||||||
|
"And she's what, an actual god?" I asked, scoffing at the thought.
|
||||||
|
|
||||||
|
"Yes," she replied, "she grants us certain magics."
|
||||||
|
|
||||||
|
"Magics?" my unrelenting stream of questions just getting shorter.
|
||||||
|
|
||||||
|
"Yes," she replied again, putting her hand up in front of me. "Like this." Her
|
||||||
|
hand started glowing a bright purple light. "I can heal almost any wound with
|
||||||
|
that." I knew I must have been staring because the glow in her eyes
|
||||||
|
brightened.
|
||||||
|
|
||||||
|
"Is that why I can see light in your eyes?" I asked.
|
||||||
|
|
||||||
|
She gave me an odd look. "No," she replied, "that's all you. You're able to
|
||||||
|
see the magic in us. That's new."
|
||||||
|
|
||||||
|
"New?" I asked, "As in you haven't seen it before?"
|
||||||
|
|
||||||
|
"Yes, new as in we haven't got it in our catalog of magics," she replied,
|
||||||
|
"that's neat."
|
||||||
|
|
||||||
|
"So I'm what then, now?" I asked, "a witch?"
|
||||||
|
|
||||||
|
"We're mages," she said, "not witches."
|
||||||
|
|
||||||
|
"Is there a difference?" I asked. She squinted at me with a frown on her face.
|
||||||
|
"No, no, don't look at me like that."
|
||||||
|
|
||||||
|
"Mages do magic," she replied, her frown resolving to something decidedly less
|
||||||
|
pained, "witches are just nurses with a stupid costume."
|
||||||
|
|
||||||
|
"Oh," I said, "sorry to have insulted you like that."
|
||||||
|
|
||||||
|
"Its fine," she said, "we have to get you into virtual now, so you don't feel a
|
||||||
|
lot of pain when your body starts changing. We'll also train you as best we
|
||||||
|
can for your new role as our Tactical Officer."
|
||||||
|
|
||||||
|
"And does the Tactical Officer have magic?" I asked, a silly smile on my face.
|
||||||
|
|
||||||
|
"Does the Tactical Officer embrace the power of the feminine?" she asked, a
|
||||||
|
serious look on her face.
|
||||||
|
|
||||||
|
"I'm not even sure what that means," I replied, "but we can assume no for the
|
||||||
|
time being."
|
||||||
|
|
||||||
|
"Then no," she giggled, "other gods give based on their domains, but the Pale
|
||||||
|
Goddess' domains are femininity, motherhood, womanhood, lesbianism, and the
|
||||||
|
likes."
|
||||||
|
|
||||||
|
"You're telling me she's the goddess of lesbians?" I asked, "who is she, Sappho
|
||||||
|
reincarnated?"
|
||||||
|
|
||||||
|
Lucere looked at me funny. "I think I'll assume 'maybe' for the time being."
|
||||||
|
|
||||||
|
"Okay," I said, drawing the word out, "what's it gonna take to get me in
|
||||||
|
virtual?"
|
||||||
|
|
||||||
|
"You have two options," she said, jumping right into business, "we can put you
|
||||||
|
in using the neural crown, which is completely non-invasive, or I can put you
|
||||||
|
back under and give you a neural implant. What's your pick?"
|
||||||
|
|
||||||
|
"Right," I replied, a little overwhelmed. Neural implants are still just
|
||||||
|
science fiction. "Lets go with the crown for now, and we'll see about the
|
||||||
|
implant later."
|
||||||
|
|
||||||
|
"Are you sure?" she asked, "it comes with a snazzy optical implant for user
|
||||||
|
interfacing."
|
||||||
|
|
||||||
|
"Yeah," I said, "I'm sure."
|
||||||
|
|
||||||
|
"Okay then, cutie, lets get you ready for go," Lucere said, smiling, "we'll be
|
||||||
|
moving you into a permanent ice bath once you're in virtual." Shit. She'd
|
||||||
|
called me a cutie. I could feel my face getting red.
|
||||||
|
|
||||||
|
"Right," I said, "let's get it done."
|
||||||
|
|
||||||
|
"I'm going to move closer now," she said, "and fit the crown over your head.
|
||||||
|
Don't bite."
|
||||||
|
|
||||||
|
As she moved closer to me, I started talking, maybe a bit too fast. "So I'm
|
||||||
|
gonna guess how this thing works. It uses electromagnetic fields to induce
|
||||||
|
tiny pinpoint electrical signals within certain parts of my brain."
|
||||||
|
|
||||||
|
"Sort of," she said, "it doesn't use EMF, but if you want all the details on
|
||||||
|
that, you should talk to our resident tech mage."
|
||||||
|
|
||||||
|
"I may just have to," I replied. She'd been messing with something I couldn't
|
||||||
|
quite see, just above my head.
|
||||||
|
|
||||||
|
"Use your limited ability to move your head and let me slip this over you," she
|
||||||
|
instructed, holding a stretchy fabric band. As I pushed my head forward and up
|
||||||
|
slightly, she slipped the band over my head. "Good, now think happy thoughts
|
||||||
|
while I put you in the environment."
|
||||||
|
|
||||||
|
I thought about her, in front of me. Lucere's arms curled around me. Her lips
|
||||||
|
meeting mine. I couldn't tell you why I thought about her. I'd never really
|
||||||
|
thought about women like that. Never really wanted to kiss anyone before.
|
||||||
|
Thinking about it made me feel an odd warmth through my chest.
|
||||||
|
|
||||||
|
Maybe it was just the fever. Before I could think on it anymore, the crown got
|
||||||
|
a little warm around my head. Then the world started dripping away in large
|
||||||
|
globules of liquid matter. Everything I could see having simply melted away.
|
||||||
|
|
||||||
|
I don't know when I began screaming, but it stopped when I felt my body
|
||||||
|
stretch. It felt roughly like I'd expected being sucked into a black hole
|
||||||
|
would have. Except far worse, because it was happening.
|
||||||
|
|
||||||
|
The feeling got worse and worse, like a pressure building up. It almost became
|
||||||
|
unbearable. Almost. Then I heard a popping noise and was dropped very lightly
|
||||||
|
into a grassy environment. At the top of a hill with what looked like an
|
||||||
|
endless void surrounding it. Damn.
|
||||||
|
|
||||||
|
"Your heart rate spiked as you were coming in," Lucere said from beside me. I
|
||||||
|
jumped, startled. She wasn't there just a second ago. "Are you okay?"
|
||||||
|
|
||||||
|
"You didn't warn me that it would do \emph{that}," I said, my voice sounded
|
||||||
|
hoarse.
|
||||||
|
|
||||||
|
"I told you to think about happy thoughts," she stated, as if that was some
|
||||||
|
excuse. "Happy thoughts prevent the black hole from eating you between
|
||||||
|
environments."
|
||||||
|
|
||||||
|
"Oh, and I suppose that is supposed to mean something to me!" I shouted. I
|
||||||
|
didn't mean to shout. I hate yelling. She just stared at me.
|
||||||
|
|
||||||
|
"Yeah," she said, "its supposed to mean, think about times you were happy."
|
||||||
|
|
||||||
|
"Lucy," I heard a familiar voice say, "what the hell are you doing yelling at
|
||||||
|
officer Young?"
|
||||||
|
|
||||||
|
"He's accidentally experienced the black hole, Ai." As Lucere spoke, the
|
||||||
|
familiar voice came into view. Tamaki. She was wearing a robe now. It was
|
||||||
|
colorfully decorated. It reminded of the renaissance festival, in how old, but
|
||||||
|
new it looked.
|
||||||
|
|
||||||
|
"Getting ready for a seance?" I asked, completely baffled by the outfit.
|
||||||
|
|
||||||
|
"No," she replied, little emotion coming through her voice, "I'm getting ready
|
||||||
|
for the welcoming ceremony."
|
||||||
|
|
||||||
|
"Welcoming what?" I asked, confused.
|
||||||
|
|
||||||
|
"You, dummy," Lucere laughed.
|
||||||
|
|
||||||
|
"Oh," I laughed.
|
||||||
|
|
||||||
|
"I see you two made a bit of a connection," Tamaki said, "Lucy I thought you
|
||||||
|
only got kicks out of women."
|
||||||
|
|
||||||
|
"Commander," Lucere said, feigning shock, "don't you know that love is love?"
|
||||||
|
|
||||||
|
"Yeah yeah," Tamaki giggled, "back in line soldier."
|
||||||
|
|
||||||
|
Lucere gave an exaggerated solute, bowed deeply, then pranced off to some
|
||||||
|
unseen spot.
|
||||||
|
|
||||||
|
"Forgive our medical officer," Tamaki said, "for her lame jokes and her
|
||||||
|
impeccably bad timing. And me, for making fun of her at your expense."
|
||||||
|
|
||||||
|
"No need for that," I replied, then gave a solute almost as exaggerated as
|
||||||
|
Lucere's, "Commander."
|
||||||
|
|
||||||
|
"We won't have any issues with chain of command from you, will we?" Tamaki
|
||||||
|
laughed, her question obviously sarcastic. She started walking in a direction,
|
||||||
|
but stopped when she realized I wasn't following. She beckoned me over. I
|
||||||
|
sighed and started walking, following behind her while keeping a distance of a
|
||||||
|
few paces.
|
||||||
|
|
||||||
|
After a few minute walk through total nothingness, only seeing Tamaki in front
|
||||||
|
of me, trees started appearing. We walked through a dense wooded area for
|
||||||
|
another few minutes before we came to a clearing. When I was in the clearing,
|
||||||
|
I could clearly see a ring of logs with hooded figures sitting on them.
|
||||||
|
|
||||||
|
I counted five hooded figures. With Tamaki and I we would be seven figures in
|
||||||
|
total.
|
||||||
|
|
||||||
|
"Come on," Tamaki laughed, "you don't need to be scared of women in hooded
|
||||||
|
robes."
|
||||||
|
|
||||||
|
"And yet," I said, "I am. Maybe has something to do with the whole magic
|
||||||
|
thing."
|
||||||
|
|
||||||
|
"They won't attack you," she said, "unless, of course, you attack them first."
|
||||||
|
|
||||||
|
"I have no ill intentions," I stated, "but I'm still worried."
|
||||||
|
|
||||||
|
"Don't be," she laughed.
|
||||||
|
|
||||||
|
As we approached, each of the mages stood up, their black robes still reaching
|
||||||
|
the ground. Their hoods covering their heads were large enough to obscure
|
||||||
|
their faces. I mean, we're talking about literal mages. Wearing mage robes.
|
||||||
|
Doing some sort of a mage thing.
|
||||||
|
|
||||||
|
Did I get whisked away into a cult? Should I be worried?
|
||||||
|
|
||||||
|
"Center of the circle," Tamaki giggled, "facing me. On your knees, but make
|
||||||
|
yourself comfortable, because you'll be sitting like that for a bit."
|
||||||
|
|
||||||
|
I sat myself in the circle, on my knees. In getting comfortable, I rested on
|
||||||
|
my feet and placed my hands on my thighs.
|
||||||
|
|
||||||
|
I heard a few hums of excitement from the mages around me.
|
||||||
|
|
||||||
|
"Now," Tamaki said, taking point in front of the group, "for the first time
|
||||||
|
among us, we have a man. Unprecedented since the discovery of magic nearly
|
||||||
|
seventy years ago. Mages are a rarity, as we all know, and our goddess has a
|
||||||
|
penchant for making them."
|
||||||
|
|
||||||
|
"May I ask questions?" I asked before she could continue.
|
||||||
|
|
||||||
|
"You may," Tamaki replied, "but keep in mind, we are slightly pressed for time.
|
||||||
|
Our officers are quite busy, especially our medical officer."
|
||||||
|
|
||||||
|
"Right," I said, giggling slightly, "when was magic first discovered?"
|
||||||
|
|
||||||
|
"When the first mage was born on this campus," she replied, "in our medical
|
||||||
|
wing, the same one your body is in now, actually. In 2091. August third. The
|
||||||
|
medical staff had no clue what was wrong with her. When she woke up in a new
|
||||||
|
body nearly a month later, the medical team having used ice baths to cool her,
|
||||||
|
she did her best to figure out what happened."
|
||||||
|
|
||||||
|
"Of course," Lucere cut in, "she went in much like your body is now."
|
||||||
|
|
||||||
|
"A man?" I asked.
|
||||||
|
|
||||||
|
"Probably not," Lucere replied, "but she was incorrectly labeled a boy at
|
||||||
|
birth. We aren't here to judge. That's for the Pale Goddess, and we've all
|
||||||
|
already been deemed worthy in her eyes."
|
||||||
|
|
||||||
|
Fuck, is that what was going to happen to me? They must have seen my anxiety
|
||||||
|
spike, because they'd all stopped making noise. I was starting to
|
||||||
|
hyperventilate. I fell backwards and felt my chest heave as my body tried its
|
||||||
|
hardest to get air in me.
|
||||||
|
|
||||||
|
But I'd never wished I were a woman. Its rediculous. Its impossible. Right?
|
||||||
|
|
||||||
|
I guess I'd have to think on that later. Focusing on my breathing, I managed
|
||||||
|
to calm down. Could I even pass out from lack of oxygen in virtual?
|
||||||
|
|
||||||
|
"Are you okay?" Tamaki asked, kneeling down in front of me. When did she get
|
||||||
|
in front of me? I shook my head, not trusting my voice. "Alright ladies," she
|
||||||
|
said, "group hug time. You can go back to your duties after."
|
||||||
|
|
||||||
|
The six mages around me all huddled in, wrapping their arms around me,
|
||||||
|
squeezing in. I felt like I was being enveloped in a heavy weighted blanket,
|
||||||
|
something Eastern Hills hadn't let me keep when I moved into the campus. It
|
||||||
|
was too big a safety risk, they'd said.
|
||||||
|
|
||||||
|
After a little bit, each of the mages unwrapped their arms, then disappeared.
|
||||||
|
Lucere looked me in the eyes, her hood back, and kissed my forehead. "You'll
|
||||||
|
make it through this," she whispered in my ear before returning to her duties
|
||||||
|
outside of virtual.
|
||||||
|
|
||||||
|
Eventually, Tamaki and I were the only ones left sitting in the clearing.
|
||||||
|
|
||||||
|
"Come on," she said, offering her hand, "we've got a lot to talk about."
|
||||||
|
|
275
src/chapters/01-a-corporatetakeover.tex
Normal file
275
src/chapters/01-a-corporatetakeover.tex
Normal file
|
@ -0,0 +1,275 @@
|
||||||
|
Just like that, I had let a corporate entity take me away. Lucere had paid for
|
||||||
|
our drinks and motioned toward the door.
|
||||||
|
|
||||||
|
A flying taxi hovered outside, the driver motioning us to come in.
|
||||||
|
|
||||||
|
Once we were safely inside the taxi lifted off. After a few minutes, we were
|
||||||
|
staring directly at the Eastern Hills Space Company campus, directly into their
|
||||||
|
headquarters. Spread over a four-block section of the city and comprised of
|
||||||
|
five buildings, the campus almost didn't fit in with its surroundings. Almost.
|
||||||
|
|
||||||
|
The building we were headed directly for was the secondary R\&D building Marvin
|
||||||
|
and I had planned to infiltrate later tonight. A hatch on the roof began to
|
||||||
|
open as we approached, large enough to let the taxi land inside.
|
||||||
|
|
||||||
|
"That's our facility," Lucere said, moving her arm from around my waist to
|
||||||
|
point at it, "We do lots of really cool stuff in there, but we're primarily a
|
||||||
|
strike force."
|
||||||
|
|
||||||
|
"Why would Eastern Hills need a strike force?" Marvin asked, finally lifting
|
||||||
|
his head from the window. He and I had never been in a flying taxi before, so
|
||||||
|
he was getting as much of the view as he could.
|
||||||
|
|
||||||
|
"Likely something to do with discovering magic," I replied, looking into
|
||||||
|
Lucere's eyes, searching for confirmation.
|
||||||
|
|
||||||
|
"Eilidh is right," Lucere said, giving me what I wanted, "but we aren't
|
||||||
|
technically run by Eastern Hills. We are self-governing: we have power equal
|
||||||
|
to the CEO and we take profits from the company before the board members get to
|
||||||
|
siphon off their overly-large portions."
|
||||||
|
|
||||||
|
"And what do you do with those profits?" I asked pointedly.
|
||||||
|
|
||||||
|
"Well, each member of the strike force is awarded one share of it per quarter,
|
||||||
|
which is a rather large chunk," she explained, "We also keep a discretionary
|
||||||
|
budget, equipment budget, upkeep costs, and award shares on a per-operation
|
||||||
|
basis."
|
||||||
|
|
||||||
|
"So this strike force is structured after runner groups," I noted, quickly
|
||||||
|
adding, "At least financially."
|
||||||
|
|
||||||
|
"Yes," Lucere confirmed, "and similar goals as well. As runners, I'm sure you
|
||||||
|
saw the data leaks from the Kai Heavy Industries dig sites."
|
||||||
|
|
||||||
|
"I remember being really impressed by the runners behind the leaks," Marvin
|
||||||
|
stated, a look of fancy lingering on his face.
|
||||||
|
|
||||||
|
"It wasn't runners," Lucere said, a wicked grin spreading across her face.
|
||||||
|
|
||||||
|
"This strike force was behind the leaks," I stated as her implication started
|
||||||
|
to make sense, "But why?"
|
||||||
|
|
||||||
|
As the taxi started a descent through the hatch, wind caught its large rotors
|
||||||
|
and the whole vehicle jostled to the right. I started feeling uneasy.
|
||||||
|
|
||||||
|
"Letting Kai's digs continue unchecked would have destroyed something important
|
||||||
|
to the planet," Lucere answered. She didn't betray any worry at all on her
|
||||||
|
face, but her voice filled the air with sorrow.
|
||||||
|
|
||||||
|
Marvin blinked a few times. "Why would you care about that?"
|
||||||
|
|
||||||
|
"It is in the nature of our benefactor to care about this planet," replied
|
||||||
|
Lucere, "even if we can't do terribly much to reverse the hellscape that it is
|
||||||
|
now."
|
||||||
|
|
||||||
|
"Your benefactor?" I asked.
|
||||||
|
|
||||||
|
"Eilidh, \emph{our} benefactor, the Deity responsible for giving us our magic."
|
||||||
|
|
||||||
|
"Our benefactor," I repeated slowly, letting it sink in. I was still in
|
||||||
|
denial; it felt so absurd. Then my brain caught up. "Wait, deities are
|
||||||
|
real?"
|
||||||
|
|
||||||
|
"Yes and no," Lucere explained, "It's rather complicated. Deities aren't the
|
||||||
|
same as mythology makes them out to be. They aren't all powerful, nor are they
|
||||||
|
capable of directly affecting the world. They can only interact via pocket
|
||||||
|
dimensions and the mirror world."
|
||||||
|
|
||||||
|
"Mirror world?" Marvin asked, "like, the world behind the glass of the mirror?"
|
||||||
|
|
||||||
|
Lucere smiled."Exactly." Her smile was so pretty. The way it lit up
|
||||||
|
her face made it contagious, until she started focusing on something I couldn't
|
||||||
|
see and it faded into a scowl.
|
||||||
|
|
||||||
|
"What's wrong?" I asked her, lightly touching her face. In that moment, I had
|
||||||
|
not a single care that the taxi just landed.
|
||||||
|
|
||||||
|
"Looks like we have a two for one deal going," she replied, focusing on me
|
||||||
|
again. Her smile returned, but it looked like a tired smile instead of the
|
||||||
|
genuine one I'd seen just a moment before. "One of our own was properly
|
||||||
|
blessed by the Goddess, which means I'm trapped here for a month at least while
|
||||||
|
they complete their transformation."
|
||||||
|
|
||||||
|
"A month?" I asked, "Mine's only a week, right?"
|
||||||
|
|
||||||
|
"Yes," she replied, "Theirs is a bit special of a transformation. You asked
|
||||||
|
the Goddess, even if you didn't realize it. They didn't. They are a full
|
||||||
|
mage while you're only a demimage. Now based on your purple effects, it's
|
||||||
|
likely you'll be a little more powerful than the average demimage, as you can
|
||||||
|
utilize magic even without your body being rebuilt."
|
||||||
|
|
||||||
|
"What's a demimage?" Marvin asked, a curious look on his face.
|
||||||
|
|
||||||
|
"Well, lets explain mages first," she replied, rubbing her temples, "I'm a
|
||||||
|
mage; that means I have a full magical circuit embedded in my body, so I may
|
||||||
|
utilize all of the magical energy around and within me. A demimage has a less
|
||||||
|
powerful version of that same magical circuit in theirs. It means that
|
||||||
|
demimages, while much more magically talented than an average human, can't ever
|
||||||
|
really match up equally against a mage. The process of transformation is what
|
||||||
|
reconfigures your body to accept a magical circuit. You following me on that?"
|
||||||
|
|
||||||
|
Marvin and I nodded.
|
||||||
|
|
||||||
|
"So I have to go through this process of transformation to get a magical
|
||||||
|
circuit embedded into me," I noted, staring off into the distance as we landed
|
||||||
|
inside the building, "and that magical circuit was given to me by a deity, in
|
||||||
|
this case a goddess, because I asked for it?"
|
||||||
|
|
||||||
|
"That sums it up," Lucere said, kissing my forehead before hopping out of
|
||||||
|
the taxi. "You coming Eilidh?"
|
||||||
|
|
||||||
|
"Yeah," I mumbled and scooted out of the taxi to stand next to Lucere.
|
||||||
|
|
||||||
|
"You are adorable, getting caught up in your head like that," she said,
|
||||||
|
grabbing my hand and leading me into the building. I looked back quickly to
|
||||||
|
see Marvin following us at a short distance. He smiled at me, showing how
|
||||||
|
anxious he was about all this.
|
||||||
|
|
||||||
|
I found the door into the stairwell a little odd: no visible method to open
|
||||||
|
it. Instead, it vanished as we approached and reappeared behind us. It was
|
||||||
|
kind of jarring. Marvin was visibly gawking at it. I wasn't sure I wanted to
|
||||||
|
try and figure it out.
|
||||||
|
|
||||||
|
Once we were down two flights of stairs, Lucere made a sliding motion with her
|
||||||
|
arm out front. The wall reconfigured itself into an entryway. The
|
||||||
|
room beyond was a rather rapidly put-together medical ward, cots six feet
|
||||||
|
apart along each wall and a decent path leading to a large machine with bed-like
|
||||||
|
chambers along each side of it.
|
||||||
|
|
||||||
|
There was a man sealed in one of the chambers, ice and water covering him above
|
||||||
|
his head. He had an air mask hooked up to him, presumably feeding him fresh
|
||||||
|
air so he could breathe. Two women stood on either side of the chamber he was
|
||||||
|
in.
|
||||||
|
|
||||||
|
"Welcome back, Manafed," one of them said, turning around to greet her, "Sorry
|
||||||
|
your leave was cut short by two strays, but we'll get you through it as best we
|
||||||
|
can, then you can have a month to yourself."
|
||||||
|
|
||||||
|
"Thank you Tamaki," Lucere said, giving a tired salute. She walked over to
|
||||||
|
observe the man in the chamber, "this Young?"
|
||||||
|
|
||||||
|
"Yeah, they have been blessed by our Pale Goddess, though," Tamaki replied, "so
|
||||||
|
we'll see how they come out, as She has never been a particular fan of men."
|
||||||
|
|
||||||
|
"Her aspects and domains prevent it," the third woman stated, "We all know
|
||||||
|
that. We all know how this is going to go. She'll wake up and fight her new
|
||||||
|
form for a week or so, then realize she's never been happier and everything
|
||||||
|
will just click."
|
||||||
|
|
||||||
|
"They could have a different outcome, Davis," Lucere said, sighing deeply
|
||||||
|
before turning back to me, "This is Eilidh, and her friend Marvin. Demimage
|
||||||
|
and possible artificer, respectively. Tamaki, will you help me get our new
|
||||||
|
demimage into a cryotube?"
|
||||||
|
|
||||||
|
"Yeah," Tamaki replied, turning to Davis, "you go get Marvin tested for
|
||||||
|
artifact fitness and pair him up with a good partner."
|
||||||
|
|
||||||
|
Davis gave a salute and began walking toward the entryway. She stopped about
|
||||||
|
halfway to it and said to Marvin, "You coming? Or am I going to have to pull
|
||||||
|
all your memories and dump you on the street?"
|
||||||
|
|
||||||
|
"I'll come take a test," he replied, following her out of the room and down the
|
||||||
|
stairwell.
|
||||||
|
|
||||||
|
"So what happens to me?" I asked, the room suddenly growing far too warm.
|
||||||
|
|
||||||
|
"You get in one of these cryochambers or your fever melts your brain," Tamaki
|
||||||
|
said in the midst of preparing one. Lucere was sitting down at a desk on the
|
||||||
|
wall behind the machine, taking notes and filling out paperwork.
|
||||||
|
|
||||||
|
"We're going to need to get you into virtual to start training," Lucere stated,
|
||||||
|
not looking up from her paperwork, "You have the option to choose whether or
|
||||||
|
not you get a neural implant now or later. If you choose later, I can get you
|
||||||
|
into virtual using a neural crown now."
|
||||||
|
|
||||||
|
I laughed. "Right, as if I'd be the fool to pass up a freaking neural
|
||||||
|
interface. Give me the implant."
|
||||||
|
|
||||||
|
She sighed, pulled out another form, and turned to Tamaki. "Commander, why the
|
||||||
|
hell are we still doing paperwork when we literally have computers in our
|
||||||
|
heads?"
|
||||||
|
|
||||||
|
"Because if we don't the archival department will kill us," Tamaki replied,
|
||||||
|
motioning me to come over. Looking at me now, she finally said, "Come on, we
|
||||||
|
don't have all day."
|
||||||
|
|
||||||
|
"Yes ma'am," I said, walking over to the chamber and clambering in. Its 45-
|
||||||
|
degree angle was awkward to get in, but it was a nice resting position.
|
||||||
|
|
||||||
|
"I'm going to hook some IVs up to you," Tamaki said, holding a needle, "is that
|
||||||
|
alright?"
|
||||||
|
|
||||||
|
"No," I said sarcastically, "Please just stop my brain from melting already?"
|
||||||
|
|
||||||
|
"Feisty," Tamaki said.
|
||||||
|
|
||||||
|
"And a great kiss," Lucere said.
|
||||||
|
|
||||||
|
"Oh," Tamaki said, curiosity on her face. She looked at me, "May I?"
|
||||||
|
|
||||||
|
"Um, sure I guess," I said.
|
||||||
|
|
||||||
|
Tamaki pressed her lips gentlly against mine.
|
||||||
|
|
||||||
|
There was that electrifyingly good feeling again.
|
||||||
|
|
||||||
|
I leaned into the kiss, a moan escaping from me.
|
||||||
|
|
||||||
|
"Okay girls." Lucere's voice shocked me. Did I seriously not notice her walk
|
||||||
|
from her desk all the way here? "We need to prepare for surgery. Can we
|
||||||
|
\emph{not} make out until after it's done?"
|
||||||
|
|
||||||
|
"Very good kiss," Tamaki said, pulling away from me, a funny look on her face
|
||||||
|
as she tried to calm down. I was sure I had a similar look on mine.
|
||||||
|
|
||||||
|
"You didn't even get the IV in her Tamaki," Lucere said, a tired look spreading
|
||||||
|
across her face.
|
||||||
|
|
||||||
|
"Sorry," I said, reaching out to touch Lucere's jaw. Then I remembered. "Hey,
|
||||||
|
you said you'd give me more kisses before we left the bar, and then we were
|
||||||
|
both distracted by, um, magic stuff."
|
||||||
|
|
||||||
|
Her eyes lit up as she remembered, "Oh, yeah. I figured you didn't care
|
||||||
|
anymore."
|
||||||
|
|
||||||
|
"Of course I care," I said, a little offended, "I liked kissing you."
|
||||||
|
|
||||||
|
Tamaki gave Lucere a look, "Well, looks like the new girl is going to fit in
|
||||||
|
just fine."
|
||||||
|
|
||||||
|
"What's that supposed to mean?" I asked, looking between the two women.
|
||||||
|
|
||||||
|
"You'll find out." Lucere leaned in and gave me a kiss. It was a quick kiss,
|
||||||
|
but it felt just as good as the first time.
|
||||||
|
|
||||||
|
As she pulled away I wrapped my arms around her and pulled her into the chamber
|
||||||
|
on top of me.
|
||||||
|
|
||||||
|
"You aren't about to get away with that," I said, panting with want. I pushed
|
||||||
|
my needy lips against hers, kissing her as deeply as she'd allow.
|
||||||
|
|
||||||
|
Lucere pulled away after a second. "Listen: we have a lot to do. We can make
|
||||||
|
out in virtual. I can even take you to a beach of some alien planet, if you
|
||||||
|
want, but we \emph{have} to get this done now before your skin becomes hot
|
||||||
|
enough to burn me though your clothes."
|
||||||
|
|
||||||
|
I pouted at her, finally presenting my arm for her to put an IV into. I
|
||||||
|
noticed Tamaki's face was as red as a cherry tomato, stopped pouting, and
|
||||||
|
winked at her.
|
||||||
|
|
||||||
|
"I'm going to give you something to put you under while I implant you, okay? I
|
||||||
|
need you to start counting backwards from ten," Lucere instructed.
|
||||||
|
|
||||||
|
"Okay, I'm ready," I said, "Ten." Almost immediately I could feel whatever
|
||||||
|
she'd given me was slowing my brain down.
|
||||||
|
|
||||||
|
"Nine." Wow, this felt amazing. I was about to get the best sleep of my life.
|
||||||
|
|
||||||
|
"Eight." Tamaki moved closer. I smiled at her. Her lips were so pretty.
|
||||||
|
|
||||||
|
"Seven." Oh, I was starting to slur my speech, wasn't I? Lucere was finally
|
||||||
|
standing over me. Her eyes were twinkling. She was beautiful.
|
||||||
|
|
||||||
|
"Six." Tamaki said something I couldn't hear. Lucere nodded.
|
||||||
|
|
||||||
|
"Five-"
|
350
src/chapters/01-b-ceremony.tex
Normal file
350
src/chapters/01-b-ceremony.tex
Normal file
|
@ -0,0 +1,350 @@
|
||||||
|
The world faded into existence very slowly through my blurry eyes.
|
||||||
|
|
||||||
|
Wait.
|
||||||
|
|
||||||
|
When the hell had I passed out?
|
||||||
|
|
||||||
|
I remembered the R\&D women who came to my room. I remembered Kaden and how
|
||||||
|
he'd been trying to do something to get... I wasn't really sure what his game
|
||||||
|
was.
|
||||||
|
|
||||||
|
I remembered the big glass front door.
|
||||||
|
|
||||||
|
I remembered the space jet, in all of its marvelous absurdity.
|
||||||
|
|
||||||
|
But I couldn't remember anything after that. I could feel a disappointed frown
|
||||||
|
forming on my face.
|
||||||
|
|
||||||
|
Maybe I'd remember later.
|
||||||
|
|
||||||
|
I began looking around. The room I'd found myself in looked like an improvised
|
||||||
|
medical ward, looking at the cots and that large stash of medical supplies on
|
||||||
|
the far wall. I could see people in a few of the cots.
|
||||||
|
|
||||||
|
"Finally awake," a voice said from my left, "That's good. We've had you in and
|
||||||
|
out of the ice bath already."
|
||||||
|
|
||||||
|
"For my fever," I said, "That makes sense." She moved in front of me. She was
|
||||||
|
beautiful. Just as beautiful as Tamaki or Davis. Her eyes had an intense
|
||||||
|
purple glow to them. Her hair was a pretty chocolate color. Her lips were a
|
||||||
|
pretty cherry color. Her cheeks were perfectly curved.
|
||||||
|
|
||||||
|
"Medical Officer Manafed," she said, pointing to herself, "and your new
|
||||||
|
designation is Tactical Officer Young."
|
||||||
|
|
||||||
|
"Please," I said, "call me Talon."
|
||||||
|
|
||||||
|
"Then you can call me Lucere or Lucy," she replied, "whichever you prefer."
|
||||||
|
|
||||||
|
"You're beautiful, Lucere," I said, still meeting her eyes.
|
||||||
|
|
||||||
|
"And you're running a hot enough fever that you're out of your mind," she
|
||||||
|
replied, giggling, her smile infectious.
|
||||||
|
|
||||||
|
"That doesn't change facts," I said. Where did that come from? The anxiety
|
||||||
|
was there, but subdued. "Did you drug me?"
|
||||||
|
|
||||||
|
"Well, you were tossing and turning in your sleep, so I gave you an
|
||||||
|
anti-anxiety pill, and a mild sedative so you'd end up in deep sleep." She
|
||||||
|
explained it like it was so simple and easy. "You should still feel the
|
||||||
|
effects of the anti-anxiety, but the sedative left your system hours ago."
|
||||||
|
|
||||||
|
"So I'd be really forward if it weren't for anxiety?" I asked.
|
||||||
|
|
||||||
|
"Well, you are also experiencing a very high fever," she replied, "You probably
|
||||||
|
didn't notice because we're running a bio-compatible cryofluid through your
|
||||||
|
veins."
|
||||||
|
|
||||||
|
"So you're chilling me using subzero fake blood?" I asked, "What's my
|
||||||
|
temperature without it?"
|
||||||
|
|
||||||
|
"Your temperature without the cryofluid? Oh that's a bit of a hard question,"
|
||||||
|
she replied, "My best guess would be somewhere around 300, maybe 350."
|
||||||
|
|
||||||
|
"Numbers that big, I suppose it doesn't really matter what measurement system
|
||||||
|
it is," I said, immediately covering my mouth when I remembered Kelvin existed.
|
||||||
|
|
||||||
|
"Celsius." She answered the implicit question with a smirk.
|
||||||
|
|
||||||
|
"Anyway, what's going on?" I asked.
|
||||||
|
|
||||||
|
"You met our Pale Goddess," she replied, "meeting Her causes certain changes to
|
||||||
|
happen. Your fever is caused by your body changing."
|
||||||
|
|
||||||
|
"And she's what, an actual god?" I asked, scoffing at the thought.
|
||||||
|
|
||||||
|
"Yes," she replied, "She grants us certain magics."
|
||||||
|
|
||||||
|
"Magics?" My questions shrunk in the name of unrelenting bandwidth.
|
||||||
|
|
||||||
|
"Yes," she replied again, putting her hand up in front of me, "Like this." Her
|
||||||
|
hand started glowing a bright purple light. "I can heal almost any wound with
|
||||||
|
that." I knew I must have been staring because the glow in her eyes
|
||||||
|
brightened.
|
||||||
|
|
||||||
|
"Is that why I can see light in your eyes?" I asked.
|
||||||
|
|
||||||
|
She gave me an odd look. "No, that's all you. You're able to see the magic in
|
||||||
|
us. That's new."
|
||||||
|
|
||||||
|
"New?" I asked, "As in you haven't seen it before?"
|
||||||
|
|
||||||
|
"Yes, new as in we haven't got it in our catalog of magics," she replied,
|
||||||
|
"That's neat."
|
||||||
|
|
||||||
|
"So I'm what then, now?" I asked, "a witch?"
|
||||||
|
|
||||||
|
"We're mages," she said, "not witches."
|
||||||
|
|
||||||
|
"Is there a difference?" I asked.
|
||||||
|
|
||||||
|
She squinted at me with a frown on her face.
|
||||||
|
|
||||||
|
"No, no, don't look at me like that."
|
||||||
|
|
||||||
|
"Mages do magic," she replied, her frown resolving to something decidedly less
|
||||||
|
pained, "Witches are just nurses with a stupid costume."
|
||||||
|
|
||||||
|
"Oh," I said, "sorry to have insulted you like that."
|
||||||
|
|
||||||
|
"It's fine," she said, "We have to get you into virtual now, so you don't feel
|
||||||
|
a lot of pain when your body starts changing. We'll also train you as best we
|
||||||
|
can for your new role as our Tactical Officer."
|
||||||
|
|
||||||
|
"And does the Tactical Officer have magic?" I asked, a silly smile on my face.
|
||||||
|
|
||||||
|
"Does the Tactical Officer embrace the power of the feminine?" she asked, a
|
||||||
|
serious look on her face.
|
||||||
|
|
||||||
|
"I'm not even sure what that means," I replied, "but we can assume no for the
|
||||||
|
time being."
|
||||||
|
|
||||||
|
"Then no," she giggled, "Other gods give in accordance with their domains, but
|
||||||
|
the Pale Goddess' domains are femininity, motherhood, womanhood, lesbianism,
|
||||||
|
and the likes."
|
||||||
|
|
||||||
|
"You're telling me she's the goddess of lesbians?" I asked, "Who is she, Sappho
|
||||||
|
reincarnated?"
|
||||||
|
|
||||||
|
Lucere looked at me funny. "I think I'll assume 'maybe' for the time being."
|
||||||
|
|
||||||
|
"Okay," I said, drawing the word out, "What's it gonna take to get me in
|
||||||
|
virtual?"
|
||||||
|
|
||||||
|
"You have two options," she said, jumping right into business, "we can put you
|
||||||
|
in using the neural crown, which is completely non-invasive, or I can put you
|
||||||
|
back under and give you a neural implant. What's your pick?"
|
||||||
|
|
||||||
|
"Right," I replied, a little overwhelmed. Neural implants are still just
|
||||||
|
science fiction. "Lets go with the crown for now, and we'll see about the
|
||||||
|
implant later."
|
||||||
|
|
||||||
|
"Are you sure?" she asked, "it comes with a snazzy optical implant for user
|
||||||
|
interfacing."
|
||||||
|
|
||||||
|
"Yeah," I said, "I'm sure."
|
||||||
|
|
||||||
|
"Okay then, cutie, lets get you ready for go," Lucere said with a smile, "We'll
|
||||||
|
be moving you into a permanent ice bath once you're in virtual."
|
||||||
|
|
||||||
|
Shit. She'd called me a cutie.
|
||||||
|
|
||||||
|
I could feel my face getting red.
|
||||||
|
|
||||||
|
"Right," I said, "Let's get it done."
|
||||||
|
|
||||||
|
"I'm going to move closer now and fit the crown over your head," she said,
|
||||||
|
"Don't bite."
|
||||||
|
|
||||||
|
As she moved closer to me, I started talking, maybe a bit too fast. "So I'm
|
||||||
|
gonna guess how this thing works. It uses electromagnetic fields to induce
|
||||||
|
tiny pinpoint electrical signals within certain parts of my brain."
|
||||||
|
|
||||||
|
"Sort of," she said, "it doesn't use EMF, but if you want all the details on
|
||||||
|
that, you should talk to our resident tech mage."
|
||||||
|
|
||||||
|
"I may just have to," I replied. She'd been messing with something I couldn't
|
||||||
|
quite see, just above my head.
|
||||||
|
|
||||||
|
"Use your limited ability to move your head and let me slip this over you," she
|
||||||
|
instructed, holding a stretchy fabric band. As I pushed my head forward and up
|
||||||
|
slightly, she slipped the band over my head. "Good, now think happy thoughts
|
||||||
|
while I put you in the environment."
|
||||||
|
|
||||||
|
I thought about her, in front of me. Lucere's arms curled around me. Her lips
|
||||||
|
meeting mine. I couldn't tell you why I thought about her. I'd never really
|
||||||
|
thought about women like that, never really wanted to kiss anyone before.
|
||||||
|
Thinking about it made me feel an odd warmth through my chest.
|
||||||
|
|
||||||
|
Maybe it was just the fever. Before I could think on it anymore, the crown got
|
||||||
|
a little warm around my head. Then the world dripped away in large liquidy
|
||||||
|
globules. Everything I could see simply melted away.
|
||||||
|
|
||||||
|
I don't know when I'd begun screaming, but it stopped when I felt my body
|
||||||
|
stretch. It felt roughly like I'd expected being sucked into a black hole
|
||||||
|
would have, except far worse: I was actually experiencing it.
|
||||||
|
|
||||||
|
The feeling got worse and worse, like a pressure building up. It almost became
|
||||||
|
unbearable. Almost.
|
||||||
|
|
||||||
|
Then I heard a popping noise and dropped very lightly into a grassy environment
|
||||||
|
at the top of a hill with what looked like an endless void surrounding it.
|
||||||
|
|
||||||
|
Damn.
|
||||||
|
|
||||||
|
"Your heart rate spiked as you were coming in," Lucere said from beside me.
|
||||||
|
|
||||||
|
I jumped, startled. She wasn't there just a second ago.
|
||||||
|
|
||||||
|
"Are you okay?" she asked.
|
||||||
|
|
||||||
|
"You didn't warn me that it would do \emph{that}," I said. My voice sounded
|
||||||
|
hoarse.
|
||||||
|
|
||||||
|
"I told you to think about happy thoughts," she stated as if that was some
|
||||||
|
excuse, "Happy thoughts prevent the black hole from eating you between
|
||||||
|
environments."
|
||||||
|
|
||||||
|
"Oh, and I suppose that is supposed to mean something to me!" I shouted. I
|
||||||
|
didn't mean to shout. I hated yelling. She just stared at me.
|
||||||
|
|
||||||
|
"Yeah," she said, "It's supposed to mean, 'think about times you were happy.'"
|
||||||
|
|
||||||
|
"Lucy," I heard a familiar voice say, "what the hell are you doing yelling at
|
||||||
|
officer Young?"
|
||||||
|
|
||||||
|
"He accidentally experienced the black hole, Ai." said Lucere, the familiar
|
||||||
|
voice coming into view. Tamaki. She was wearing a robe now. It was
|
||||||
|
colorfully decorated and reminded me of the Renaissance festival, in how old,
|
||||||
|
yet new, it looked.
|
||||||
|
|
||||||
|
"Getting ready for a seance?" I asked, completely baffled by the outfit.
|
||||||
|
|
||||||
|
"No," she replied, little emotion coming through her voice, "I'm getting ready
|
||||||
|
for the welcoming ceremony."
|
||||||
|
|
||||||
|
"Welcoming what?" I asked, confused.
|
||||||
|
|
||||||
|
"You, dummy," Lucere laughed.
|
||||||
|
|
||||||
|
"Oh." I laughed.
|
||||||
|
|
||||||
|
"I see you two made a bit of a connection," Tamaki said, "Lucy I thought you
|
||||||
|
only got kicks out of women."
|
||||||
|
|
||||||
|
"Commander," Lucere said, feigning shock, "Don't you know that love is love?"
|
||||||
|
|
||||||
|
"Yeah yeah," Tamaki giggled, "back in line soldier."
|
||||||
|
|
||||||
|
Lucere gave an exaggerated salute, bowed deeply, and pranced off to some unseen
|
||||||
|
spot.
|
||||||
|
|
||||||
|
"Forgive our medical officer," Tamaki said, "for her lame jokes and her
|
||||||
|
impeccably bad timing. And me, for making fun of her at your expense."
|
||||||
|
|
||||||
|
"No need for that," I replied, giving a salute almost as exaggerated as
|
||||||
|
Lucere's, "Commander."
|
||||||
|
|
||||||
|
Tamaki Laughed. "We won't have any issues with chain of command from you, will
|
||||||
|
we?" Her question rang of obvious sarcasm. She started walking, but stopped
|
||||||
|
when she noticed I wasn't following. She beckoned me over. I sighed and
|
||||||
|
started walking, following behind her while keeping a distance of a few paces.
|
||||||
|
|
||||||
|
After a few-minute walk through total nothingness, only seeing Tamaki in front
|
||||||
|
of me, trees started appearing. We walked through a dense wooded area for
|
||||||
|
another few minutes before we came to a clearing. Once in the clearing, I saw
|
||||||
|
clearly a ring of logs with hooded figures sitting on them.
|
||||||
|
|
||||||
|
I counted five such figures. With Tamaki and I we would be seven in total.
|
||||||
|
|
||||||
|
"Come on," Tamaki laughed, "you don't need to be scared of women in hooded
|
||||||
|
robes."
|
||||||
|
|
||||||
|
"And yet," I said, "I am. Maybe something to do with the whole magic thing."
|
||||||
|
|
||||||
|
"They won't attack you," she said, "unless of course you attack them first."
|
||||||
|
|
||||||
|
"I have no ill intentions," I stated, "but I'm still worried."
|
||||||
|
|
||||||
|
"Don't be." She laughed again.
|
||||||
|
|
||||||
|
As we approached, each of the mages stood up, their black robes still reaching
|
||||||
|
the ground, their hoods large enough to obscure their faces.
|
||||||
|
|
||||||
|
I mean, we're talking about literal mages wearing mage robes and doing some
|
||||||
|
sort of mage thing.
|
||||||
|
|
||||||
|
Did I get whisked away into a cult?
|
||||||
|
|
||||||
|
Should I be worried?
|
||||||
|
|
||||||
|
"Center of the circle," Tamaki giggled, "Facing me. On your knees, but make
|
||||||
|
yourself comfortable, because you'll be sitting like that for a bit."
|
||||||
|
|
||||||
|
I sat myself in the circle, on my knees. For comfort, I rested on my feet and
|
||||||
|
placed my hands on my thighs.
|
||||||
|
|
||||||
|
I heard a few hums of excitement from the mages around me.
|
||||||
|
|
||||||
|
"Now," Tamaki said, taking point in front of the group, "for the first time
|
||||||
|
among us, we have a man. Unprecedented since the discovery of magic nearly
|
||||||
|
seventy years ago. Mages are a rarity, as we all know, and our Goddess has a
|
||||||
|
penchant for making them."
|
||||||
|
|
||||||
|
"May I ask questions?" I asked before she could continue.
|
||||||
|
|
||||||
|
"You may," Tamaki replied, "but keep in mind, we are slightly pressed for time.
|
||||||
|
Our officers are quite busy, especially our medical officer."
|
||||||
|
|
||||||
|
"Right," I said, giggling slightly, "when was magic first discovered?"
|
||||||
|
|
||||||
|
"When the first mage was born on this campus," she replied, "in our medical
|
||||||
|
wing, the same one your body is in now, actually. In 2091, August third. The
|
||||||
|
medical staff had no clue what was wrong with her. When she woke up in a new
|
||||||
|
body nearly a month later, the medical team having used ice baths to cool her,
|
||||||
|
she did her best to figure out what happened."
|
||||||
|
|
||||||
|
"Of course," Lucere cut in, "she went in much like your body is now."
|
||||||
|
|
||||||
|
"A man?" I asked.
|
||||||
|
|
||||||
|
"Probably not," Lucere replied, "but she was incorrectly labeled a boy at
|
||||||
|
birth. We aren't here to judge. That's for the Pale Goddess, and we've all
|
||||||
|
already been deemed worthy in Her eyes."
|
||||||
|
|
||||||
|
Fuck, was that what was going to happen to me? They must have seen my anxiety
|
||||||
|
spike, because they all stopped making noise. I was starting to
|
||||||
|
hyperventilate.
|
||||||
|
|
||||||
|
I fell backwards and felt my chest heave as my body tried its hardest to get
|
||||||
|
air in me.
|
||||||
|
|
||||||
|
I'd never wished I were a woman. It was ridiculous.
|
||||||
|
|
||||||
|
It's impossible.
|
||||||
|
|
||||||
|
...Right?
|
||||||
|
|
||||||
|
I guess I'd have to think on that later. Focusing on my breathing, I managed
|
||||||
|
to calm down.
|
||||||
|
|
||||||
|
Could I even pass out from lack of oxygen in virtual?
|
||||||
|
|
||||||
|
"Are you okay?" Tamaki asked, kneeling down in front of me. When did she get
|
||||||
|
in front of me? I shook my head, not trusting my voice. "Alright ladies," she
|
||||||
|
said, "Group hug time. You can go back to your duties after."
|
||||||
|
|
||||||
|
The six mages around me all huddled in, wrapping their arms around me,
|
||||||
|
squeezing in. I felt like I was being enveloped in a heavy weighted blanket,
|
||||||
|
something Eastern Hills hadn't let me keep when I moved into the campus. It
|
||||||
|
was too big a safety risk, they'd said.
|
||||||
|
|
||||||
|
After a little bit, each of the mages unwrapped their arms and disappeared.
|
||||||
|
Lucere looked me in the eyes, her hood back, and kissed my forehead. "You'll
|
||||||
|
make it through this," she whispered in my ear before returning to her duties
|
||||||
|
outside of virtual.
|
||||||
|
|
||||||
|
Eventually, Tamaki and I were the only ones left sitting in the clearing.
|
||||||
|
|
||||||
|
"Come on," she said, offering her hand, "we've got a lot to talk about."
|
||||||
|
|
279
src/chapters/02-a-theview.tex
Normal file
279
src/chapters/02-a-theview.tex
Normal file
|
@ -0,0 +1,279 @@
|
||||||
|
"There's nothing to be ashamed of," Tamaki told me, "Being trans isn't an issue
|
||||||
|
here, nor will it ever be. Our lineage is that of the first chosen, and we
|
||||||
|
hold that very proudly."
|
||||||
|
|
||||||
|
We were in what she had called her mind space. I figured it was a 'scape she
|
||||||
|
built to represent her mind. She hadn't mentioned much about it though, so I
|
||||||
|
wasn't certain.
|
||||||
|
|
||||||
|
She'd poured me a drink and sat me down by a window overlooking Earth. Fitting,
|
||||||
|
considering our employer.
|
||||||
|
|
||||||
|
Something told me she just liked looking at Earth, though.
|
||||||
|
|
||||||
|
"I understand that." I took a sip; it was fruity, sweet, and delicious. "And
|
||||||
|
you'll have no quarrel with me over it. People deserve rights and to be treated
|
||||||
|
fairly. It just feels like there's a lot of pressure to be, um, trans, I
|
||||||
|
guess."
|
||||||
|
|
||||||
|
"We certainly haven't been trying," she replied, "but I'll be extra careful
|
||||||
|
around the topic. You deserve that at least."
|
||||||
|
|
||||||
|
We stared at the beautiful planet in silence, close enough to see cities
|
||||||
|
lighting up the surface.
|
||||||
|
|
||||||
|
After a short while I broke the silence. "I've never really thought about
|
||||||
|
myself. I wasn't supposed to be around this long. I always thought I'd
|
||||||
|
have died already, probably doing something really stupid. Somehow I never got
|
||||||
|
around to doing anything stupid enough to die by misadventure."
|
||||||
|
|
||||||
|
"The Pale Goddess always pleases," she said, "Even if you don't know what you
|
||||||
|
want yet, you'll get whatever it is you're meant to have."
|
||||||
|
|
||||||
|
As if that was supposed to soothe me.
|
||||||
|
|
||||||
|
She gave me a look and a forced smile.
|
||||||
|
|
||||||
|
"I'm not really sure," I admitted, "That's the thing: I never thought about
|
||||||
|
what I want, what I deserve. None of it. And now, knowing that options I
|
||||||
|
never saw on the ta... ble..." Nope. Not finishing that.
|
||||||
|
|
||||||
|
She cast a genuine look of worry my way. "You're scared?"
|
||||||
|
|
||||||
|
I nodded. What else could I do? Of course I was scared. My anxiety was playing
|
||||||
|
double-time since she showed up on my doorstep. I let out a whisper. "I've just
|
||||||
|
got so many options now for my future, for everything."
|
||||||
|
|
||||||
|
Options for these feelings I'd had for so long. Could I finally fix myself
|
||||||
|
because of this? Could I reinvent myself as more than a fucking code monkey?
|
||||||
|
|
||||||
|
"Hey." She was wiping my face gently with her sleeve. "No need to cry. I'm your
|
||||||
|
commanding officer now; I'm here to help you through all of this. It's my job as
|
||||||
|
your leader."
|
||||||
|
|
||||||
|
The tears didn't end. I raised my voice, to the obscene volume of... a mumble.
|
||||||
|
"Then let me cry."
|
||||||
|
|
||||||
|
She nodded, moved closer and wrapped her arm around me. "I can do that for
|
||||||
|
you." She put her glass down on a nearby table to free her hand for me.
|
||||||
|
|
||||||
|
I cried; for some untracked amount of time I cried. At some point Tamaki must
|
||||||
|
have let me go because I found myself in a corner, crying myself to sleep.
|
||||||
|
|
||||||
|
I woke up under a warm, heavy blanket. Apparently a pillow snuck under my head
|
||||||
|
while I was asleep.
|
||||||
|
|
||||||
|
I looked to the wall and found Tamaki sleeping in a tiny built-in cot. I
|
||||||
|
wondered about her past, and where she learned how to sleep in such a tiny hole.
|
||||||
|
|
||||||
|
After being entranced from the view of Earth, I turned my attention inside the
|
||||||
|
'scape. It reminded me of the inside of a small cargo hauler. A wall split the
|
||||||
|
space in twain, with a single-stair step jutting out into the half I was in. The
|
||||||
|
space in the wall tapered toward me, hinting at a possible doorway.
|
||||||
|
|
||||||
|
The section up the step looked like some kind of workspace. Little components
|
||||||
|
lay scattered along the floor everywhere. A simple desk spanned the far wall,
|
||||||
|
covered in shelves, bins, bits, and other things my brain tried to process.
|
||||||
|
|
||||||
|
In the center of the main section stood a coffee table made of tinted glass,
|
||||||
|
surrounded by comfy-looking cushioned chairs. In the corner blinked a little
|
||||||
|
terminal, what it connected to I couldn't quite be sure.
|
||||||
|
|
||||||
|
A smaller table stood before the Earth-facing window, holding Tamaki's drink and
|
||||||
|
an empty glass. I couldn't see anywhere for her to have prepared the drink or
|
||||||
|
stored glassware, so I stopped thinking about that and started thinking about
|
||||||
|
me.
|
||||||
|
|
||||||
|
Every time I tried, however, another question crept to the forefront. "Who am
|
||||||
|
I?" it asked in place of anything about what I wanted.
|
||||||
|
|
||||||
|
"Who am I?" I said aloud. I tried thinking of an answer before giving up again
|
||||||
|
and sitting there in front of her coffee table.
|
||||||
|
|
||||||
|
"Who \emph{are} you indeed." Tamaki giggled and slipped out of her cot in the
|
||||||
|
wall.
|
||||||
|
|
||||||
|
"I'm not even sure how to answ-" I stopped talking and averted my eyes to the
|
||||||
|
ground. She'd been covered in her cot, so I didn't notice now, but Tamaki was
|
||||||
|
walking around her 'scape in nothing but a pair of panties.
|
||||||
|
|
||||||
|
"Oh," she giggled, "don't worry Officer Young; this is something you'll have to
|
||||||
|
get used to."
|
||||||
|
|
||||||
|
I kept my eyes away from her. "Why?"
|
||||||
|
|
||||||
|
"This is casual wear for officers of the strike force," she replied, "but I
|
||||||
|
can put some clothes on just for you."
|
||||||
|
|
||||||
|
"Please," I pleaded, "you're the first woman I've even seen naked. Just, put
|
||||||
|
something on so I can avoid brain melt."
|
||||||
|
|
||||||
|
"Brain melt?" she asked, putting on a pajama shirt.
|
||||||
|
|
||||||
|
My brain fumbled for words. "You know, when you're, flustered and, uh, this, I
|
||||||
|
guess." I could feel my face heating up.
|
||||||
|
|
||||||
|
"I'm safe for your innocent eyes now," she laughed, putting her finger under my
|
||||||
|
chin and lifting my eyes up to hers. "Officer Young, am I pretty?"
|
||||||
|
|
||||||
|
My face flushed; it was bright red I knew it.
|
||||||
|
|
||||||
|
She laughed. "Don't worry." She brought herself to a giggle. "I'm not the only
|
||||||
|
one that'll tease you. You'll have to take a few weeks to adjust but we're all
|
||||||
|
a little, um, \emph{friendlier} around here than you're used to for sure."
|
||||||
|
|
||||||
|
"Will you all respect my boundaries?" I asked with a serious look on a red face.
|
||||||
|
|
||||||
|
"Yes," Tamaki replied, "it should go without saying, but if anyone needs a
|
||||||
|
reminder, I'll see to it."
|
||||||
|
|
||||||
|
"Thank you," I said, my serious look fading, "and for the drink. And the
|
||||||
|
blanket. And pillow. And letting me cry on you."
|
||||||
|
|
||||||
|
"You're welcome," she said, a look of subtle surprise on her face. She sat
|
||||||
|
down on the chair across from me and looked at the wall her bunk was on. A
|
||||||
|
holographic screen appeared and began playing the campus' news channel.
|
||||||
|
|
||||||
|
I settled into the chair a little deeper and began watching whatever segment
|
||||||
|
was on. It looked like some report of an HR employee getting fired for
|
||||||
|
extortion and bribery. I wasn't entirely sure what to make of it: this was my
|
||||||
|
first time watching the campus news.
|
||||||
|
|
||||||
|
Tamaki clicked her tongue. "Of course that bastard got fired: I walked him out
|
||||||
|
personally."
|
||||||
|
|
||||||
|
"So you are actually part of security?" I asked, unable to hide my grin.
|
||||||
|
|
||||||
|
"\emph{We} serve many roles," she answered, "and represent whichever department
|
||||||
|
gets us what we want the fastest."
|
||||||
|
|
||||||
|
"I see," I lied, "you'll have to explain in more depth."
|
||||||
|
|
||||||
|
"We have a provisional charter that places us under our own authority," she
|
||||||
|
said, "officially we are under R\&D, but really we are above everyone. Except
|
||||||
|
the CEO, and the board. Fun fact though, the only way this strike force can be
|
||||||
|
disbanded is if the company dissolves."
|
||||||
|
|
||||||
|
I nodded. "Wow, so we are everything and above."
|
||||||
|
|
||||||
|
"Yes." She laughed.
|
||||||
|
|
||||||
|
I continued watching the news. The company's latest space fighter was
|
||||||
|
released. It looked a little odd. It had the first fully electric impulse
|
||||||
|
drive, though; that was kinda revolutionary, considering the idea of electric
|
||||||
|
engines was abandoned some time in the last century.
|
||||||
|
|
||||||
|
Of course, if the engineering team really got it working, and it looked like
|
||||||
|
they did, it could be a game changer. Fuel costs would be lower, even if the
|
||||||
|
range was slightly shorter. What governments were left would buy them in bulk,
|
||||||
|
and corps would buy production lines full of them.
|
||||||
|
|
||||||
|
"You much into politics?" Tamaki asked, breaking my train of thought.
|
||||||
|
|
||||||
|
"Not really sure," I replied, "Never been exposed to much, so I have no clue
|
||||||
|
what I'd agree with."
|
||||||
|
|
||||||
|
She giggled "I see. Makes sense: the company does that to reduce the chances of
|
||||||
|
insider threats."
|
||||||
|
|
||||||
|
"Well," I said, "I guess I'm impressionable enough for whatever you have
|
||||||
|
planned for me."
|
||||||
|
|
||||||
|
"You'll be spending the next several months in classes, don't worry," she
|
||||||
|
replied, giving me a serious look.
|
||||||
|
|
||||||
|
"Oh," I coughed, "you're not joking."
|
||||||
|
|
||||||
|
"No, I'm not, Young, you will have to be educated on every topic you'll be
|
||||||
|
overseeing."
|
||||||
|
|
||||||
|
"What will I be overseeing?" I asked, not really knowing what to expect.
|
||||||
|
|
||||||
|
"You'll be overseeing the tactical operations unit," Tamaki replied, "hence
|
||||||
|
your designation of Tactical Officer."
|
||||||
|
|
||||||
|
"I see," I sighed, "when do classes start?"
|
||||||
|
|
||||||
|
"When you're ready." Apparently she read my face plain as day because she went
|
||||||
|
on to clarify: "Oh, you really thought we were going to put you in a position
|
||||||
|
you weren't ready for. We ensure that all of our recruits are trained for the
|
||||||
|
position they are in. How could we run a strike force if our folks couldn't do
|
||||||
|
their jobs?"
|
||||||
|
|
||||||
|
I laughed. "I'm not really sure." It was a silly assumption, really. How could
|
||||||
|
I have expected them not to send me to classes? I'd never had any form of
|
||||||
|
military training.
|
||||||
|
|
||||||
|
"You will have combat training soon," she giggled, "along with all the other
|
||||||
|
new recruits. I believe that class starts next week, so you at least have a
|
||||||
|
break."
|
||||||
|
|
||||||
|
I chuckled and went back to watching the news, but it was amazingly boring, so
|
||||||
|
with nothing else to do, I decided it would be easiest to start messing with the
|
||||||
|
menu available via the neural crown. I could feel Tamaki's eye on me the whole
|
||||||
|
time.
|
||||||
|
|
||||||
|
Figuring out how to open it was weird. When I'd mentally aligned that I did
|
||||||
|
want to open the menu, I felt an urge to put my hand over my right eye, and when
|
||||||
|
I did, it opened.
|
||||||
|
|
||||||
|
Options and buttons in cute self contained circles with brief labels exploded
|
||||||
|
from inside of me, smattering my view with an overlay. There were circles
|
||||||
|
labeled with normal and expected things, such as avatar, user interface,
|
||||||
|
and accessability.
|
||||||
|
|
||||||
|
There were stranger things, too, but they were all grayed out. Pain Threshold,
|
||||||
|
Trauma Mitigation, Substance Effectiveness, and more. I played around with the
|
||||||
|
accessibilities menu for a minute to figure out what kind of options had been
|
||||||
|
built in.
|
||||||
|
|
||||||
|
Apperantly this thing, while it talked directly to the brain, was still all
|
||||||
|
about helping users acclimatise to having new uses. All of the options were
|
||||||
|
sliders. I'd taken a particular interest in the visual section of the menu,
|
||||||
|
which had been preset to align with how my eyes see the world, both in colour
|
||||||
|
and lense shape.
|
||||||
|
|
||||||
|
Humans only have three types of structures in their eyes to detect colour, and
|
||||||
|
they only detect red, green, and blue. With these options I could enable
|
||||||
|
dedicated structures for purples, pinks, a whole range of different infrared
|
||||||
|
and ultraviolet colours, and even change the effectiveness of my low-light
|
||||||
|
vision.
|
||||||
|
|
||||||
|
"You like all the options we've included?" Tamaki asked.
|
||||||
|
|
||||||
|
I jumped slightly. "Yeah. Do we have a way to actually enable all these out in
|
||||||
|
the real?"
|
||||||
|
|
||||||
|
"Yes," she replied, a giggle tugging the corners of her lips into a smile.
|
||||||
|
"Requires two optical implants if you want to do anything fancy like that."
|
||||||
|
|
||||||
|
I laughed. "Guess I may want two optics then."
|
||||||
|
|
||||||
|
"Is there something wrong with your eyes?" Tamaki asked, alarm in her voice.
|
||||||
|
|
||||||
|
"No," I chuckled, "but I figure having the ability to quickly switch between
|
||||||
|
different wavelengths would be a decently good thing." Tamaki's reaction was
|
||||||
|
to immediately lose herself in thought.
|
||||||
|
|
||||||
|
"Should I instruct our medical officer to begin the procedure while you're
|
||||||
|
under?" she asked.
|
||||||
|
|
||||||
|
"Sure," I nodded, "no reason not to get it done now. Gives me more time to get
|
||||||
|
used to all the different options."
|
||||||
|
|
||||||
|
"Get ready to reappear somewhere totally new," she instructed, "and we'll see
|
||||||
|
you in a few hours."
|
||||||
|
|
||||||
|
"Should I be worried?" I asked, alarm and anxiety filling my voice.
|
||||||
|
|
||||||
|
"No, but officer Manafed needs to do work on you, so she's putting you
|
||||||
|
completely to sleep."
|
||||||
|
|
||||||
|
"Alright, let me know when she's sedating me."
|
||||||
|
|
||||||
|
"As we speak."
|
||||||
|
|
||||||
|
I could feel the drowsiness rolling through my system, then the almost-stoned
|
||||||
|
feeling of pain killers. I looked up at Tamaki with worry and fatigue. I'd
|
||||||
|
started to fall, but it didn't matter. I was out before I'd hit the ground.
|
||||||
|
|
238
src/chapters/02-b-theview.tex
Normal file
238
src/chapters/02-b-theview.tex
Normal file
|
@ -0,0 +1,238 @@
|
||||||
|
I woke up extra groggy to warm, damp air from someplace tropical. So I thought
|
||||||
|
anyway: I'd never been in any such place. A girl could dream, though.
|
||||||
|
|
||||||
|
"I figured you could recover on a beach," Lucere said from behind me. It took
|
||||||
|
her running her fingers through my hair for me to notice she had them there at
|
||||||
|
all. I hummed in pleasure and opened my eyes, and sure enough, she was actually
|
||||||
|
sitting behind me.
|
||||||
|
|
||||||
|
I looked out over the beach. The view of the ocean was great. Pink and yellow
|
||||||
|
moons cast their lights on azure sands. The beach itself was more of an alcove,
|
||||||
|
framed by three cliffs. I saw a dense line of trees, but not much past
|
||||||
|
it. Obviously.
|
||||||
|
|
||||||
|
If I were being honest, the scene was serene. It jarred me. That medical room
|
||||||
|
needed a tonne more sanitizing while here was picturesque. My voice continued
|
||||||
|
to slur. "Yeah, its a damn sight better than the alternative."
|
||||||
|
|
||||||
|
"I built this 'scape after visiting the beaches of one of Altair's
|
||||||
|
planets." Lucere started pulling her hand out of my hair.
|
||||||
|
|
||||||
|
"No," I begged, "Please don't stop; it feels so good."
|
||||||
|
|
||||||
|
She ignored my pleading, her voice cracking as if nervous. "Well, now that you
|
||||||
|
are awake, I figured we could go diving."
|
||||||
|
|
||||||
|
"How does that work in virtual?" I sat up and dipped my feet in the sand. I
|
||||||
|
looked up to find her suddenly very close to me, just a few inches from my
|
||||||
|
face.
|
||||||
|
|
||||||
|
She stared into me, peering at my soul. Her lavender eyes sparkled like
|
||||||
|
polished amethysts. A woman with those eyes could get me to do whatever she
|
||||||
|
wanted just by asking. "Well, we don't have to breathe, for starters, so we
|
||||||
|
can go as deep as we want."
|
||||||
|
|
||||||
|
"I'd like to go deep in you," I murmered, lost in my fatigue and her eyes.
|
||||||
|
|
||||||
|
Shock riddled her face.
|
||||||
|
|
||||||
|
My breath stopped; I had just now realized what I'd said. "Oh shit. I'm so
|
||||||
|
sorry."
|
||||||
|
|
||||||
|
She blinked the shock out of her eyes, filling her face with the
|
||||||
|
scarlet blush of heavy embarrassment.
|
||||||
|
|
||||||
|
"Wow," I heard someone say, "She's forward. I bet you like that a lot, Lucy."
|
||||||
|
The voice was very androgynous and sounded pretty unique.
|
||||||
|
|
||||||
|
I whipped my head around in search of the speaker. It didn't take long for me
|
||||||
|
to realize I'd missed the thirty or forty people enjoying a nice beach day
|
||||||
|
along with us. My own face started to burn with embarrassment as well. Fuck I
|
||||||
|
was tired.
|
||||||
|
|
||||||
|
Lucere huffed loudly and grabbed my hand before I knew what was happening,
|
||||||
|
pulling me into a deep kiss. She was so passionate about it. There were real
|
||||||
|
emotions in it, but I couldn't help feeling a bit hollow at it all. What if I
|
||||||
|
was just a tool for her to experience her love for someone else?
|
||||||
|
|
||||||
|
Lucere released me after a while of being blankly stared at, regret washing
|
||||||
|
out her flush. "I'm sorry."
|
||||||
|
|
||||||
|
"Its fine," I said, shaking my head, "We just met a handful of hours ago, okay?
|
||||||
|
I barely know you. You barely know me. You're fun to kiss, but I'm so
|
||||||
|
amazingly out of my element here. I don't want to be a part of your corporate
|
||||||
|
machine."
|
||||||
|
|
||||||
|
Lucere smirked. "And yet you let me implant you with a neural interface. That
|
||||||
|
comes with a lot of risks, don't you think?"
|
||||||
|
|
||||||
|
"Shit," I whispered, barely loud enough to for even me to hear, "and that's how
|
||||||
|
I'm here at all."
|
||||||
|
|
||||||
|
"Come with me," Lucere instructed, offering her hand, "Clearly we need to
|
||||||
|
talk."
|
||||||
|
|
||||||
|
I reluctantly took her hand and followed her into the water. I noted how
|
||||||
|
perfectly warm it was; it felt wet and real.
|
||||||
|
|
||||||
|
Wet, reveal, deadly. I shivered. "Is this going to drown me?"
|
||||||
|
|
||||||
|
"I've modified water physics for a bit," Lucere said, "We may not need to
|
||||||
|
breathe here, but water in the lungs will still hurt like hell."
|
||||||
|
|
||||||
|
I nodded and submerged my head. Trusting her, I took in a breath, and the water
|
||||||
|
stayed out of my lungs. The anxiety melted into bliss.
|
||||||
|
|
||||||
|
I looked around and a beautiful underwater landscape graced my eyes. The azure
|
||||||
|
sand sparkled in beautiful light, filtered through the water. A reef lay in
|
||||||
|
the distance.
|
||||||
|
|
||||||
|
"The sand is only a few shades lighter than your hair," Lucere noted aloud,
|
||||||
|
"Very pretty. Never seen any hair as pretty as yours, those pretty curls."
|
||||||
|
|
||||||
|
"Thank you," I said quietly, and took a moment to think. I didn't want to give
|
||||||
|
away any info I didn't have to.
|
||||||
|
|
||||||
|
Eventually I decided to compliment her in kind. "Your hair is pretty too.
|
||||||
|
It's slightly wavy and the colour of my favourite chocolate."
|
||||||
|
|
||||||
|
"Is your hair naturally blue?"
|
||||||
|
|
||||||
|
I gave her an amused look and giggle. "Natural blue hair?"
|
||||||
|
|
||||||
|
Laughter was met with laughter. "It can happen."
|
||||||
|
|
||||||
|
"Are you using me?" my mouth asked before I could clamp it shut. Fuck. I
|
||||||
|
hadn't meant to ask that. I hadn't meant to reveal anything so personal. I
|
||||||
|
really didn't want to scare Lucere off. I supposed it was too late for secrets
|
||||||
|
moonlighting as questions.
|
||||||
|
|
||||||
|
Lucere paused a moment and replied: "I can understand why you'd be uneasy here,
|
||||||
|
or completely distrust me. Just think about this, right? We're providing you
|
||||||
|
a job, training, and the most advanced implant available. Once you're done in
|
||||||
|
the tank, there's a process for leaving, too. We won't keep you here against
|
||||||
|
your will."
|
||||||
|
|
||||||
|
"That wasn't what I asked, Lucy." I took a slow breath between my sentences
|
||||||
|
to try not to say something stupid again. "It's true I don't trust the strike
|
||||||
|
team, but I have no clue where you fall. You've not given me any reason to
|
||||||
|
distrust you specifically."
|
||||||
|
|
||||||
|
"What are you asking, Eilidh?" There was that feeling again, my name flowing
|
||||||
|
like honey from her lips. I had to think carefully about my next words.
|
||||||
|
|
||||||
|
I fixed my eyes to hers. "Are \emph{you} using me?"
|
||||||
|
|
||||||
|
"Oh," she said, playing with her hair a moment before continuing, "I
|
||||||
|
don't think so. Why?"
|
||||||
|
|
||||||
|
"There were emotions in that kiss." I took some time to carefully phrase what I
|
||||||
|
wanted to come out of my mouth next. "I'm not particularly good with social
|
||||||
|
cues, but even with that, this all feels like its moving very quickly."
|
||||||
|
|
||||||
|
"I understand," she said, "but no. I'm not sure you have the context here.
|
||||||
|
We've all vowed to be as open and honest with our feelings as possible. I like
|
||||||
|
you. Both what I've seen of you, limited as it may be, and the file our
|
||||||
|
intelligence crew has been able to put together."
|
||||||
|
|
||||||
|
"May I see it?" I asked, "My file, I mean."
|
||||||
|
|
||||||
|
"Sure," she said, "'Should have already been uploaded to your implant's main
|
||||||
|
storage. I want you to know that I haven't read most of it. There's some
|
||||||
|
pretty dark, and likely personal shit in there, and I'd rather hear your
|
||||||
|
stories from you."
|
||||||
|
|
||||||
|
I still wasn't sure if I was being used or not: hard to tell based on those
|
||||||
|
responses. I decided to ask more about the open and honest feelings she had
|
||||||
|
mentioned, but if I was going to, I needed to open up a little first.
|
||||||
|
|
||||||
|
"Thank you." I took a breath. "I have been used and manipulated in the past."
|
||||||
|
|
||||||
|
I thought back for just a moment to my first girlfriend, Inara. She'd used
|
||||||
|
me, convinced me to run a smash and grab against one of the local branches of a
|
||||||
|
tech giant. I was able to pull a really fancy computer rig and just shy of
|
||||||
|
four hundred thousand credits. I'd been shot though. Bullet collapsed a lung
|
||||||
|
not long after I got away and Inara did her best to patch me up.
|
||||||
|
|
||||||
|
She was gone when I woke up, and so were our spoils.
|
||||||
|
|
||||||
|
I was sixteen.
|
||||||
|
|
||||||
|
Breathing was hard for months after that.
|
||||||
|
|
||||||
|
"I'm relatively keen on keeping myself away from further abusive
|
||||||
|
relationships." I waited for Lucere to say something before realizing she was
|
||||||
|
waiting for me. "I guess I need to know why you would be feeling such intense
|
||||||
|
emotions for me after such a short time."
|
||||||
|
|
||||||
|
Lucere hummed. "I don't know. You're right that a few hours isn't really
|
||||||
|
enough time for anything like love, but I promise you that I don't love you.
|
||||||
|
Not yet, at least. Its very fun to kiss you, though. In front of everyone
|
||||||
|
isn't really an issue, either."
|
||||||
|
|
||||||
|
"Not an issue?" I asked, "I wasn't really worried that you kissed me in front
|
||||||
|
of everyone. It was the amount of emotion you expressed in that kiss. It was
|
||||||
|
so intense. The expression of emotion, especially that strong, in front of
|
||||||
|
everyone, none of whom I know? That was the problem."
|
||||||
|
|
||||||
|
Shock riddled her face again. "Oh Goddess Above," she exclaimed, "Yeah I could
|
||||||
|
see how that would be an issue. Like I said, we are open and honest here, so I
|
||||||
|
suppose I should tell you now: I'm dating all of the officers, with the
|
||||||
|
exception of Young, who is in the tube next to you out in the real. They
|
||||||
|
called me cute earlier though."
|
||||||
|
|
||||||
|
"You are poly?" I'd had a few friends that were poly, so I was aware
|
||||||
|
of what it was. I was always a little jealous of them: to be able to love
|
||||||
|
more than one person was always just a bit much of an exercise in patience and
|
||||||
|
communication for my previous partners. I'd tried to approach the topic, but
|
||||||
|
they were never receptive of the idea.
|
||||||
|
|
||||||
|
Was this my chance to explore my sexuality further? A bunch of corporate
|
||||||
|
lesbians didn't feel like the best place to be doing this, though.
|
||||||
|
|
||||||
|
Lucere's voice derailed my worried thoughts. "Yeah; most of us here are."
|
||||||
|
|
||||||
|
I figured now was as good of a time as any. "You're all corporate goons,
|
||||||
|
though. I'm not sure how I feel about that."
|
||||||
|
|
||||||
|
Lucere sighed. "We serve the Goddess, and She has some vested interest in
|
||||||
|
keeping us here, for now at least."
|
||||||
|
|
||||||
|
That only raised more questions. A queer goddess who cozies up to corporations?
|
||||||
|
Corps hated queer folk. We were always questioning the status quo. The status
|
||||||
|
quo mades corps their money. Another question struck me before I could ask
|
||||||
|
about that. "Who is the goddess?"
|
||||||
|
|
||||||
|
"We call her the Pale Goddess," Lucere said, "Her name is Anna, though. You'll
|
||||||
|
meet her soon enough; we all have to. She'll answer your questions and give
|
||||||
|
you some more. She claims to have been omnipotent in some other dimensions,
|
||||||
|
but apperantly omnipotence isn't something that can happen in this universe."
|
||||||
|
|
||||||
|
"Anna," I mused, "Interesting that a goddess with enough power to bestow magic
|
||||||
|
would have such a normal name."
|
||||||
|
|
||||||
|
"Names aren't everything," Lucere said, "but they do carry meaning for some,
|
||||||
|
though I suppose that's a topic that I can't particularly explain."
|
||||||
|
|
||||||
|
"What do you mean by that?"
|
||||||
|
|
||||||
|
"Our commander, Tamaki, or maybe Melrose might be better at explaining that,"
|
||||||
|
she replied, "I've never had to deal with how my name labels me. They have."
|
||||||
|
|
||||||
|
I nodded. "Okay." I began to suspect that meant that they were trans, but I
|
||||||
|
couldn't be certain. There were all sorts of reasons one would have to worry
|
||||||
|
about their name. Sometimes I thought about changing mine. Not that my name
|
||||||
|
was hard to write, but I didn't feel like an 'Eilidh' all the time.
|
||||||
|
|
||||||
|
"You look like you've got a lot on your mind." Lucere motioned for me to stand
|
||||||
|
up. "I have to go wake Sleeping Beauty. You can find Officer Melrose up on
|
||||||
|
the beach. Tell faer that fae's in charge for me, okay? Can't leave this
|
||||||
|
instance with nobody as admin, though I'm sure fae would have a way in anyway."
|
||||||
|
|
||||||
|
I nodded. "Alright." I tried to find words to express my thoughts as more
|
||||||
|
than single word answers. There were too many questions racing around for my
|
||||||
|
thoughts to produce meaningful conversation.
|
||||||
|
|
||||||
|
One question in particular was ringing through my thoughts like a hammer
|
||||||
|
shaping hot metal into something beautiful: \emph{How could I have gained the
|
||||||
|
favour of a goddess that's cozy with a corp?}
|
289
src/chapters/03-a-headache.tex
Normal file
289
src/chapters/03-a-headache.tex
Normal file
|
@ -0,0 +1,289 @@
|
||||||
|
My eyelids fluttered open and the world faded into view. Commotion echoed
|
||||||
|
through my ears and around me. The lights above shone far too bright.
|
||||||
|
|
||||||
|
"Officer Young," a familiar voice called.
|
||||||
|
|
||||||
|
My brain was so foggy I couldn't place who it was. I tried to form actual
|
||||||
|
words, but they didn't vocalize so instead I groaned. It felt like I hadn't
|
||||||
|
spoken in weeks.
|
||||||
|
|
||||||
|
"Don't try to speak, Talon." Lucere stepped into view. "We just had to make
|
||||||
|
sure you woke up in the real before you go back into virtual." Her face was so
|
||||||
|
close to mine her brown curls ticked my cheek.
|
||||||
|
|
||||||
|
"Get them back into virtual Lucy," said another voice, "They will need their
|
||||||
|
rest for the coming days. And would you help them setup a home 'scape?"
|
||||||
|
|
||||||
|
"Yes Commander," Lucere didn't bother looking at what had to be Tamaki, instead
|
||||||
|
brushing her fingers against my cheek. They felt amazing against my smooth-
|
||||||
|
|
||||||
|
Smooth? I didn't remember having smooth cheeks. Ah well: I figured I wouldn't
|
||||||
|
get a say in what I looked like coming out anyway.
|
||||||
|
|
||||||
|
"Now, Lucy," Tamaki shouted, departure pitching her voice down.
|
||||||
|
|
||||||
|
Lucere whispered something into my ear. My brain melting again robbed my
|
||||||
|
ability to understand what she said, but she probably knew that.
|
||||||
|
|
||||||
|
It was hard to describe moving to virtual with the implant and not the crown.
|
||||||
|
It was a feeling between movement and stillness and yet it was neither; my
|
||||||
|
senses were utterly confounded.
|
||||||
|
|
||||||
|
I still had consciousness, if only for a second, before I was fully in virtual.
|
||||||
|
The idea of having two bodies wasn't completely foreign to me: I often felt it
|
||||||
|
would be fun to have two separate bodies, completely different in looks and
|
||||||
|
configuration, to experiment with.
|
||||||
|
|
||||||
|
I shook the errant thoughts out of my head and gathered my bearings. I was
|
||||||
|
nowhere I recognized, standing on a boundary between forest and clearing. A
|
||||||
|
house of sorts stood before me, with walls of solid wood and a roof of
|
||||||
|
branches, woven densely and covered in leaves. Supposedly it didn't rain here,
|
||||||
|
otherwise she would've done something about that.
|
||||||
|
|
||||||
|
"The implant manages your sleep for you." Lucere startled me from out of
|
||||||
|
nowhere. "And you can be conscious in the real while managing things here in
|
||||||
|
virtual. It's a bit of a weird feeling, but you get used to it."
|
||||||
|
|
||||||
|
I turned by head toward her. "Then how come I can't feel my body now?"
|
||||||
|
|
||||||
|
She was looking at me now and \emph{wow}. Her eyes gleamed beautifully and
|
||||||
|
locked to mine, as if gazing into my thoughts. "I've disabled it. Your implant
|
||||||
|
is under remote management until you're ready to be completely awake in the
|
||||||
|
real."
|
||||||
|
|
||||||
|
"Fantastic." Each syllable played a note of sarcasm. I figured that meant she
|
||||||
|
could just scramble my brain if I offended her. She probably wouldn't, but the
|
||||||
|
option being there is mildly scary.
|
||||||
|
|
||||||
|
"No, not really," she admitted, "It's actually super dangerous. We disable
|
||||||
|
remote controls once you're capable of operating it on your own."
|
||||||
|
|
||||||
|
Worry and anxiety taintied my voice and face. "I assume you can kill me if
|
||||||
|
things are set wrong?" My safety and privacy were things I worried about:
|
||||||
|
after all, I needed to be alone with my thoughts so I could figure myself out.
|
||||||
|
|
||||||
|
"In theory," she said, "but I doubt reality would prove it; human brains are
|
||||||
|
far more capable of dealing with new circumstances than we ever give them
|
||||||
|
credit for. The real issue is privacy: I'd have total access to you without
|
||||||
|
your consent if I wanted it."
|
||||||
|
|
||||||
|
A blush crawled up my cheeks. The idea of being completely transparent to
|
||||||
|
anyone was, a bit hot. "Oh."
|
||||||
|
|
||||||
|
She giggled. "Of course as the medical officer, I will always get full body
|
||||||
|
reports from your implant. Those are kept confidental, and I don't look at
|
||||||
|
them unless my screening programs determined a problem."
|
||||||
|
|
||||||
|
"Like if I'm taking abnormal amounts of pain?" I noticed my entire body was
|
||||||
|
tingling. In hindsight, maybe getting the implant was a bit bad of an idea.
|
||||||
|
|
||||||
|
"Yeah, among a host of other symptoms of disease that can be fixed," Lucere
|
||||||
|
replied, "and those that can't."
|
||||||
|
|
||||||
|
Sudden vulnerability overtook me and my tone dried in short order. "That feels
|
||||||
|
invasive. Couldn't I have been given a rundown of all this before I decided to
|
||||||
|
get it?"
|
||||||
|
|
||||||
|
She sighed. "Honestly, I'm the one who wants to wait on those things.
|
||||||
|
Unfortunately it's written into our provisional contract that we have
|
||||||
|
monitoring in place for all field and administration staff."
|
||||||
|
|
||||||
|
"And y'all chose implants?"
|
||||||
|
|
||||||
|
"No," she replied, "it was part of the contract. The company chose an implant
|
||||||
|
they had designed the year magic was discovered. At first they could only
|
||||||
|
record what the user saw, but as the years progressed we've added all sorts of
|
||||||
|
features we deemed necessary, like inducing virtual reality and sending us
|
||||||
|
medical information."
|
||||||
|
|
||||||
|
"And connecting to this optical implant." I laughed when I finally noticed
|
||||||
|
visual data in my peripheral vision. I focused my attention on it. The
|
||||||
|
display exploded into full view: I saw my heart rate, a damage report on my
|
||||||
|
body, a navigation map, and a handful of other readings about me.
|
||||||
|
|
||||||
|
Oddly enough there was also a messaging system and web browser. I popped open
|
||||||
|
the messenger and saw a bunch of contacts already logged: tactical operatives,
|
||||||
|
mostly, but also all the other officers.
|
||||||
|
|
||||||
|
I thought about one contact that stuck out: Medical Officer Manafed, Lucere. A
|
||||||
|
chat window opened immediately. I thought about a message to send, eventually
|
||||||
|
settling on something simple.
|
||||||
|
|
||||||
|
\textbf{Young}: Testing?
|
||||||
|
|
||||||
|
I saw her laugh beside me, and she gave me a face.
|
||||||
|
|
||||||
|
\textbf{Manafed}: Tested.
|
||||||
|
|
||||||
|
"Thanks Lucy." It was just thought that drove it. "That's way easier than I
|
||||||
|
thought it'd be."
|
||||||
|
|
||||||
|
"It's really nice," she replied, "far easier than talking a lot of times."
|
||||||
|
|
||||||
|
I laughed. "Hey Doc, why's that massive headache gone?"
|
||||||
|
|
||||||
|
She returned a giggle. "Oh. Your implant is helping you manage your pain,
|
||||||
|
don't worry."
|
||||||
|
|
||||||
|
"My headache is still here, but I can't feel it?"
|
||||||
|
|
||||||
|
Her giggle grew into laughter. "Yeah, so you're gonna have to realize that lack
|
||||||
|
of pain no longer means all good. You've got that heads-up display for a
|
||||||
|
reason. If you start feeling pain that's when you're really in trouble."
|
||||||
|
|
||||||
|
It made sense, so I nodded.
|
||||||
|
|
||||||
|
"We just gonna stand here talking, or are you going to come into my home?" she
|
||||||
|
asked me with a smile.
|
||||||
|
|
||||||
|
"I suppose, sorry," I mummbled, "I just have a lot of questions and get
|
||||||
|
distracted easily."
|
||||||
|
|
||||||
|
Another laugh. "No problem." She started walking to her house.
|
||||||
|
|
||||||
|
The path was short, but each step felt like miles. I could understand what she
|
||||||
|
meant by lack of pain. It wasn't a pain, but more a feeling of weariness: my
|
||||||
|
brain functioned perfectly but my body was sluggish. I lost my balance and fell
|
||||||
|
back.
|
||||||
|
|
||||||
|
"Hey hey!" Lucere swooped in and caught me. "Are you okay?"
|
||||||
|
|
||||||
|
"I'm not sure." I checked the body readout on my HUD. "It says I'm all
|
||||||
|
orange. I assume that means good?"
|
||||||
|
|
||||||
|
"No." Shock and worry mixed on her face. She set me on my feet. "Orange is
|
||||||
|
not good. Not as bad as red, but not green."
|
||||||
|
|
||||||
|
"Oh," I said, a bit dazed, "So definitely not good." At least it wasn't as bad
|
||||||
|
as red. \emph{Don't freak out,} I thought, trying to keep calm.
|
||||||
|
|
||||||
|
"No, not good, especially since my sensors are not reading anything wrong for
|
||||||
|
your current situation."
|
||||||
|
|
||||||
|
I tapped on my head. "You getting a feed from my implant?"
|
||||||
|
|
||||||
|
"Not yet," she replied, "It does need about twelve hours to get a proper
|
||||||
|
baseline, but even then it shouldn't be reading orange. Your body is in
|
||||||
|
perfect health according to all my- no wait." A couple seconds passed. "Your
|
||||||
|
body just entered the next phase of transformation."
|
||||||
|
|
||||||
|
I nodded, then a massive headache split my skull, radiating from two points not
|
||||||
|
far up in my hairline. The pain exploded and I fell over. The reverberations
|
||||||
|
excruciated.
|
||||||
|
|
||||||
|
"Hold on," Lucere's voice echoed through my brain, "I'm moving you back to the
|
||||||
|
cryochamber."
|
||||||
|
|
||||||
|
"Horns!" I screamed, "I've got horns breaking through my skull!"
|
||||||
|
|
||||||
|
Lucere stared at me, her eyes wide. "You do."
|
||||||
|
|
||||||
|
"What?" I asked, my prior volume not quite gone. I reached up to feel, but
|
||||||
|
nothing was there.
|
||||||
|
|
||||||
|
"Your real body," she said, "I'm looking at you right now. They're pretty, and
|
||||||
|
blue."
|
||||||
|
|
||||||
|
"Pretty?" My voice wavered. The pain nearly incapacitated me.
|
||||||
|
|
||||||
|
"Yes, pretty. I'm gonna give you some pain management medication, but you'll
|
||||||
|
probably get knocked out."
|
||||||
|
|
||||||
|
"No," I said. The pain started to level off instead to climbing to yet newer
|
||||||
|
heights. "I need to remain conscious, as hard as that's going to be with all
|
||||||
|
this pain."
|
||||||
|
|
||||||
|
Lucere grumbled. "Fine. Let me get you inside at least." She lifted me up off
|
||||||
|
my feet and bridal-carried me to a comfy couch inside. It felt odd, but not in
|
||||||
|
a bad way: between the pain and confusion it was hard to tell whether the
|
||||||
|
pulses were excitement or embarrassment.
|
||||||
|
|
||||||
|
The inside was quaint, beautiful, and easy to live in. The walls were as plain
|
||||||
|
as the outside. There was simple wooden furniture, but in the corner, around a
|
||||||
|
table, I saw comfier furniture too.
|
||||||
|
|
||||||
|
Lucere laid me down on the small couch and set herself down on a nearby chair
|
||||||
|
just as cozy. Mugs of unknown liquid and some small shortbreads appeared on
|
||||||
|
the table.
|
||||||
|
|
||||||
|
I giggled, despite all the pain it caused to radiate through me.
|
||||||
|
|
||||||
|
"I can't believe you're remaining conscious through all that," she said
|
||||||
|
eventually. There was a hollow look in her eyes; the purple glow I was
|
||||||
|
starting to get used to was alarmingly absent.
|
||||||
|
|
||||||
|
"Holy shit Lucy," I exclaimed, "Your eyes are actually a soft purple, like um-"
|
||||||
|
|
||||||
|
"Lavender, most of the time, yes." She laughed, but the hollow look persisted.
|
||||||
|
"You've just been seeing my magic through them."
|
||||||
|
|
||||||
|
I coughed, another wave of pain searing my back. "I feel like I'm going to
|
||||||
|
die." I felt as sombre as my voice, the pain keeping me awake by a margin.
|
||||||
|
|
||||||
|
"You won't under my care." I could hear the flex in her voice, and she sounded
|
||||||
|
genuine in her belief. "But I know it feels that way. Your body is literally
|
||||||
|
reforming right now, in so many \emph{interesting} ways."
|
||||||
|
|
||||||
|
"You ever lose anyone?" I asked hesitantly.
|
||||||
|
|
||||||
|
False horror haunted her voice. "No! And how dare you ask!"
|
||||||
|
|
||||||
|
I laughed in spite of myself, in spite of agony. How could I not? She was
|
||||||
|
being far, far too cute in defending herself.
|
||||||
|
|
||||||
|
Too cute? I don't recall ever thinking of anyone as cute.
|
||||||
|
|
||||||
|
I felt a frown pull at my lips. I didn't actually know what this meant, what
|
||||||
|
this new range of emotions really meant.
|
||||||
|
|
||||||
|
Did this mean I liked Lucere?
|
||||||
|
|
||||||
|
Why was this so complicated?
|
||||||
|
|
||||||
|
"You're growing wings," she said, a weird look on her face, "Wings, Talon."
|
||||||
|
|
||||||
|
I stalled for a few seconds, trying to come up with something to say.
|
||||||
|
|
||||||
|
Lucere broke the silence for me. "What is your ideal body?"
|
||||||
|
|
||||||
|
"I have no clue," I admitted, "I've never thought about it."
|
||||||
|
|
||||||
|
"The Pale Goddess always delivers," she whispered, mirroring Tamaki's earlier
|
||||||
|
words.
|
||||||
|
|
||||||
|
"You sound like Tamaki." I gave those words some thought. "May I feel my real
|
||||||
|
body, just a little?"
|
||||||
|
|
||||||
|
"Yeah, I'll make the adjustment; tell me if it's too much for you." A confused
|
||||||
|
look appeared on her face. I could immediately tell when she made it: the pain
|
||||||
|
filtered through much more consistently, the pulses nearly rhythmic.
|
||||||
|
|
||||||
|
But I could also feel my body, how it had changed, how it was changing. I
|
||||||
|
tried moving my hand, my real hand. The movement was there, but it was very
|
||||||
|
slow, likely from the cryofluid in my veins cooling me down.
|
||||||
|
|
||||||
|
Eventually my hand and arm cought up with my brain and I could feel the horns
|
||||||
|
growing. They were so small they barely poked out from just above my hairline.
|
||||||
|
|
||||||
|
"Don't open your eyes," Lucere instructed, "If you do, there may be a very long
|
||||||
|
period of blindness. Still haven't got the cryofluid completely perfected
|
||||||
|
yet."
|
||||||
|
|
||||||
|
"My eyeballs will freeze, won't they?"
|
||||||
|
|
||||||
|
"Instantly."
|
||||||
|
|
||||||
|
"Fuck," I said, feeling thoroughly worn out, "Alright, I don't wanna feel my
|
||||||
|
body anymore." And then I didn't. I was alone with my digital self once more.
|
||||||
|
|
||||||
|
I could breathe again without the mortal tension. Breathing felt amazing.
|
||||||
|
|
||||||
|
"Anything else I can help you with before we go build your mindscape?" Lucere
|
||||||
|
asked.
|
||||||
|
|
||||||
|
"A kiss," I muttered, nearly inaudibly.
|
||||||
|
|
||||||
|
She wore a sly smile. "What was that?"
|
||||||
|
|
||||||
|
A blush toned my face pink. "Nothing. Let's go build a 'scape."
|
||||||
|
|
287
src/chapters/03-b-quicktimeactions.tex
Normal file
287
src/chapters/03-b-quicktimeactions.tex
Normal file
|
@ -0,0 +1,287 @@
|
||||||
|
I'd spent roughly an hour trying to figure out my place here. Everyone seemed
|
||||||
|
easygoing, seemed friendly, \emph{seemed} anticapitalist.
|
||||||
|
|
||||||
|
It was scary how easily the corporate machine could \emph{seem} pro-rights. It
|
||||||
|
was scary how an absolutely beautiful gathering of demimages was okay with all
|
||||||
|
this. I felt horrid in comparison, but that was to be expected.
|
||||||
|
|
||||||
|
"Down with the corps!" I heard behind me.
|
||||||
|
|
||||||
|
It was \emph{scary} how they could blend in so easily. Maybe I was paranoid
|
||||||
|
and they weren't actually goons sent to seduce hacktivists into subversion.
|
||||||
|
But if I \emph{wasn't}...
|
||||||
|
|
||||||
|
I needed a diversion, stat. I could \emph{not} afford to be found out. "Who
|
||||||
|
is Anna?"
|
||||||
|
|
||||||
|
"Our Pale Goddess," said one of the girls around me, "What do you want to
|
||||||
|
know?"
|
||||||
|
|
||||||
|
"If you're all so anti-corp, why is Anna keeping you here, tied to Eastern
|
||||||
|
Hills?"
|
||||||
|
|
||||||
|
"I dunno," she replied, "Since our inception we've only done a handful of jobs
|
||||||
|
for Eastern Hills. Haven't done any since we've been under Tamaki."
|
||||||
|
|
||||||
|
Curiousity snared me in that moment. "How long has she been in command?"
|
||||||
|
|
||||||
|
"About five years: she took command when she was seventeen."
|
||||||
|
|
||||||
|
I blinked. "That's a little young to be a commander, isn't it?"
|
||||||
|
|
||||||
|
"She was definitely a little green around the gills for a minute," an
|
||||||
|
androgynous voice replied, "Nice to meet you, Eilidh, I'm Tech Officer Xela
|
||||||
|
Melrose."
|
||||||
|
|
||||||
|
Fae extended faer hand with a smile, and both did I return. Fae were tall,
|
||||||
|
androgynous, blessed of short green hair. It wasn't quite a crew-cut, but it
|
||||||
|
was still the shortest I'd seen so far.
|
||||||
|
|
||||||
|
"So can you answer my previous question?" I asked.
|
||||||
|
|
||||||
|
"Anna is a divicive deity," fae replied, "literally just waiting for the right
|
||||||
|
time to pull it all down. Originally she just needed funding and Eastern Hills
|
||||||
|
was the only source left: others claimed the rest. She finds the whole
|
||||||
|
corporate thing to be completely asinine, and she's vowed to punish all the
|
||||||
|
deities involved."
|
||||||
|
|
||||||
|
"How many deities are there?" I realized a little too late that the numerous
|
||||||
|
questions I'd asked were likely on a FAQ. "Well, I suppose you don't have to
|
||||||
|
answer that: I'm asking a lot of questions."
|
||||||
|
|
||||||
|
"Don't worry about it," fae replied, "You'll be getting a full run-down of the
|
||||||
|
state of affairs when it's appropriate. Sometime during training, which should
|
||||||
|
start shortly after you leave the tube."
|
||||||
|
|
||||||
|
"So that leaves me to just socialize." Ostensibly, anyway. What \emph{should}
|
||||||
|
I be doing, anyway, really?
|
||||||
|
|
||||||
|
Xela laughed. "I've seen that look before; what trouble are you planning?"
|
||||||
|
|
||||||
|
"I hadn't thought of any trouble yet." Faer poke did get me thinking. "Maybe
|
||||||
|
I could hack the gibson and get the jump on training."
|
||||||
|
|
||||||
|
Xela rewarded me with an amazing look on faer face. "Your friend, what was his
|
||||||
|
name? Brian? Monroe? Oh! Marvin. Marvin already tried; he can't get past
|
||||||
|
me."
|
||||||
|
|
||||||
|
"You?" I immediately cursed my mouth, or, tried to. "Wait, tech officer."
|
||||||
|
|
||||||
|
Fae nodded with a grin. "Yeah, and I'm the best living firewall that exists.
|
||||||
|
Nothing escapes me and nobody gets access unless I grant it."
|
||||||
|
|
||||||
|
"So you've traded a technical problem for a social problem." If someone were
|
||||||
|
able to trick faer into giving access, then fae'd not be the best firewall in
|
||||||
|
existence.
|
||||||
|
|
||||||
|
Faer face boasted triumph still. "Not without a stack of perfectly forged
|
||||||
|
documents, some of which I have to sign myself."
|
||||||
|
|
||||||
|
"That sounds tedious." I thought of some trouble I could make in the time we'd
|
||||||
|
been talking, though: I'd take admin of this 'scape. For now, though, I'd make
|
||||||
|
casual conversation and familiarize myself with the implant.
|
||||||
|
|
||||||
|
"You look devious." Fae pulled me out of my head. "Not much of a poker face,
|
||||||
|
huh?"
|
||||||
|
|
||||||
|
I gave a shrug and kept at working out the menu system. It was as simple as
|
||||||
|
focusing on my peripheral vision. When I did, readouts exploded into full
|
||||||
|
view. They were thought-driven, so I willed them to navigate.
|
||||||
|
|
||||||
|
"You found what you're after yet?" Xela asked, proving my train of thought was
|
||||||
|
vulnerable by as little as six damned \emph{words}, "Must be a hacker at heart
|
||||||
|
if you're getting lost in the menus that thoroughly."
|
||||||
|
|
||||||
|
"Marv's the real hacker," I admitted, "I only know enough to get around."
|
||||||
|
|
||||||
|
"That's more than most." Apparently faer hair was long enough to twirl,
|
||||||
|
because fae're doing that too, somehow. Maybe hacking the gibson let you fuck
|
||||||
|
physics.
|
||||||
|
|
||||||
|
Faer hair looked soft, and my arm had already reached halfway before I caught
|
||||||
|
it. "Uh, may I?"
|
||||||
|
|
||||||
|
Fae nodded slowly. "Yeah, I don't see why not, just don't make it weird,
|
||||||
|
okay?"
|
||||||
|
|
||||||
|
I changed course to faer wrist, pulling faer close so my other hand could run
|
||||||
|
through \del{my prize} that precious hair.
|
||||||
|
|
||||||
|
Did you know my larynx could resonate at the frequency of ecstasy?
|
||||||
|
|
||||||
|
I swooped in. Fingers flanked faer hair on all sides, swimming through threaded
|
||||||
|
clouds. My hum grew louder.
|
||||||
|
|
||||||
|
"Here, sit down." Fae pushed me off my feet.
|
||||||
|
|
||||||
|
Chills zapped my spine, and my arms flailed frivolously. I screeched, and
|
||||||
|
plummeted atop something soft. Eyes wide, I looked down to find a couch that
|
||||||
|
most certainly did not exist two seconds ago.
|
||||||
|
|
||||||
|
I couldn't even turn to glare at my assailant before a head entered my lap from
|
||||||
|
my blind spot. "Now continue," its bearer did bid.
|
||||||
|
|
||||||
|
My face heated up again, and my fingers bathed in hair once more.
|
||||||
|
|
||||||
|
Fae took notice when my hand swam out of lane, and snatched it with faer own.
|
||||||
|
"Access denied." Fae gently kissed the back of my hand and placed it back on
|
||||||
|
the cheek it was about to invade. "Access, granted."
|
||||||
|
|
||||||
|
I could get used to this. These were good feelings, warmth and care.
|
||||||
|
|
||||||
|
That and Xela and I hadn't drawn a crowd like Lucere and I had. Having the
|
||||||
|
moment to ourselves really helped.
|
||||||
|
|
||||||
|
I continued playing with faer fair hair, and I found an area on faer scalp that
|
||||||
|
caused a far-too-adorable squeak. My delight skyrocketed, but a notification
|
||||||
|
in my vision torpedoed it back to ground.
|
||||||
|
|
||||||
|
I focused on it for a moment, and a chat window appeared front and centre:
|
||||||
|
|
||||||
|
\textbf{Manafed:} Your boss needs some help and this is something I can't
|
||||||
|
really deal with without some help. If you think about moving towards me
|
||||||
|
you'll transfer from the instance you're in to the instance I'm in.
|
||||||
|
|
||||||
|
I looked toward Xela and whispered, "Okay, who's my boss?"
|
||||||
|
|
||||||
|
"Your designation is Tactical Operative." Xela pulled faerself to a seated
|
||||||
|
position next to me.
|
||||||
|
|
||||||
|
I didn't even bother to hide the disappointment in my voice when I followed up.
|
||||||
|
"So what's that mean?"
|
||||||
|
|
||||||
|
"It means Tactical Officer Young is your boss. You need to go?"
|
||||||
|
|
||||||
|
"Yeah." I said out to feel faer cheek again. "Probably now, but I wish I
|
||||||
|
could stay."
|
||||||
|
|
||||||
|
"Time to go meet your boss though," fae said, "No need to be sad: we can pick
|
||||||
|
up where we left off when you see me again."
|
||||||
|
|
||||||
|
I smiled. "I look forward to it. Your hair is perfect and I want to get to
|
||||||
|
know you."
|
||||||
|
|
||||||
|
"You will," fae assured me, "I teach the practical hacking class required for
|
||||||
|
all tactical operatives."
|
||||||
|
|
||||||
|
"Isn't that a bit of a conflict of interests if we decide to go much further?"
|
||||||
|
Thinking about it, I really wasn't sure.
|
||||||
|
|
||||||
|
"We work that out on a case by case basis," fae said, "Now go: if Lucy is
|
||||||
|
interrupting your free time for this, its got to be important."
|
||||||
|
|
||||||
|
I nodded and thought about moving toward Lucere, her pretty eyes, how lost I
|
||||||
|
got in them...
|
||||||
|
|
||||||
|
The next thing I knew, I was on a comfy chair around a wooden coffee table.
|
||||||
|
|
||||||
|
Lucere was seated in a chair on the other end, and between us lay Talon on a
|
||||||
|
couch. Or, I assumed: their body was warping and twisting about.
|
||||||
|
|
||||||
|
"They set their avatar to sync with their body, but their body is in active
|
||||||
|
metamorphasis right now," Lucere explained, "They need the help of a hacker. I
|
||||||
|
would have called Xela, but I figured you'd get more of a kick out of hacking
|
||||||
|
the implant than fae would."
|
||||||
|
|
||||||
|
"Aren't they in pain right now?" I asked, mildly appalled.
|
||||||
|
|
||||||
|
She smirked. "I guess you better work fast then."
|
||||||
|
|
||||||
|
Shit. I immediately opened a barrage of questions. "How can I connect to the
|
||||||
|
implant? What protocols does it use? Where can I get access to a terminal?
|
||||||
|
What tools does my implant have for this kind of operation?"
|
||||||
|
|
||||||
|
My questions were answered with a blank stare as Lucere started whispering
|
||||||
|
words with cadence. I figured she was dedicating her entire focus on some sort
|
||||||
|
of spell.
|
||||||
|
|
||||||
|
Time to explore the menus some more. I quickly found a compiler, but for some
|
||||||
|
sort of visual language. I opened it, and it blossomed into a full-on IDE. A
|
||||||
|
small blue orb floated in front of me.
|
||||||
|
|
||||||
|
Thinking about wireless connectivity made a new orb appear. \emph{Okay, so I
|
||||||
|
have two nodes, one that's wireless connectivity, and another that I don't
|
||||||
|
quite understand yet.} I pulled them together and the program came to life.
|
||||||
|
|
||||||
|
I saw my thoughts being encoded into radio waves and beamed out of my head.
|
||||||
|
|
||||||
|
Gods, that was a terrifying thought: anybody in wireless range could just hear
|
||||||
|
my thoughts.
|
||||||
|
|
||||||
|
I thought about a selector and another orb appeared. I erased the line between
|
||||||
|
the central and wireless orbs, and re-connected them to opposite ends of the
|
||||||
|
new selector orb. A configuration menu opened. I set it to select on incoming
|
||||||
|
transmissions and waited.
|
||||||
|
|
||||||
|
A moment passed and I picked up on Talon's implant. I configured the selector
|
||||||
|
for bidirectional communications between our two implants. I wasn't sure what
|
||||||
|
kind of communication this was, but it was incredibly fast. By the time I
|
||||||
|
registered what was happening data flooded the line. I sifted through it as
|
||||||
|
quick as I could and found a piece of a configuration file.
|
||||||
|
|
||||||
|
I set the selector to find more like that, and data surged in once more. Much
|
||||||
|
of it was the same, but I got enough of an idea how the file worked. I wished
|
||||||
|
a new file into existence: one with a modified avatar setting.
|
||||||
|
|
||||||
|
I opened the menu again and recalled seeing Talon in the chamber, tweaking the
|
||||||
|
avatar accordingly. I took the familiar image and dialed it to be far more
|
||||||
|
effeminate.
|
||||||
|
|
||||||
|
Before I knew it, a cute girl appeared in my view.
|
||||||
|
|
||||||
|
I hoped they liked it.
|
||||||
|
|
||||||
|
Another thought exported the avatar and pushed it into the configuration
|
||||||
|
payload I'd received. I had willed it forward to Talon's implant, but a loud
|
||||||
|
buzzer slammed down.
|
||||||
|
|
||||||
|
"Configuration file not signed," a voice in my head said, "Please sign the
|
||||||
|
configuration with an authorized key."
|
||||||
|
|
||||||
|
Code signing was one thing, but configuration signing? That was another. I
|
||||||
|
couldn't possibly reverse the key fast enough to help Talon; not even with all
|
||||||
|
the compute in existence would I succeed in less than a century.
|
||||||
|
|
||||||
|
\emph{So who has the key?} I asked myself. The medical officer would have
|
||||||
|
installed the implant, but might not have a key to sign new configurations.
|
||||||
|
The technical officer would have the key, but I already knew faer strictness
|
||||||
|
would hinder me too long.
|
||||||
|
|
||||||
|
\emph{Why not ask Lucere?} asked the back of my mind. After mulling it over I
|
||||||
|
in. I summoned the messaging window again, and willed a quick message forward.
|
||||||
|
|
||||||
|
\textbf{Cantlin:} Do you have signing keys for configuration files?
|
||||||
|
|
||||||
|
Her reply took a bit.
|
||||||
|
|
||||||
|
\textbf{Manafed:} try yours
|
||||||
|
|
||||||
|
\textbf{Cantlin:} Why would my signing keys even work?
|
||||||
|
|
||||||
|
Another moment.
|
||||||
|
|
||||||
|
\textbf{Manafed:} implant in emergency mode
|
||||||
|
|
||||||
|
I could tell she was having a rough time with her magic.
|
||||||
|
|
||||||
|
I figured I'd at least try. A mental command signed the update and I focused
|
||||||
|
another send.
|
||||||
|
|
||||||
|
Talon's implant replied: "Configuration accepted. Reloading. Complete."
|
||||||
|
|
||||||
|
The girl I created lay on the couch.
|
||||||
|
|
||||||
|
Talon looked good like that, I had to admit.
|
||||||
|
|
||||||
|
They awoke almost immediately.
|
||||||
|
|
||||||
|
Lucere slumped over in the chair across from me.
|
||||||
|
|
||||||
|
"What in the fuck did I do that for?" a high melodic voice asked.
|
||||||
|
|
||||||
|
I sighed and slumped over, closing all the menus I'd opened.
|
||||||
|
|
||||||
|
I'd been in stressful situations, but never had someone else depended on me
|
||||||
|
quite like that.
|
||||||
|
|
||||||
|
Lucere regarded me evenly. "You passed." Not even a hint of emotion.
|
269
src/chapters/disabled/02-optimalmass.tex
Normal file
269
src/chapters/disabled/02-optimalmass.tex
Normal file
|
@ -0,0 +1,269 @@
|
||||||
|
I awoke feeling the best rest I ever had. The VR setup here was amazingly
|
||||||
|
complex to be able to manage user sleep. But that was in addition to full
|
||||||
|
immersion. It was leaps and bounds ahead of the headsets available via
|
||||||
|
commercial means.
|
||||||
|
|
||||||
|
As I opened my eyes, I saw Ai and Lucere talking. Hushed tones. I couldn't
|
||||||
|
quite hear what they were saying. Given how they were both looking at a
|
||||||
|
screen, it was likely about whatever they were looking at.
|
||||||
|
|
||||||
|
I got up to move closer. Saw a glimpse of the image. It was a woman in a
|
||||||
|
tube. Hooked up to a breather and all sorts of other tubes. She was pretty.
|
||||||
|
Short blonde hair. Little wings growing from the flesh below her shoulder
|
||||||
|
blades.
|
||||||
|
|
||||||
|
The screen disappeared before I could see any more. "Hey," I protested, "who
|
||||||
|
was that?" They both looked up at me. They weren't responding.
|
||||||
|
|
||||||
|
Lucere broke the silence first. "Nobody," she said, "I moved you to a cryo
|
||||||
|
pod, your body's getting too hot for the ice bath."
|
||||||
|
|
||||||
|
"You're lucky," Ai said, "that we got you when we did. You're boiling the
|
||||||
|
cryogenic fluid. We have to keep a constant fresh supply running in."
|
||||||
|
|
||||||
|
"You're so hot you're boiling \emph{near absolute zero} cryo fluid, Tal,"
|
||||||
|
Lucere said, "what does your ideal body look like?"
|
||||||
|
|
||||||
|
"I don't really know," I said. A feeling of anxiety pooled over me as I said
|
||||||
|
it. Like I had lied. But I wasn't quite sure if I'd lied. I'd just never
|
||||||
|
allowed myself to think about what I wanted to look like.
|
||||||
|
|
||||||
|
"Woah," Ai said, "no need to start breathing like that. Deep breaths in and
|
||||||
|
out." Had I started breathing erratically? A big breath in. A big sigh out.
|
||||||
|
|
||||||
|
"I don't really know," I repeated, more steady and sure of myself, "I've never
|
||||||
|
thought about it, I just know I hate this one." The women in front of me gave
|
||||||
|
each other a look.
|
||||||
|
|
||||||
|
"Everyone hates their body to some degree," Ai whispered, "we're just the lucky
|
||||||
|
few."
|
||||||
|
|
||||||
|
"Ai," Lucere said, "his mirror was broken to pieces. Multiple times."
|
||||||
|
|
||||||
|
"Is that not particularly normal?" I asked. In truth I knew it wasn't.
|
||||||
|
|
||||||
|
"No," Ai said, "its not normal."
|
||||||
|
|
||||||
|
"We'll see Ai," Lucere interjected, "right now he needs training."
|
||||||
|
|
||||||
|
"You're right," Ai muttered, "come on, let's go to the training hall."
|
||||||
|
|
||||||
|
I nodded. She began walking off, down into the void. I stood there for a
|
||||||
|
second. Lucere looked at me. Her purple eyes only glowed with a faint light.
|
||||||
|
Looking full of sorrow and pain.
|
||||||
|
|
||||||
|
"You okay?" I asked, not really sure why I cared.
|
||||||
|
|
||||||
|
"Yes," she said, "but worried for you. If your body gets any hotter we won't
|
||||||
|
have a way to save you."
|
||||||
|
|
||||||
|
"I see." I'd be dead if this got any further out of hand. That's comforting.
|
||||||
|
The anxiety welling up in my chest said it was anything but. I felt tears
|
||||||
|
sliding down my face. When had I started crying? "Am I going to die?"
|
||||||
|
|
||||||
|
"I'm doing my best to keep you alive," Lucere said, "but I don't think The Pale
|
||||||
|
Goddess wants you dead either. But with the rate she's going, you're heating
|
||||||
|
up quite a lot."
|
||||||
|
|
||||||
|
"Takes a lot to go from near absolute zero to human body temp," I said through
|
||||||
|
sniffles, "I assume you're just barely keeping up."
|
||||||
|
|
||||||
|
"Yeah," she replied, "we had better catch up."
|
||||||
|
|
||||||
|
The trip from the grove down through the void was a bit rough. I don't really
|
||||||
|
remember most of it. I was walking through tears still. I didn't want to die.
|
||||||
|
I didn't want to live as I was. I was too anxious about everything to do
|
||||||
|
anything. More tears falling from my face.
|
||||||
|
|
||||||
|
"Gods," Lucere cursed, "Why does the training grounds have to be through the
|
||||||
|
damn void space?"
|
||||||
|
|
||||||
|
"What is the void space?" I asked, finally being enveloped by the nothingness.
|
||||||
|
I could still see her in front of me through my blurry eyes.
|
||||||
|
|
||||||
|
"Just a spot of nothing," she replied, "it was originally designed to give the
|
||||||
|
grove a little more of an aesthetic. But then we needed some more space."
|
||||||
|
|
||||||
|
"For things like the training ground," I finished.
|
||||||
|
|
||||||
|
"Exactly," she said, "because aesthetic is the first important design
|
||||||
|
consideration in VR spaces, or at least that's what Ai says."
|
||||||
|
|
||||||
|
"Believe me," I said, wiping the last of the tears from my eyes, "aesthetics
|
||||||
|
are important in the digital world." I had built many virtual spaces before I
|
||||||
|
became a shut in.
|
||||||
|
|
||||||
|
My favorite virtual space was one I'd built to mimic my apartment, but with a
|
||||||
|
retro wave type feel. The window looked out over a city with lots of neon
|
||||||
|
signs and holographic adverts for nonexistent brands and services. I used it
|
||||||
|
as a spot to write code, but if I'm being honest with myself, it was an excuse
|
||||||
|
to be anywhere, no \emph{anyone}, else. Of course, nobody would really
|
||||||
|
understand that, I suppose.
|
||||||
|
|
||||||
|
"Of course they are," Lucere said, breaking my train of thought, and the
|
||||||
|
silence, "but in full immersion VR its a pain and kinda disorienting to have a
|
||||||
|
spot with absolutely nothing in it."
|
||||||
|
|
||||||
|
I suppose she had a point. I wasn't really feeling it now, but I'm sure if I
|
||||||
|
were here under a clear mind, I'd be feeling pretty disoriented, too.
|
||||||
|
|
||||||
|
"How much further?" I asked.
|
||||||
|
|
||||||
|
"According to my navi," she replied, tapping just above her left eye, "we still
|
||||||
|
have another thousand feet or so."
|
||||||
|
|
||||||
|
"Why so much space?"
|
||||||
|
|
||||||
|
"Ai thought that if anyone was able to get into this space aside from us, it'd
|
||||||
|
disorient them. Of course, that would only be true if they didn't have digital
|
||||||
|
mapping algorithms. Those are plenty, though."
|
||||||
|
|
||||||
|
I knew what she meant. Mapping algorithms were solved nearly a century ago,
|
||||||
|
and most physical devices contained enough microphones and directional speakers
|
||||||
|
to map out a single micrometer layer of paint from over a mile away. An
|
||||||
|
accidental sonar system, really, developed by one of those mass surveillance
|
||||||
|
companies near the beginning of the last century.
|
||||||
|
|
||||||
|
Now, of course, there are the silent cartographers, often called the silcars.
|
||||||
|
People who, throughout their days, do nothing except carry their phones out and
|
||||||
|
map everything. They sell their hyper-accurate maps to those who might need
|
||||||
|
them. I've heard its a lucrative position to be in. The roughly forty billion
|
||||||
|
credit profits get shared amongst the members based on how much map they'd
|
||||||
|
contributed, per day.
|
||||||
|
|
||||||
|
When I'd done it, it was an easy way to make pocket money during college. On
|
||||||
|
my bicycle I was able to accrue enough map data to get paid roughly a hundred
|
||||||
|
credits a day. Enough to live, but not good for steady eating through a week.
|
||||||
|
|
||||||
|
"Knock knock," a voice yelled, "gods, is he checked out?" I looked up,
|
||||||
|
surprised to be in another clearing. Ai was looking at me.
|
||||||
|
|
||||||
|
"Sorry," I said, coming back to my surroundings, "I was just thinking about
|
||||||
|
accidental sonar mapping and the silent cartographers."
|
||||||
|
|
||||||
|
Looked like a battlefield, this clearing. Swords, guns, and small obstacles
|
||||||
|
and cover littered the ground.
|
||||||
|
|
||||||
|
"Oh yeah," Lucere said, "that tracks. I'd mentioned mapping algorithms."
|
||||||
|
|
||||||
|
"Wait, Lucy," Ai asked, "that tracks to you? Gods, how does that track?"
|
||||||
|
|
||||||
|
"Well," Lucere replied, "I'd have thought about how mapping algorithms enabled
|
||||||
|
lots of new businesses, like the global cartographics guild. Then I'd have
|
||||||
|
remembered my time as a silent cartographer in my teens."
|
||||||
|
|
||||||
|
"Almost," I said, "these things are vaguely related, so its really not that far
|
||||||
|
of a jump, but my exact path was from the algorithms to the past and how they
|
||||||
|
were made and sold by companies that did nothing but mine user data. Then
|
||||||
|
thought about the present, and how the silent cartographers are."
|
||||||
|
|
||||||
|
Ai was looking at me with an interesting look on her face.
|
||||||
|
|
||||||
|
"What?" I asked, then explained, "I was pulling weekend mapping runs in college
|
||||||
|
for a little extra money."
|
||||||
|
|
||||||
|
"I suppose we don't know everything about you, then," Ai said, sighing. "Your
|
||||||
|
file is rather light. How did they miss payouts from the silcars over in the
|
||||||
|
background check's department? Or a college degree?"
|
||||||
|
|
||||||
|
"I don't-" I began, but caught myself, "Actually, I do know."
|
||||||
|
|
||||||
|
"Care to enlighten us?" Lucere asked, "If not, I can always stop the flow of
|
||||||
|
new coolant to your body."
|
||||||
|
|
||||||
|
"Woah," I said, "no need for threats now. I have no reason not to trust you."
|
||||||
|
I paused, then began to explain how there had been a lot of mishandling of my
|
||||||
|
employee on boarding process. They didn't gather proof of identity, nor
|
||||||
|
anything else. I had learned later that it was someone who'd been failing to
|
||||||
|
do this for years and was fired. The employees that they'd hired were still
|
||||||
|
being verified.
|
||||||
|
|
||||||
|
I initially reported it to my manager, but nobody put in anything to the
|
||||||
|
security team. Or any compliance teams. And I fell through the cracks.
|
||||||
|
Repeatedly.
|
||||||
|
|
||||||
|
"Haylee," Ai said, focusing on something I couldn't see, "check into the hiring
|
||||||
|
manager that brought Talon on." A pause. She nodded a few times. "Yeah, was
|
||||||
|
she fired for failure to pull identity documents from the new hires?" Another
|
||||||
|
nod. "Thanks sweetie," she said, finally, then turned to me, "you're story
|
||||||
|
checks out."
|
||||||
|
|
||||||
|
I could see Lucere's entire body relax, as she started explaining. "Our
|
||||||
|
competitors have run a lot of potential espionage fodder through this company.
|
||||||
|
Can never be too careful. One of the red flags is missing paperwork."
|
||||||
|
|
||||||
|
I nodded. "No worries," I whispered, "I realize it can be a security issue."
|
||||||
|
|
||||||
|
"Security issue?" Ai scoffed. "Only security issue here is if you've been
|
||||||
|
implanted already."
|
||||||
|
|
||||||
|
"I've run the body scans, Ai," said Lucere, "there's no sign of implants. And
|
||||||
|
if there were I doubt they'd be usable at this point, given the drastic
|
||||||
|
transformation we've already seen from Talon."
|
||||||
|
|
||||||
|
"Could you start explaining that?" I asked, "how much have I changed?"
|
||||||
|
|
||||||
|
"That doesn't concern you, right now," Ai said, with an almost evil smile on
|
||||||
|
her face, "all that you need to focus on right now, is me." She began walking
|
||||||
|
toward me. Slowly at first. Before I knew it I had to jump back and out of
|
||||||
|
the way.
|
||||||
|
|
||||||
|
I stepped behind some cover, a small concrete barricade. There was a knife on
|
||||||
|
the ground next to my foot. A single edge. Maybe five inches long. Almost
|
||||||
|
resembled the world's shortest sword, but a little more rounded.
|
||||||
|
|
||||||
|
I grabbed it, before I started feeling weird. The world started moving,
|
||||||
|
blurring. I figured Ai wanted to train me for magic, but looks like its a
|
||||||
|
trial by fire type of classroom.
|
||||||
|
|
||||||
|
Then I felt something crawl up me. Small. Barely anything, even. But then it
|
||||||
|
got worse. There were more. They felt like mice crawling all over me. When I
|
||||||
|
looked, there was nothing on me.
|
||||||
|
|
||||||
|
She's messing with my mind. Guess I can mess with hers, then?
|
||||||
|
|
||||||
|
"Ai," I shouted, "stop with the petty tricks. I want to look at you if you're
|
||||||
|
going to torture me."
|
||||||
|
|
||||||
|
"Why?" Ai asked, seemingly from everywhere.
|
||||||
|
|
||||||
|
"Because at least I would have something beautiful to look at."
|
||||||
|
|
||||||
|
"Oh," she said, it sounded like she was right behind me, but when I flung
|
||||||
|
around there was nothing. "You can try all you want, Talon, I don't play your
|
||||||
|
side of the field. Even if you are cute, for a boy." Still behind me. No
|
||||||
|
matter how many times I checked.
|
||||||
|
|
||||||
|
I sighed. So much for a fair fight. Maybe magic worked like in the games I
|
||||||
|
played as a kid. So I concentrated on building up a mental shield.
|
||||||
|
|
||||||
|
"Not quite," Ai whispered in my ear. She was close enough that I could feel
|
||||||
|
her breath on my ear. I stabbed back towards her, blade cutting nothing but
|
||||||
|
air.
|
||||||
|
|
||||||
|
Before I could react, there was a fireball flying at me from the far end of the
|
||||||
|
training grounds. It was fast. The impact alone threw me nearly 40 feet. I
|
||||||
|
smacked my head against a concrete barricade and passed out.
|
||||||
|
|
||||||
|
I awoke a few minutes later, both Lucere and Ai standing over me.
|
||||||
|
|
||||||
|
"You can still experience pain in here," Lucere said, "so better not get too
|
||||||
|
roughed up, or you'll be traumatized."
|
||||||
|
|
||||||
|
"Full immersion really means full, huh?" I asked.
|
||||||
|
|
||||||
|
"Yeah, it really does," Ai replied, offering a hand to help me up. I took it
|
||||||
|
and got up.
|
||||||
|
|
||||||
|
"Don't worry," Lucere said, "I reduced the pain you could feel. This time,
|
||||||
|
anyway."
|
||||||
|
|
||||||
|
"You have no talent for magic," Ai said, "none at all. Why?"
|
||||||
|
|
||||||
|
"I don't know the first thing," I replied, "its never been taught to me."
|
||||||
|
|
||||||
|
"Taught, huh? Ai, you think you can give him a hand in that," Lucere asked,
|
||||||
|
"before you break his mind?"
|
||||||
|
|
||||||
|
"Yeah," she said, "I guess we can try."
|
||||||
|
|
241
src/chapters/disabled/03-achangeofpace.tex
Normal file
241
src/chapters/disabled/03-achangeofpace.tex
Normal file
|
@ -0,0 +1,241 @@
|
||||||
|
"You're still doing it all wrong," Ai said, "you have to feel it. Magic is
|
||||||
|
just like an extension of you."
|
||||||
|
|
||||||
|
"And what happens if I never feel it?" I asked, trying again to feel the magic
|
||||||
|
around me. In a virtual space I should have been able to do this. But I
|
||||||
|
couldn't. I couldn't feel much more than the deep anxiety.
|
||||||
|
|
||||||
|
"Get out of your head!" she commanded, "quit thinking about it, and start
|
||||||
|
feeling it."
|
||||||
|
|
||||||
|
"This isn't natural to me," I whispered, "like it is to you."
|
||||||
|
|
||||||
|
"It wasn't 'natural' to anyone when they first started," she said, "but we all
|
||||||
|
learned by feeling it. If you couldn't do magic, you wouldn't have been marked
|
||||||
|
by The Pale Goddess. Lets go again."
|
||||||
|
|
||||||
|
"Alright," I said, trying desperately to pull my brain into the here and now,
|
||||||
|
"lets try."
|
||||||
|
|
||||||
|
"Now," she instructed, "you should feel out with your mind."
|
||||||
|
|
||||||
|
I pushed away my anxiety, if only briefly, and tried reaching out with my mind.
|
||||||
|
Eyes closed, trying to push my vision beyond my eyes. I couldn't feel
|
||||||
|
anything. Couldn't see anything. This went on for minutes.
|
||||||
|
|
||||||
|
"Hello again," a familiar voice said, "I didn't expect to have to help you
|
||||||
|
understand this."
|
||||||
|
|
||||||
|
"What?" I asked, "understand what?"
|
||||||
|
|
||||||
|
"My magic circuits don't work," the voice said, "in the bodies of men. If you
|
||||||
|
want to learn, you have to make the change."
|
||||||
|
|
||||||
|
"What change?" I asked, slightly confused. She couldn't be suggesting turning
|
||||||
|
into a woman, right?
|
||||||
|
|
||||||
|
"The one you've always wanted," she said.
|
||||||
|
|
||||||
|
"I've never wanted that," I said, but it came out sounding more like a
|
||||||
|
question. Why did it sound like a question?
|
||||||
|
|
||||||
|
"My, my," she laughed, "you, my child, are just as dense as I was in my youth."
|
||||||
|
|
||||||
|
"Who are you?" I asked.
|
||||||
|
|
||||||
|
"Your friends call me," she said, pausing, presumably for tension, "The Pale
|
||||||
|
Goddess."
|
||||||
|
|
||||||
|
"Who am I?" Ai asked. My eyes snapped open. Her finger was pointing at
|
||||||
|
herself. She was looking at me oddly. "Look, talking to yourself isn't all
|
||||||
|
that uncommon around here, but it sounded like you were having a real
|
||||||
|
conversation with someone."
|
||||||
|
|
||||||
|
"Didn't you hear her?" I asked.
|
||||||
|
|
||||||
|
"Hear who?" Ai asked in response.
|
||||||
|
|
||||||
|
"The Pale Goddess," I said, "I heard her."
|
||||||
|
|
||||||
|
Ai looked at me, her face completely unreadable. She spoke in quiet tones,
|
||||||
|
"are you sure it was The Pale Goddess?"
|
||||||
|
|
||||||
|
"She told me," I replied, "but that could have been a lie."
|
||||||
|
|
||||||
|
"Not likely," Ai said, then explain, "look, in order for that to be the case,
|
||||||
|
someone would have had to influence, either your mind directly, or the neural
|
||||||
|
crown."
|
||||||
|
|
||||||
|
"So very unlikely," I said, letting that sink in, "does she have a bit of a
|
||||||
|
flair for the dramatic?"
|
||||||
|
|
||||||
|
Ai said nothing for a minute, then suddenly, "What did she say?"
|
||||||
|
|
||||||
|
"She said its time for a change of pace," I said, "how do I access an avatar
|
||||||
|
creator?"
|
||||||
|
|
||||||
|
"What," Ai asked, "so you need to be someone else?" I saw a flash of
|
||||||
|
understanding cross her face. Yeah, she got it. "Hey Lucere, how do you open
|
||||||
|
the menu from the crown?"
|
||||||
|
|
||||||
|
I began playing around with gestures. Eventually she walked up to me and moved
|
||||||
|
my hand to touch just above my eye. The menu exploded into view. "Woah!"
|
||||||
|
|
||||||
|
"Interacting with the menu is," she paused, "like a touchscreen, I guess. My
|
||||||
|
menu is always displayed, albeit very small, in my optic, so just experiment
|
||||||
|
around until you get it."
|
||||||
|
|
||||||
|
"Thanks," I said, "Once I figure it out I shouldn't be very long."
|
||||||
|
|
||||||
|
I lied. This was going to take forever.
|
||||||
|
|
||||||
|
The menu lay open before me. There were buttons for just about every setting
|
||||||
|
you could imagine. Even a little messaging system. Looked like it was capable
|
||||||
|
of video calls, too. The more I looked around in the menu, the more I found it
|
||||||
|
was hard to even try to find what I was looking for.
|
||||||
|
|
||||||
|
Finally, I clicked on the messaging button. There was a directory listing of
|
||||||
|
all the mages I'd seen. I pushed the name I thought would have the answers I
|
||||||
|
needed. Lucere.
|
||||||
|
|
||||||
|
Finally, a chat window opened up in front of me. The keyboard was like a
|
||||||
|
holographic layer that I could type on. It wasn't just a holographic layer
|
||||||
|
though. As I pushed each button, I could feel it depress under my fingers, as
|
||||||
|
if it were a real keyboard, almost.
|
||||||
|
|
||||||
|
I couldn't help but miss the true tactile feel of the keyboard at my
|
||||||
|
workstation. Typing on this reminded me of some long-dead mechanical action
|
||||||
|
switch, but muted.
|
||||||
|
|
||||||
|
I realized I was describing this to Lucere a little after I'd already sent a
|
||||||
|
few messages about it. Heat rushed to my face at the realization.
|
||||||
|
|
||||||
|
\textbf{Talon}: \emph{Uh... yeah sorry, anyway how do I find the avatar creator
|
||||||
|
amongst all these options?}
|
||||||
|
|
||||||
|
\textbf{Lucere}: \emph{Wow. You are kinda adorable.}
|
||||||
|
|
||||||
|
\textbf{Talon}: \emph{Okay? Um, avatar creator?}
|
||||||
|
|
||||||
|
\textbf{Lucere}: \emph{Oh! Yeah, its uh...}
|
||||||
|
|
||||||
|
\textbf{Lucere}: \emph{If you go to the menu, touch "customization", then
|
||||||
|
"body", you'll be taken to the body editor, then touch... hold on, the manual
|
||||||
|
isn't that helpful here. Let me get Xeli, fae wrote all the software for that
|
||||||
|
damn crown.}
|
||||||
|
|
||||||
|
\textbf{Talon}: \emph{One person wrote all the software that makes this thing
|
||||||
|
go?}
|
||||||
|
|
||||||
|
\textbf{Lucere}: \emph{Oh yeah, fae's literally a tech mage. Its "rebuild"
|
||||||
|
from the "body" menu.}
|
||||||
|
|
||||||
|
\textbf{Talon}: \emph{Thanks, tell faer that the menus could be a little less
|
||||||
|
confusing for me?}
|
||||||
|
|
||||||
|
\textbf{Lucere}: \emph{You'll want to do that yourself, otherwise fae'll be
|
||||||
|
doing live modification's, and you don't want that.}
|
||||||
|
|
||||||
|
\textbf{Talon}: \emph{I'll remember that when I get out.}
|
||||||
|
|
||||||
|
I pushed the large 'X' button sitting toward the upper part of the window in my
|
||||||
|
vision. The window closed with a satisfying popping sound. After that was out
|
||||||
|
of the way, moved through the menu tree to get me to the avatar creator.
|
||||||
|
|
||||||
|
The world went dark and I felt the sensation of moving. Eventually I was
|
||||||
|
presented with some options.
|
||||||
|
|
||||||
|
\textbf{DNA Based}
|
||||||
|
|
||||||
|
\emph{DNA based avatars are less likely to produce dysphoria, dysmorphia, or
|
||||||
|
any other unwanted body/mind miscommunication. New users are recommended to go
|
||||||
|
with this option.}
|
||||||
|
|
||||||
|
Two buttons, a bit glowing "YES" button, and a dimmed "NO" button. I picked
|
||||||
|
yes. I was already probably going overboard by simply changing gender, no need
|
||||||
|
to go further into any issues.
|
||||||
|
|
||||||
|
\textbf{Gender}
|
||||||
|
|
||||||
|
\emph{Included are several genders, along with primary and secondary sexual
|
||||||
|
characteristics, however, many additional options are available within advanced
|
||||||
|
menu, which can be accessed in the usual places.}
|
||||||
|
|
||||||
|
The options were symbols. I didn't recognize any of the three that were
|
||||||
|
presented, but each was color-coded. Blue, pink, and yellow. I picked the
|
||||||
|
pink and hoped it was the option I was after. Otherwise I'd be doing this all
|
||||||
|
again.
|
||||||
|
|
||||||
|
\textbf{Age}
|
||||||
|
|
||||||
|
\emph{The age of the avatar you'd like to create.}
|
||||||
|
|
||||||
|
A slider menu was available. At one end, the number '18' was displayed, the
|
||||||
|
other '150'. I was beginning to wonder if this was designed as an actual
|
||||||
|
product, or if there were concerns I should be voicing to Ai. I picked
|
||||||
|
twenty-two.
|
||||||
|
|
||||||
|
\textbf{Complete}
|
||||||
|
|
||||||
|
\emph{As you picked "DNA Based", most of your options have been preconfigured.
|
||||||
|
Please wait while your new avatar is generated. Thank you for using the
|
||||||
|
Eastern Hills TruReality Beta.}
|
||||||
|
|
||||||
|
Well I guess it is a real product. A progress bar appeared in front of me,
|
||||||
|
just below the message. It was sitting at fifty-five percent. I went back to
|
||||||
|
thinking about anything else as the progress bar made its way forward. I was
|
||||||
|
nervous.
|
||||||
|
|
||||||
|
Then, before I knew it, I was back in front of Ai. Only I felt different. I'm
|
||||||
|
not certain how different exactly, but I felt like I was capable of flying. Or
|
||||||
|
like I'd been held down with heavy iron shackles before, and now they weren't
|
||||||
|
there.
|
||||||
|
|
||||||
|
For the first time in my life, I felt just perfect. The anxiety wasn't there,
|
||||||
|
holding me to the ground. But neither was the other feeling. The one that was
|
||||||
|
always there. The one I didn't have a name for.
|
||||||
|
|
||||||
|
I jumped. And jumped again. The subtle movement on my chest every time I
|
||||||
|
landed made me almost giddy. I didn't initially notice Ai staring at me. But
|
||||||
|
she wasn't quite staring at me, either. She was looking between me and
|
||||||
|
something I couldn't see. All with a look on her face that I could only
|
||||||
|
describe as a wry grin.
|
||||||
|
|
||||||
|
"Officer Young," she commanded, "situational report."
|
||||||
|
|
||||||
|
"I don't recall giving you my last name," I said, my voice was almost melodic
|
||||||
|
now. Like a high pitch ringing bell. It was beautiful.
|
||||||
|
|
||||||
|
"It was in your file," she stated, "and I figure you wouldn't want me calling
|
||||||
|
you Talon. You look at ease for the first time since you've been here."
|
||||||
|
|
||||||
|
"I am," I said, taking a deep breath, "I didn't know that this would be so,
|
||||||
|
what's the word?"
|
||||||
|
|
||||||
|
"Euphoric?" she offered.
|
||||||
|
|
||||||
|
Yes, euphoric. That's what this feeling was. It was euphoria. Everything
|
||||||
|
felt right, unlike any time I'd ever known before. Then I realized. "Hey, is
|
||||||
|
there a way to look at myself?"
|
||||||
|
|
||||||
|
"Here," Ai said, then made a gesture and a mirror appeared next to her, "should
|
||||||
|
I give you a minute of privacy to explore your new body?"
|
||||||
|
|
||||||
|
I blinked as I stepped in front of the mirror. The image of a familiar woman
|
||||||
|
looked back at me. "No," I said. Her lips moved. She was the woman I'd seen
|
||||||
|
in my dream. Her green eyes. Her blonde hair.
|
||||||
|
|
||||||
|
No, not hers. Mine. My green eyes. My blonde hair. My perfectly red lips.
|
||||||
|
|
||||||
|
I tried to keep all these feelings inside. But they couldn't be kept inside.
|
||||||
|
I fell to the ground and tried desperately to keep myself together.
|
||||||
|
|
||||||
|
I was too late. I'd fallen to the ground in a crumpled defeated mess. Tears
|
||||||
|
streaming down my face leaving cold wet trails where they'd been. Why was the
|
||||||
|
sight of me causing such intense feelings?
|
||||||
|
|
||||||
|
Before I could think on it anymore, Lucere appeared beside me. She sat down
|
||||||
|
and pulled me up into her lap and held me. She felt warm and comforting.
|
||||||
|
|
||||||
|
For the first time in my life, I felt safe.
|
||||||
|
|
217
src/chapters/disabled/04-newgirl.tex
Normal file
217
src/chapters/disabled/04-newgirl.tex
Normal file
|
@ -0,0 +1,217 @@
|
||||||
|
Lucere's arms were still around me when I woke up. I was shorter than her now.
|
||||||
|
I wiggled a little to see if Lucere was awake. She curled her arms around me a
|
||||||
|
little tighter and brushed her fingers through my hair.
|
||||||
|
|
||||||
|
It felt good, her fingers softly brushing against my scalp as she pulled more
|
||||||
|
hair to run through. It didn't just feel good though. Her touch was like
|
||||||
|
electricity running down my spine. I shifted under this new sensation.
|
||||||
|
|
||||||
|
"Oh," she whispered, "you like that, do you?" She moved her fingers down my
|
||||||
|
back. I hummed in delight at the sensation, electricity flowing from the line
|
||||||
|
she'd drawn down my spine. Before I knew it, another feeling blossomed from
|
||||||
|
within me. Like a warm bed of coals, radiating from my core down to my toes.
|
||||||
|
|
||||||
|
"Yes," I moaned, "I like that a lot."
|
||||||
|
|
||||||
|
"Then maybe," she hummed, "you'll like this." She moved my hair, revealing my
|
||||||
|
neck. The sudden cold air made me shiver. Her lips grazed my neck. I froze.
|
||||||
|
As she kissed up and down my neck, the warm feeling inside me kept growing.
|
||||||
|
|
||||||
|
I turned over to face Lucere. It was like the first time I'd looked at her.
|
||||||
|
The purple light in her eyes was glowing. Her brown hair was long and wavy.
|
||||||
|
Her lips were the perfect shape. And they looked so kissable.
|
||||||
|
|
||||||
|
She leaned forward ever so slightly. Her lips reaching for mine. She kissed
|
||||||
|
me. A whole new set of emotions bloomed within me. Her tongue teased at my
|
||||||
|
lips and beyond, gently offering more.
|
||||||
|
|
||||||
|
"Do I need to leave you two alone?" Ai asked. I jumped up as if I were a dog
|
||||||
|
caught eating from the cookie jar. I felt my face turn bright red.
|
||||||
|
|
||||||
|
"Look," Lucere giggled, "you're both as red as a firetruck." I looked over to
|
||||||
|
Ai, who was as red as I felt.
|
||||||
|
|
||||||
|
"Lucere," Ai said, "please go monitor Officer Young's body while we work."
|
||||||
|
|
||||||
|
"Yes, ma'am," Lucere said, an air of professionalism around her. Then she
|
||||||
|
vanished.
|
||||||
|
|
||||||
|
"I swear, Lucere," Ai cursed, "poor girl just got here and you're already
|
||||||
|
trying to..." She trailed off. "I'm sorry about Lucere."
|
||||||
|
|
||||||
|
"I uh, quite enjoyed it," I said, still quite warm in my face.
|
||||||
|
|
||||||
|
She looked at me, her face having calmed down to a mild blush. "So you did
|
||||||
|
need a moment to explore your new body, then."
|
||||||
|
|
||||||
|
"I don't really know," I admitted, "this is all, um, very new to me."
|
||||||
|
|
||||||
|
"Of course being a woman is new to you," she exclaimed.
|
||||||
|
|
||||||
|
"No," I replied, "all of it. New feelings. New emotions. I'm... I'm still a
|
||||||
|
virgin."
|
||||||
|
|
||||||
|
"Wait," Ai said, "you are still a virgin? How'd you even manage that?"
|
||||||
|
|
||||||
|
"I never really felt any urges," I replied, "and I'd never paid enough
|
||||||
|
attention to myself to care about dating. Or anything, really."
|
||||||
|
|
||||||
|
"For fucks sake," she yelled, "no wonder your magic hasn't been working."
|
||||||
|
|
||||||
|
"What, magic needs sex?" I asked.
|
||||||
|
|
||||||
|
"No, no," she replied, "The Pale Goddess gives us magic through femininity.
|
||||||
|
The love of, the being of, the unadulterated power of femininity. It didn't
|
||||||
|
really matter if you were a man or not, just as long as you were embracing your
|
||||||
|
femininity. So in your case, magic needs whatever you need to embrace being a
|
||||||
|
woman. Does that need sex? That's up to you."
|
||||||
|
|
||||||
|
"Really no judgments, huh?" I asked, "are you actually sanctioning sex as a
|
||||||
|
team leader?"
|
||||||
|
|
||||||
|
"My team is special," she replied, "and yes, we have whatever we need at our
|
||||||
|
disposal."
|
||||||
|
|
||||||
|
"I see," I said, paused, then asked, "what's my body look like, in the real?"
|
||||||
|
|
||||||
|
"It'll be too much of a shock still," she said, "but you look mostly like you
|
||||||
|
do now."
|
||||||
|
|
||||||
|
"Mostly?"
|
||||||
|
|
||||||
|
"Yes, mostly. The Goddess saw fit to give you something more."
|
||||||
|
|
||||||
|
"Something more?"
|
||||||
|
|
||||||
|
"You'll see when you get back into it."
|
||||||
|
|
||||||
|
"Fine. Teach me magic."
|
||||||
|
|
||||||
|
Under better circumstances, learning would have been a bit easier. But I was
|
||||||
|
constantly drifting off toward thoughts. Specifically the thought of Lucere's
|
||||||
|
lips on mine. I couldn't focus on learning quite like this.
|
||||||
|
|
||||||
|
But I was able to do quite a lot of magic. I was able to reach out with my
|
||||||
|
mind. And throw fire from my hands. And fly. I could fly. I'd always wanted
|
||||||
|
to fly.
|
||||||
|
|
||||||
|
Eventually we started playing combat again. Ai would throw a punch, I'd block
|
||||||
|
then counter with a punch. It was a fun little back and forth we had going.
|
||||||
|
Until she knocked me on the ground. I got a little flustered as I couldn't
|
||||||
|
breathe and I'd somehow burned a crater into the ground where I had landed.
|
||||||
|
|
||||||
|
That wasn't as fun.
|
||||||
|
|
||||||
|
Of course, nothing was quite as fun as what came after training for the day.
|
||||||
|
Lucere was given leave from watching my body. She'd come back to VR.
|
||||||
|
|
||||||
|
"Hey," Lucere said, "I'm sorry about earlier." She was beautiful. Her skin
|
||||||
|
looked perfectly tanned. That beautiful purple glow in her eyes illuminating
|
||||||
|
her face in an almost serene picture. Her lips. Her red lips looking so very
|
||||||
|
kissable.
|
||||||
|
|
||||||
|
"Don't," I said, "You were my first kiss. And I think maybe you owe me more."
|
||||||
|
|
||||||
|
"Oh," she laughed, "The new girl really is new. And very needy, too." She
|
||||||
|
wrapped her arms around me and kissed my forehead. "I'll tell you what, you
|
||||||
|
can have as many kisses as you want, whenever you want."
|
||||||
|
|
||||||
|
I stood up on my toes, pulled her face in my hands, and kissed her. And kissed
|
||||||
|
her. And kissed her. Before I knew it, we were on the ground. My hands had
|
||||||
|
moved from her face to her back. It was as if my fingers were moving on their
|
||||||
|
own, up and down her spine slowly.
|
||||||
|
|
||||||
|
She giggled. It felt so sudden. "Listen," she said, pulling away from me,
|
||||||
|
"you're really adorable, but I don't want to take advantage of you. You're
|
||||||
|
body is producing new hormones at unprecedented rates. You should take this
|
||||||
|
slowly and really think about it."
|
||||||
|
|
||||||
|
I groaned and pulled her. She didn't move. I tried again and ended up pulling
|
||||||
|
my back off of the ground. "Lucy," I begged, giving her my best pouty face.
|
||||||
|
She merely kept looking at me, with that intensely serious gaze. I pulled
|
||||||
|
myself up to her and kissed her. That broke her intense face.
|
||||||
|
|
||||||
|
Lucere lit up with that same beautiful, almost shy, light that she'd had
|
||||||
|
before. She was acting more timid, though. Her lips not moving as fast, nor
|
||||||
|
were her hands wandering nearly as much as they had before.
|
||||||
|
|
||||||
|
"Hey," she whispered into my ear, "you want a real bed tonight?" She kissed my
|
||||||
|
neck, waiting for my response. I wasn't apposed to the idea, but I didn't want
|
||||||
|
to move if it meant our bodies would no longer be touching.
|
||||||
|
|
||||||
|
"How?" I asked. But why had I asked it, instead of just saying yes? I don't
|
||||||
|
know why.
|
||||||
|
|
||||||
|
"I've built a comfy space," she said, "for times like this."
|
||||||
|
|
||||||
|
"So its not just me," I said, a wry smile pulling at the corner of my mouth.
|
||||||
|
|
||||||
|
"No, you adorable little girl," she said, smiling at me, "I don't settle down,
|
||||||
|
so try not to get feelings, okay?"
|
||||||
|
|
||||||
|
"I'll do my best," I giggled, "but no promises."
|
||||||
|
|
||||||
|
"Okay," she laughed, "but no antics. Hold on to me."
|
||||||
|
|
||||||
|
I wrapped my arms around her. She flipped us over. Her eyes were focused
|
||||||
|
beyond me as she worked on her unseen menu. I kissed her cheek. Her jaw. Her
|
||||||
|
neck.
|
||||||
|
|
||||||
|
"That's distracting," she murmured.
|
||||||
|
|
||||||
|
I raised my head up. "Should I stop?"
|
||||||
|
|
||||||
|
"Gods no," she replied, "but you should really hold on now."
|
||||||
|
|
||||||
|
I grabbed onto her, wrapping my arms tight around her chest. I felt the soft
|
||||||
|
cushion of her breasts against mine. It was a weird, but good, feeling. It
|
||||||
|
was a feeling that caused more warmth to radiate from my core out into every
|
||||||
|
part of me.
|
||||||
|
|
||||||
|
She rolled back onto me. The feeling of her pressing against me caused me to
|
||||||
|
shiver. Her thighs pushing against mine felt like fire. Fire radiating to
|
||||||
|
everywhere. I closed my eyes and let the feeling wash though me.
|
||||||
|
|
||||||
|
"Open your eyes," she whispered. I moaned at the feeling of her breath on my
|
||||||
|
ear and slowly opened my eyes.
|
||||||
|
|
||||||
|
I was in a bed. Or at least it felt like a bed. I tried to look around, but
|
||||||
|
she was still on top of me, kissing my cheek and grinning. I couldn't really
|
||||||
|
get a proper look, but it didn't matter. I was needy. There was cushion below
|
||||||
|
me, and a beautiful woman on top of me.
|
||||||
|
|
||||||
|
"Lucy," I whimpered, "please, more."
|
||||||
|
|
||||||
|
She raised her head from me a little. I could see a spark of recognition in
|
||||||
|
her eyes. She nodded. "Slowly," she cooed, running her fingers down my neck,
|
||||||
|
"but we will get there." She kissed me, her fingers tracing along the collar
|
||||||
|
of my training tee.
|
||||||
|
|
||||||
|
I softly bit her lower lip and sucked on it.
|
||||||
|
|
||||||
|
"Am I interrupting?" someone called. Lucere leaned back to sit up, blinked a
|
||||||
|
few times. My anxiety spiked. "Hey this 'scape is pretty nifty. Lots of fake
|
||||||
|
wine."
|
||||||
|
|
||||||
|
"Sarah," Lucere said, a hint of annoyance in her voice, "to what do I owe the
|
||||||
|
pleasure?"
|
||||||
|
|
||||||
|
"I wanted to meet the new girl," Sarah said, "so maybe you'd like to get off of
|
||||||
|
her so I can say hi properly?"
|
||||||
|
|
||||||
|
I pulled myself up and wrapped my arms around Lucere again. I turned my head
|
||||||
|
to see if I could have a peak at Sarah, but I couldn't see her, so I pulled
|
||||||
|
myself tight against her and hid my face in her neck.
|
||||||
|
|
||||||
|
"It doesn't look like she's in a 'saying hi' mood, Sarah," Lucere replied. I
|
||||||
|
could hear the tension in her voice. She wrapped an arm around me.
|
||||||
|
|
||||||
|
"Hey Lucere, fucking the new girl isn't really okay, is it?" Sarah spat. It
|
||||||
|
wasn't just Lucere who was tense. The whole situation was tense. I held on to
|
||||||
|
her tighter.
|
||||||
|
|
||||||
|
"Sarah, go away or I promise you won't survive your next injury." Lucere was
|
||||||
|
threatening her.
|
||||||
|
|
||||||
|
"You threaten that every time I come see you. I get the idea. Later Lucy."
|
||||||
|
|
4
src/chapters/disabled/10-wakingup.tex
Normal file
4
src/chapters/disabled/10-wakingup.tex
Normal file
|
@ -0,0 +1,4 @@
|
||||||
|
I opened my eyes. I was in a tube full of liquid. It was cold, but not as
|
||||||
|
cold as I'd been promised. I could see Lucere and Ai through the liquid. And
|
||||||
|
a few other mages, too.
|
||||||
|
|
82
src/chapters/disabled/99-silentarcade.tex
Normal file
82
src/chapters/disabled/99-silentarcade.tex
Normal file
|
@ -0,0 +1,82 @@
|
||||||
|
I emerged from the portal. Adrenaline wearing off, I fell to the ground and
|
||||||
|
cried. I'd lost her. I didn't know where to go. I'd been angry. I tripped,
|
||||||
|
I didn't mean to shove her through the portal. Tamaki.
|
||||||
|
|
||||||
|
Then gone to whatever hell that was.
|
||||||
|
|
||||||
|
Would she ever forgive me?
|
||||||
|
|
||||||
|
I cried for a while, ignoring the notifications that started trickling in my
|
||||||
|
vision from the optic feed. Closed eyes won't save you from high priority
|
||||||
|
messages, I guess.
|
||||||
|
|
||||||
|
"What's a beautiful young woman doing crying in a hell hole like-" a masculine
|
||||||
|
voice started to ask. A light on me and he froze. Adrenaline filled my system
|
||||||
|
again. I wiped the tears from my eyes while I prepared for a fight. Sometimes
|
||||||
|
I forget that I look like a monster.
|
||||||
|
|
||||||
|
"Hey," another called, "that's Vivian, you leave her alone, or she'll skewer
|
||||||
|
you on her horns." Oh thank the gods. Fernandez. I'm on Silent Arcade. As
|
||||||
|
my eyes refocused I could see that many men were sitting glued to a holo-feed,
|
||||||
|
watching a news program.
|
||||||
|
|
||||||
|
"Hey Fernandez, how's it?" I asked, trailing off at the end, not wanting my
|
||||||
|
voice to give me away.
|
||||||
|
|
||||||
|
"Hey," Fernandez replied, "woah, you look like hell. Want a drink?"
|
||||||
|
|
||||||
|
"Whiskey?" I asked. My eyes finally focused on the holo-feed just enough to
|
||||||
|
read what the feed was about. \emph{LOCAL GIRL FOUND DEAD, MURDERER AT LARGE.}
|
||||||
|
Interesting title.
|
||||||
|
|
||||||
|
"Yeah, got some over here," one of them had responded, starting to pour some
|
||||||
|
into a glass.
|
||||||
|
|
||||||
|
"What's with the holo-feed?" I asked as the glass was passed to me.
|
||||||
|
|
||||||
|
"We thought we'd lost Trilu's little girl," Fernandez responded, "to the
|
||||||
|
portal."
|
||||||
|
|
||||||
|
"But looks like she'd just been kidnapped," another man said, "murdered. Trilu
|
||||||
|
is on the surface now, trying to find whoever did it."
|
||||||
|
|
||||||
|
"I see," I sighed, "send my condolences."
|
||||||
|
|
||||||
|
"Sent," Fernandez said, his eyes closed, "he says thanks. You can help out if
|
||||||
|
you want, just head to the surface."
|
||||||
|
|
||||||
|
"I can't," I said, "I have someone of my own I need to find." A notification
|
||||||
|
popped up in my optic feed. Of thirty. I pulled up only the most recent.
|
||||||
|
|
||||||
|
\textbf{Ai:} \emph{Hey! Are you even alive? Look I get that I was a bit of a
|
||||||
|
bitch, but could you please respond? I'm freaking out.}
|
||||||
|
|
||||||
|
\textbf{Vivian:} \emph{Yes. I'm alive. Sorry. I nearly died trying to follow
|
||||||
|
you after I tripped. I shoved you through by accident I'm so sorry!}
|
||||||
|
|
||||||
|
\textbf{Ai:} \emph{Oh thank the gods! I assume you are on Silent Arcade, given
|
||||||
|
I can message you without any delay now.}
|
||||||
|
|
||||||
|
\textbf{Vivian:} \emph{Yeah. I suppose you want to talk?}
|
||||||
|
|
||||||
|
\textbf{Ai:} \emph{Yeah. I'm on the surface. I'll send you location data in a
|
||||||
|
second. Gotta start generating a map instead of freaking out over you.}
|
||||||
|
|
||||||
|
\textbf{Vivian:} \emph{I guess I'll let you get to it, then. Listen, I'm
|
||||||
|
sorry. I really didn't mean to say that stuff...}
|
||||||
|
|
||||||
|
\textbf{Ai:} \emph{Yeah, you did. And I deserved it. I did some kinda bitch
|
||||||
|
things... we'll talk more when we are together. Now let me focus on mapping,
|
||||||
|
will you?}
|
||||||
|
|
||||||
|
I closed the notification and nodded to the guys. "Thanks for having me, but
|
||||||
|
this is as much time as I can spare." The location data came in. I opened the
|
||||||
|
map in my optic and fed it the data. Not far from me, but on the surface.
|
||||||
|
|
||||||
|
I walked to the far end of the chamber, lighting a magefire in my hand so I
|
||||||
|
could see up the incline of the tunnel to the surface. At the top of the
|
||||||
|
tunnel was a ladder up. It led to a trapdoor in a restroom on the surface.
|
||||||
|
|
||||||
|
When I got to the top of the ladder, I tried a sensing spell on the ceiling
|
||||||
|
above me.
|
||||||
|
|
4
src/default.cfg
Normal file
4
src/default.cfg
Normal file
|
@ -0,0 +1,4 @@
|
||||||
|
\Preamble{xhtml}
|
||||||
|
\CoverMetadata{cover.png}
|
||||||
|
\begin{document}
|
||||||
|
\EndPreamble
|
141
src/main.tex
Normal file
141
src/main.tex
Normal file
|
@ -0,0 +1,141 @@
|
||||||
|
% Document Definition
|
||||||
|
\documentclass[12pt]{book}
|
||||||
|
|
||||||
|
% Required Packages
|
||||||
|
\usepackage[letterpaper, margin=1in]{geometry}
|
||||||
|
\usepackage[utf8]{inputenc}
|
||||||
|
\usepackage[english]{babel}
|
||||||
|
\usepackage{fancyhdr}
|
||||||
|
\usepackage{ragged2e}
|
||||||
|
\usepackage{titlesec}
|
||||||
|
\usepackage{setspace}
|
||||||
|
\usepackage{times}
|
||||||
|
\usepackage{subfiles} % Load me last
|
||||||
|
|
||||||
|
% Package Options
|
||||||
|
|
||||||
|
% Headings bullshit
|
||||||
|
\pagestyle{fancy}
|
||||||
|
\fancyhead[L,C]{}
|
||||||
|
\fancyhead[R]{SNAME / PROJECT / \thepage}
|
||||||
|
\fancyfoot[L,C,R]{}
|
||||||
|
\renewcommand{\headrulewidth}{0pt}
|
||||||
|
\renewcommand{\footrulewidth}{0pt}
|
||||||
|
|
||||||
|
% Formatting Stuff
|
||||||
|
\setlength{\parindent}{0.5in}
|
||||||
|
|
||||||
|
% Macros
|
||||||
|
\newcommand{\mkchap}[3]{
|
||||||
|
\newpage
|
||||||
|
\vspace*{3in}
|
||||||
|
\addcontentsline{toc}{chapter}{#1 - #2}
|
||||||
|
\begin{center}
|
||||||
|
Chapter #1
|
||||||
|
|
||||||
|
#2
|
||||||
|
|
||||||
|
{\small #3}
|
||||||
|
\end{center}
|
||||||
|
\vspace{0.5in}
|
||||||
|
}
|
||||||
|
%%% \mkinfo
|
||||||
|
%%% used as \mkinfo{name}{pronouns}{address}{phone}{email}
|
||||||
|
\newcommand{\mkinfo}[5]{
|
||||||
|
\begin{flushleft}
|
||||||
|
\singlespacing
|
||||||
|
#1 (#2)\newline
|
||||||
|
#3\newline
|
||||||
|
#4\newline
|
||||||
|
#5
|
||||||
|
\end{flushleft}
|
||||||
|
}
|
||||||
|
%%% \mktitle
|
||||||
|
%%% used as
|
||||||
|
%%% \mktitle{title}{penname}{srcuri}%
|
||||||
|
%%% {legalname}{pronouns}%
|
||||||
|
%%% {address}{phone}{email}%
|
||||||
|
%%% {wc}
|
||||||
|
\newcommand{\mktitle}[9]{
|
||||||
|
\begin{titlepage}
|
||||||
|
\mkinfo{#4}{#5}{#6}{#7}{#8}
|
||||||
|
\center
|
||||||
|
\vspace*{3in}
|
||||||
|
#1
|
||||||
|
|
||||||
|
by #2
|
||||||
|
|
||||||
|
\vspace{1in}
|
||||||
|
|
||||||
|
{\tiny
|
||||||
|
As compiled from \LaTeX source on \today.
|
||||||
|
|
||||||
|
A copy of the source can be found at:
|
||||||
|
|
||||||
|
#3
|
||||||
|
}
|
||||||
|
\vspace{\fill}
|
||||||
|
\center #9 words
|
||||||
|
\end{titlepage}
|
||||||
|
}
|
||||||
|
\newcommand{\mkack}{
|
||||||
|
\newpage
|
||||||
|
\vspace*{3in}
|
||||||
|
\addcontentsline{toc}{chapter}{Acknowledgements}
|
||||||
|
\begin{center}
|
||||||
|
Acknowledgements
|
||||||
|
\end{center}
|
||||||
|
\vspace{0.5in}
|
||||||
|
\subfile{src/ack}
|
||||||
|
}
|
||||||
|
|
||||||
|
% Document
|
||||||
|
\begin{document}
|
||||||
|
\begin{doublespacing}
|
||||||
|
\mktitle{PROJECT}{PENNAME}%
|
||||||
|
{REPO}%
|
||||||
|
{LEGALNAME}{PRONOUNS}%
|
||||||
|
{STREETADDR\newline%
|
||||||
|
LASTADDR}{PHONE}%
|
||||||
|
{EMAIL}%
|
||||||
|
{WORDCOUNT}
|
||||||
|
|
||||||
|
\setcounter{page}{1}
|
||||||
|
|
||||||
|
% canon worthy
|
||||||
|
\mkchap{0x00}{The Last Normal Day}{19 July 2158 - 0321}
|
||||||
|
\textbf{Talon:}\newline
|
||||||
|
\subfile{src/chapters/00-a-lastnormalday}
|
||||||
|
\newpage
|
||||||
|
\textbf{Eilidh:}\newline
|
||||||
|
\subfile{src/chapters/00-b-lastnormalday}
|
||||||
|
|
||||||
|
\mkchap{0x01}{Corporate Takeover}{20 July 2158 - 1745}
|
||||||
|
\textbf{Eilidh:}\newline
|
||||||
|
\subfile{src/chapters/01-a-corporatetakeover}
|
||||||
|
|
||||||
|
\mkchap{0x02}{The Ceremony}{20 July 2158 - 0043}
|
||||||
|
\textbf{Talon:}\newline
|
||||||
|
\subfile{src/chapters/01-b-ceremony}
|
||||||
|
|
||||||
|
\mkchap{0x03}{The View}{20 July 2158 - 1012}
|
||||||
|
\textbf{Talon:}\newline
|
||||||
|
\subfile{src/chapters/02-a-theview}
|
||||||
|
\newpage
|
||||||
|
\textbf{Eilidh:}
|
||||||
|
\subfile{src/chapters/02-b-theview}
|
||||||
|
|
||||||
|
\mkchap{0x04}{Headache}{21 July 2158 - 1903}
|
||||||
|
\textbf{Talon:}\newline
|
||||||
|
\subfile{src/chapters/03-a-headache}
|
||||||
|
|
||||||
|
\mkchap{0x05}{Quick Time Actions}{21 July 2158 - 1911}
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|
\textbf{Eilidh:}\newline
|
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|
\subfile{src/chapters/03-b-quicktimeactions}
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||||||
|
% Need acknowledgements before enabling this.
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|
% \mkack
|
||||||
|
|
||||||
|
\end{doublespacing}
|
||||||
|
\end{document}
|
||||||
|
|
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Reference in a new issue